Author: Kyle A. Massa (Page 4 of 27)

A Dad’s Review of Disney on Ice

Disney on Ice

HarshLight, CC BY 2.0, via Wikimedia Commons

It wasn’t as cold as I thought it would be.

That’s the first note from my experience at Disney on Ice. My wife Sara and I took our daughter Sasha to the show last month, and Sara’s sister Michaela joined us.

We drove to the MVP Arena, formerly the Times Union Center, formerly the Pepsi Center, formerly the Knick, formerly probably something else, like the General Electric General Sports Dome or something. It’s an indoor arena right off I-90, which is just how we Albanians like it.

Speaking of Albanians, there were lots of us there. By Albanians, I mean citizens of Albany, New York, not citizens of Albania. (I mean, some folks might’ve been from Albania—I didn’t ask.) I’ve been to a Roger Waters show at this venue, plus several arena football games (go Empire), along with a handful of college basketball and minor league hockey games.

The crowd for Disney on Ice was more excited than them all.

I’m not sure why this surprised me, but it did. I expected the audience for an off-Broadway play, not a playoff game.

Into the parking garage we drove, trailing behind several minivans, SUVS, and other family-friendly vehicles. We chugged up a couple levels, avoided the odd sprinting child as we drove, and soon found ourselves a parking space. After gathering Sasha’s supplies (because sometimes being a parent feels more like being a roadie for the Grateful Dead), we headed inside.

The copious offerings of fried dough and souvenirs lent the place a carnival atmosphere. Unfortunately, the latter were a disappointment to both Sara and Michaela, since it all seemed to be seizure-inducing lights attached to plastic rods (more on this later).

The only thing that caught Sara’s eye was popcorn. As we searched for our seats, she asked me, Michaela, and Sasha if we wanted any (reminder: Sasha’s still learning English). All three of us declined, to which Sara replied, “Maybe we should get popcorn.” When we declined a second time, Sara called it an “outrage” and threatened to get some, anyway. Fortunately, she decided against it when she saw the line. We proceeded to our seats.

Sasha began the show in my lap. She was pretty much motionless for the next 45 minutes, which is commendable for a then-13-month-old kid. I’m guessing she was stupefied by all the strobing lights, which glimmered both on and off the ice; in addition to the overhead lighting, most kids wielded those blinking plastic sticks, with which they prodded one another.

Before the prodding could progress to smacking, the show began. In glided Mickey, Minnie, Donald, and Goofy, enjoying the type of ravenous applause reserved for mid-60s Beatles concerts. Through voiceovers pumped from the stadium speakers, we learned the framing story: The fab four wanted to make a movie, only they couldn’t settle on a subject.

A few notes so far:

  • The sexual tension between Mickey and Minnie was undeniable.
  • I’m pretty sure Tim Blake Nelson does the voice of Goofy. I know there’s no evidence of this, but it really, really sounds like him.
  • Donald Duck’s dialogue is inscrutable. Imagine a person whose tongue has been stung by a bee, then had a fishbowl shoved over their head.

After some friendly banter, the crew settled on not one story, but many, beginning with Finding Dory.

Er, at least, I think they did. The sequence of segments has blurred in my mind, becoming a jumble of twirls, axels, and flying camels (Sara assures me that’s a real skating move).

But here’s one thing I do remember: The Dory costumes were creepy. Creative, yes, but super creepy. The skaters’ heads exploded from the fishes’ backs—or maybe the fishes’ heads exploded from the skaters’ chests. Either way, I couldn’t help but wonder whether the kids were amazed or horrified.

Turns out it was the former. If you think European soccer fans are passionate, you should see children at a Disney show. Most were on their feet the entire time, and if they weren’t, it was only because they couldn’t yet stand. They clapped. They shrieked. They twirled their blinking plastic sticks in heedless, blurring arcs, making me wonder how nobody got concussed by an errant swing. Sara herself sat beside a little girl whose stick was apparently quite blinding. I didn’t notice; I was too busy trying to recall the names of the boyfriends of the Disney princesses.

This was the next bit of the show. Dory, Marlon, and Nemo departed, ceding center ice to Belle and the Beast. That one I remembered. But then came Ariel and her dude, Snow White and a dude, Aurora plus dude, and pretty soon I gave up. I challenge the average Disney fan to name these scrubs. They’re almost as interchangeable as contestants on The Bachelor.

Afterward, Sara, Michaela, and I speculated on the strategy behind the rapid-fire princesses. After much deliberation, we decided it was a diversion tactic, something along the lines of, Let’s rush in princess after princess so there’s no time to reflect on the racism/sexism of the old movies.

It didn’t really work, but it did make for some cool skating, especially when all 77 or so couples united for a group number. After a wave of raucous applause, this brought us to halftime—I mean, intermission.

As kids and parents alike raced for the bathrooms, Sasha’s trance broke. She began to squirm and was only placated by a pre-packed bottle of milk. Crisis averted.

While we waited for the show to resume, I spotted a lot of Molsons. All slim cans with open tops, all clutched by people I assumed were parents. It seemed an odd place to enjoy a brew, yet I realized most were likely enjoying their brews because of the place.

Sasha was chugging her beverage, too, though hers was Vitamin D whole milk, not light beer. No sooner had she finished than the show resumed.

Mickey, Minnie, Donald, and Goofy returned to discuss their work-in-progress, which Donald described as—and I’m quoting him here—”Plazz-bwoo.” The others pretended to understand him, then introduced The Lion King.

I cringed during this sequence, and not because the costumes reminded me of the film Cats. Rather, it was due to their song choice: “Can You Feel the Love Tonight?”

See, I love this song, and so does Sara. In fact, I performed and recorded it one year for her for Valentine’s Day. This might sound impressive…until you hear my performance. Imagine someone slowly squeezing the life out of a squirrel by sitting on it. That’s basically my voice, especially on Nala’s parts, which I had no business singing. If they’d played my version of the song instead of the original, I suspect even more Molsons would’ve been chugged.

I forgot my shame when Frozen began. Unsurprisingly, this claimed a major portion of the show. It was great: the songs, the routines, even the costumes (Olaf’s was my favorite). During “Let It Go,” I even got a little choked up. You’re so brave, Elsa, I thought to myself, squeezing Sasha like she squeezes her Carebears. You finally let it go.

After that came Taylor Swift.

…Just kidding, it was the cast of Toy Story. But if you closed your eyes and listened, you’d think someone was about to launch into the 10-minute version of “All Too Well.” Even a guy named “Forky” got a rave reception, though I’d never heard of him. (Probably because I refuse to acknowledge Toy Story 4, because Toy Story 3 came out the year I graduated high school, and since Andy was doing the same in the movie, I view as the definitive conclusion to the franchise.)

Side note: Is Forky okay? His schtick is constantly trying to leap into piles of trash, which seems like abnormal behavior to me (unless you’re a raccoon). Maybe Woody and Buzz should stage an intervention.

However, since an intervention would likely be too difficult to choreograph, the cast instead proceeded to Mulan. This almost brought Michaela to tears. Maybe it was the staging, or maybe it resulted from PTSD.

See, sometime in their adolescence, Sara demanded Michaela stay up well past midnight memorizing every word of every song from the movie. If even one lyric was incorrect, they had to restart the whole thing (Sara asked me to include this fact in this essay, and she sounded proud about it).

Though I wasn’t recalling an instance of sleep deprivation torture, I found Mulan moving as well. At one point, she shoots a live firework at the Hun army, triggering an avalanche simulated by a gigantic white sheet sweeping over the skaters. Very cool.

There was some stuff from Aladdin, too, like 20 blue genies forming a kickline across the ice, plus Aladdin wrestling a ragdoll version of his monkey. Afterward came the finale, where the entire cast circled the ice to wave goodbye.

Sasha saw none of this. Sometime around the genies’ arrival, she sprawled across Sara and me and promptly began to snore. (Her ability to sleep anywhere makes me a little jealous.)

When the show ended, I lifted her and cradled her in my arms. She slept on, even as we navigated our way through the fans, many of whom were screeching, crying, and flopping on the ground. Kids are experts at flopping on the ground, like fish unhooked from the line. They’re best at it when they want something, or really don’t want something, and they feel no remorse for their poor parents who make accidental eye contact with other nearby adults, who then think to themselves, I may pity you, but I can’t help you.

I’m sure such behavior is in our future, but just then, Sasha kept on sleeping. I carried her all the way to the car, where I set her down in her seat and buckled her in. She stirred for a moment, then sighed and slept on.

If Sasha had written this review instead of me, she might’ve started it like this: “This show put me to sleep.”

I’ll admit, that doesn’t sound great. And since she’s so little, I doubt she’ll remember much, if any, of Disney on Ice. But for whatever time she was awake, she was enchanted. And that, I’d say, was worth the price of admission.

Which is good, because tickets were surprisingly affordable, and there are apparently several other variations of the show. Parts II, III, IV, and V coming soon…


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

The World Without The Who

The Who

Heinrich Klaffs, CC BY-SA 2.0, via Wikimedia Commons, modified by the author using Canva

Full disclosure, reader: This won’t be an objective piece.

Not that any entry in this series has been (or will be). Still, I thought I should state that upfront, because when it comes to this subject, I am entirely biased. The Who is my all-time favorite band.

Though I’d rather never contemplate a world without them, we’ll do it here to highlight their importance. In a world without the Who…

…The Incredibles Wouldn’t Exist

In 1999, a guy named Brad Bird directed a movie called The Iron Giant. Due to the critical success of that film, Pixar Animation Studios gave Bird the greenlight to write and direct another animated feature: The Incredibles. We all know what happened next: Reddit users posted numerous memes about Elastigirl being thicc.

What do the Who have to do with all this? Well, Who guitarist Pete Townshend adapted The Iron Man, a novel by Ted Hughes, into a musical of the same name. Warner Bros. purchased the film rights to that album, and it soon became Bird’s The Iron Giant.

Therefore, no Who, no Incredibles. You’re welcome, Reddit.

…Punk Rock Would Be Gone

The Who was one of the chief inspirations behind punk rock, particularly the aggressive, power-cord-slamming style of guitarist Pete Townshend. Bands such as the Clash, Sex Pistols, Green Day, and the Ramones have either covered songs by the Who or cited them as influences.

So, by extension, this world we’re imagining would also miss classic tunes like “Rock the Kasbah,” “Anarchy in the UK,” and “American Idiot.” And who could forget everybody’s favorite Ramones song, “Pet Sematary”?

…What Would CSI Do?

They have like 10 spinoffs, and all of them bastardize Who songs for their opening credits. I’m still waiting for CSI: Portland, which would use something weird, e.g. “Boris the Spider.”

…No More Animal from the Muppets

That’s because Animal is based on the Who’s original drummer, Keith Moon.

Moon really was some sort of animal. For example, on his 21st birthday, he committed the following acts at a Holiday Inn in Flint, Michigan:

  • Got very drunk
  • Chipped half his front tooth
  • Started a food fight
  • Set off numerous fire extinguishers
  • Drove a Lincoln Continental into the swimming pool (this claim has since been disputed)

This all cost an alleged $24,000 in property damage, which was worth quite a bit more in 1967. Most of us get sloppy on our 21st birthdays—but not 24k-sloppy. For comparison, here’s what I did on mine:

  • Drank legally
  • Dined at Ithaca’s finest restaurant: Sammy’s Pizza
  • Capped off the night with some Call of Duty: Black Ops

I suppose my Venn diagram overlapped with Moon’s on the “got very drunk” part. But hey, nobody ever based a Muppets character on me.

…Yet.

…The Rock Opera Would Be a Lost Art

The Who’s Tommy was the first. Without its pioneering presence, would we have such classics as David Bowie’s Ziggy Stardust, Pink Floyd’s The Wall, or The Simpsons’ Simpsons Christmas Boogie? I think not.

…Smashing Guitars Would Be Considered Vandalism

Yes, Mr. Townshend was the first man to smash a guitar for the spectacle. He was inspired to do so by artist Gustav Metzger, who destroyed his own work as a mode of artistic expression. Pete did the same, forcing the band to glue their instruments back together in their early days, when they lacked the funds to replace them.

…In the Year 2010, a Vegetable Platter Might’ve Been Saved

During Super Bowl XLIV, the Who played the halftime show. And somewhere, some overenthusiastic viewer did a Pete Townshend windmill air-guitar move, knocking over somebody’s veggie tray at their Super Bowl party. I’m almost certain this happened.

My friend Jimmy maintains this was the worst halftime performance in Super Bowl history, but as I’ve said, I’m biased. I’ll admit, Pete’s shirt kept flying up during those aforementioned windmill moves, revealing his old man stomach beneath.

Yet still, it’s hard to get much worse than 2019, which featured shirtless Adam Levine, 30 seconds of Travis Scott, half of Outkast, and for some reason, SpongeBob SquarePants.

…Young Kyle Would’ve Gotten More Sleep

I recall one night in high school where I stayed up late listening to Tommy and getting very emotional, I think after being rejected by a girl or something. Emo much?

Oh, and also, I downloaded all the Who’s DLC songs on Rock Band 2 and played them ad nauseam in my dad’s basement, usually at night. If you thought the Who’s cover of “Young Man Blues” from Live at Leeds was good, wait ’til you get a load of mine.

…Sports Teams Would Have Shorter Pregame Playlists

I swear, every time I tune in to a Giants game, they’re playing “Baba O’Riley.” Of course, they never play “My Generation,” because that would offend the geriatric fans.

That reminds me of a story. You may not have known this, reader, but I’m in a band. We’re called Hurricane Betty, and we once played a pool party at a dude’s house (we dubbed him “Cabana Bob,” owing to his sick backyard cabana). Sometime during the party, Bob announced one of his guests was celebrating their 60th birthday. Everyone sang “Happy Birthday,” and all was well.

Two songs later, we played “My Generation.” My brother-in-law Dan (and our band leader) changed the most famous line in the song to this: “I hope I die before I turn 60.”

Paradoxically, Cabana Bob still invited us back the following year. Probably couldn’t find another band that would play for free.

…The World Would Be Far Less Interesting

Speaking for millions of fans throughout the world, I’m glad the Who exists. Now please excuse me while I go queue up a little Quadrophenia.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

You can read more from the “World Without” blog series here. And if you want to see a specific topic, email kyle@kyleamassa.com.

“If Pages Could Blush”: The Story Behind the Story

If Pages Could Blush

This story began in my car. Well, it technically began with an anthology. But not the anthology you’ll read it in.

You know what? Let’s back up a bit. There’s a story behind every story, and today, I’d like to tell you the tale of my latest.

It’s Called “If Pages Could Blush”

…And it appears in Unidentified Funny Objects 9, an anthology edited by Alex Shvartsman. We’ve also got stories from Jane Espenson, Lavie Tidhar, and Simon R. Green, amongst many other talented writers.

My story takes place in a library where the books are sentient. One of those books—the infamous Necronomicon—escapes from its section, no doubt for nefarious purposes. Now it’s up to Augustus Fluff, bumbling librarian’s apprentice, to apprehend the escapee.

How It Started

As I mentioned, “If Pages Could Blush” (we’ll call it “IPCB” from now on) began with an anthology. The theme? Send a story about books.

I had a few ideas. I drafted a tale where someone procures a forbidden book from an underground bookshop, then another about a book that transports readers to an alternate world (literally). After my usual trial-and-error cycle, I settled on a concept I liked: A book gets loose in a library.

The First Draft

Here’s the part about writing the story in my car. In the fall of 2021, during my work commute (shoutout to Special Olympics New York), I decided I’d do something besides listen to Limited Resources.

In the writer world, you hear legends of people who pen 4 or 5k words per day using the magic of dictation. Being the copycat that I am, I tried the same, starting with my escaped-book story. Here’s the first line of my first draft:

“A book was missing.”

Not the most riveting stuff. Also, according to my Google Doc, I began writing on October 14 at 8:35am, meaning I was late to work. For shame!

Things got better from there. My main character was a librarian who owned his own set of sentient books. When one escaped, he went on a quest to find it. However, as I wrote, the librarian became increasingly incompetent. His adventure took on a farcical tone because he was so flustered about the whole situation. So, I morphed my MC into an apprentice rather than a master.

Subsequent Drafts

In my next version, the Master Librarian established the rules of the world in the first scene (yes, she’s known as “The Master Librarian,” even in the final draft). My new main character, the Master Librarian’s bumbling apprentice, was named Augustus Gulp. I liked the name because it was contradictory: “Augustus” is an emperor’s title, yet “gulp” is the sound you make when you’re in trouble.

However, my writers’ group caught something. The name sounded awfully similar to Augustus Gloop, that gluttonous ginger kid from Charlie and the Chocolate Factory. Not a bad association, but not one I wanted, either. After a few days’ deliberation, “Gulp” became “Fluff.”

At the suggestion of both Sara and my writers’ group, I cut the opening scene with the Master Librarian, preferring instead to launch directly into the story. I tightened said story, too, adding references to my favorite books and clarifying the trail of clues leading to the denouement. The deadline for the anthology was January 31, 2022. I worked diligently to hit it.

(When I say “diligently,” I mean squeezing it in between games of Magic: The Gathering and reading sessions of Shakespeare’s Othello, which Goodreads tells me I was reading at the time. Justice for Desdemona.)

Anywho, eventually I finished “If Pages Could Blush”—or at least finished it enough to submit.

The Anthology

I use a handy little site called Duotrope to track my writing submissions. That’s how I know that, on January 31, 2022, I sent “IPCB” to the anthology. On March 24, I received a response that can be summed up in two words:

No thanks.

That one hurt. I’m used to rejections, as evidenced by my 115 submissions since 2013, with a rejection percentage of 85.8. Like baseball, a high-failure rate is part of the game.

Yet this proverbial strikeout stung more than the others. Why? Because I’d written the piece specifically for the market. It was like crafting the perfect gift for your Secret Santa, then watching them set it ablaze with a flamethrower.

Okay, that was melodramatic. But still, it was a bummer.

Furthermore, I thought “If Pages Could Blush” was pretty darn good. The concept was fun, the mystery felt satisfying to me, and early readers seemed to find it amusing. So what was wrong with it?

Nothing? Everything? The answers in art are never that clear.

A Brief Aside

You may not know this, but I once volunteered as a first reader for Grimdark Magazine. In that role, I read stuff.

…And then offered thoughtful feedback to the editor. But really, the position was well-named, because it was all reading.

Most of what I read was strong, yet little of it made the final mag. Why? Limited space in the issue. Topic too similar to previous stories. Elements that didn’t align with our theme.

In other words, there’s more to publishing than quality. Not to say quality isn’t the most important factor in any artistic endeavor—it’s just that those other, less visible details matter, too.

This is a long way of rationalizing my rejection. It’s how I convinced myself to continue submitting.

The Next Few Months

In May, I sent “IPCB” to three pro-paying markets. I received a one-day rejection, a 38-day rejection, and a shortlisting. Feeling encouraged by that last one, I submitted my story for the fifth (and, as it would turn out) final time.

I’d never read Unidentified Funny Objects before, but I’d heard of it. It’s one of the few pro-paying humorous fantasy/sci-fi markets around (professional payment being defined by Duotrope as “5 US cents per word and up”). UFO has also published stories by two of my literary heroes, Neil Gaiman and George R.R. Martin, so that was a definite draw.

Three days later, I received notice that “IPCB” was being held for final consideration. And, on September 24, 2022, my story was accepted.

Provisionally. (Dun dun DUN!)

The Edits

Alex Shvartsman, the aforementioned series editor, responded with the news. He said he’d be happy to accept my story, provided we agree on some changes.

To preserve editorial integrity, I won’t disclose those changes. (I’m new to this, so I’m honestly unsure if sharing would be considered tacky.) Suffice it to say there were four suggestions, and they all improved the piece.

After those edits came a round of copy edits, then signing the contract in blood (JK, it was a BIC). Then, finally, “If Pages Could Blush” became an official inclusion in UFO9. You can read a copy yourself.

The Takeaways

Prior to this, I’d only ever sold a single short story; those of you who’ve read Monsters at Dusk will remember it. It’s called “Thespian: A Tale of Tragedy and Redemption in Three Acts,” and Allegory gave me a cool $20 for it.

I don’t write for money. Yet still, someday I want to make a living off this writing thing. And earning 20 times what I had before? That felt pretty good.

Go Catch Your Copy Before It Escapes!

If you’ve made it this far, then why not read the story this entire story’s been about? Go grab your copy of Unidentified Funny Objects 9 on Kindle or paperback! I hope you enjoy it as much as I did.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

I Survived NaNoWriMo (More or Less)

Background Image: “Nine Lives” by Paul Scott Canavan

30 days, 50,000 words, and one sorta-finished story. That’s what happened last month for NaNoWriMo.

The Stats

Being a sports fan, I always enjoy a few well-placed stats. So here are a few, just for you:

  • Final word count: 50,014
  • Highest daily word count: 2,280 on the 23rd
  • Lowest daily word count: 130 on the 30th (the last day)
  • Average daily word count: 1,667.13
  • Hours spent stressed out: Countless

I even got a cool little certificate for finishing.

My NaNoWriMo 2022 Certificate

The Book

The name of the book I wrote was Remembering the End: A Novel of Novel Apocalypse Tales. It began as a book about people telling end-of-the-world stories, and it ended that way, too—more or less.

My original framing story was simply a ruined world; colorless and lifeless and pretty damn boring. At the urging of both Sara and my writers’ group, I devised (what I hope is) a more interesting setting: a hotel. Here’s an excerpt:

I splashed lukewarm water on my face, then dried myself with a towel from the rack. I examined the name of the hotel, stenciled in gold stitching on the towel: the Interstitial.

Look, I’ve heard of the Hilton and the Ritz, but I’ve never heard of the Interstitial. I read the name several times, just to make sure my present condition wasn’t deceiving me, yet it seemed I was reading that right.

So, then I knew where I was. Sort of.

I returned to the main room, feeling only slightly better than prior, then I realized how damn cold I was. Forgive the image, but all I had on were my skivvies. There was no suitcase on the floor, so I searched the wardrobe and pulled on whatever clothes were in there. Turned out to be a pair of too-big sweatpants and an oversize hoodie depicting a rain of $100 bills. (At that point, I was really hoping the Interstitial wasn’t a fancy place.)

As I prepared to step outside the door, I noticed shadows flutter along the crack of light beneath the door. Looked like people, several people, had just passed by in the hallway. Not that I heard them. I opened the door, squinted into the light, and…

Nothing. No one up the hall or down. Empty.

This was more than a little unsettling, as I’m sure you can understand. I mean, on top of my nausea and general amnesia. I crept down the hall, suddenly feeling anxiety about what might happen next.

Music played from somewhere down the hall. Sounded instrumental, like the big-band sort of stuff you might’ve heard on the Titanic, though it was too distant for me to be sure. More artwork lined the walls, framed photos and paintings, all of them just as odd as the one in my room.

For example, one image showed an image of a planet from space. The planet was engulfed in flames, like the head of a torch. Another depicted what appeared to be a wasteland, filled with numerous corpses and skeletons, each attended by a swarm of carrion birds. The name of the painting was etched into the frame: “The Buffet, or All You Can Eat.”

At this point, I was starting to get a little worried.

Beyond that, I worked on four of a planned five stories to be told within the framing device, each narrated by a different guest. The working titles of those stories are…

  1. “Baby Magic: An American Myth, Featuring a Sloth”
  2. “Choops & the ‘Foot Investigate the Uninvited Guest”
  3. “Two Houses”
  4. “Festivals in Hell”

I reiterate: These are working titles (as is Remembering the End, for that matter). Some, if not all, will probably change prior to publication. Still, I hope you enjoy what I’ve got so far.

The Takeaways

First and foremost, this experience reinforced my aversion to daily word counts. I’ve written about this decision before, but basically, I need variety. I thrive on hopping from one project to another, returning to Project A when Project B stalls, and vice versa. It’s tough for me to slog through my writing, especially when inspiration is hiding.

That happened a lot during NaNoWriMo. Not that I didn’t like Remembering the End—it’s just that I’d often come to a narrative roadblock and feel compelled to bust my way through rather than devise a clever way around. Ideally, I’d work on something else in the meantime.

But hey, on the bright side, I’ve got most of a new book in my back pocket for 2023. It’s not done, but it’s a lot more done than it was a month ago. Looking forward to sharing more with you soon!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

I’m Halfway Through NaNoWriMo 2022, And…

If NaNoWriMo was a baseball season, this would be my mid-season slump. Just check out my graph…

Why the sudden decline? Several reasons:

  1. My wife and I traveled to Yankee Stadium to see our alma mater, Ithaca College, crush our arch rivals, Cortland University, in the annual Cortaca Jug football game. Let’s go Bombers!
  2. I have a cold (probably from the game).
  3. I’m stumbling on my story.

Not struggling—just stumbling. I’ve completed three of a planned five parts of Remembering the End, but part four is giving me issues. Still working through them on my way to the right draft.

Here’s a bit from my work-in-progress. It’s from the part called “Summers in Hell”:

Hell is cold.

The wind cracks your bones, the snow falls when it wishes, and the old fires stand frozen on the tundra, locked in snapshots of dancing ecstasy.

Hell is cold.

The demons live in igloos. Every day, they fish beneath the ice for the souls of the damned, and every day they nab the same tortured people on their serrated fishing hooks, pulling them up all blue and drenched and sputtering. They roast the souls over fires until they’re crisped and blackened, and then the demons eat them with a side of baked beans and Bob Evans mashed potatoes. In Hell, the meals are always the same.

Overnight, the seven suns of Hell set and the demons retreat to their igloos. Their fires freeze and the holes they drilled ice over, and when they emerge from their igloos at first light, they do it all again. They catch the same damned souls, roast them, eat them, day after day after day, forever, eternally.

Hell is very cold.

Now if that doesn’t make you hungry, I don’t know what will.

Oh, and It’s Still Gizzvember

Yes, King Gizzard and the Lizard Wizard is officially my new favorite band. They’ve played the soundtrack to my writing, whether it’s bluesy boogie, hard rock, or heavy metal. I’ve listened to all 23 of their studio albums, and I’m now working through their live bootleg catalog. My wife is loosing patience with the constant Gizzard playing around the house, so I suppose I’ll have to scale things back eventually.

Side note: When I was proofreading my last email, my computer pronounced “Gizzvember” as “Jizzvember,” which was concerning.

How About You?

Overall, it’s been a fun, if hectic, November thus far. Are you doing NaNoWriMo? If so, let me know!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

I’m Joining NaNoWriMo 2022

I succeeded once, failed once, and now I’ll be doing one or the other again. NaNoWriMo, here I come!

That stands for National Novel Writing Month, by the way. It begins today and ends when November does. My mission: To write a 50,000-word manuscript in 30 days.

Last Time

Last time I tried NaNoWriMo was 2019. That was the failure.

…Well, I shouldn’t say that. I got about 45k into the book, then quit when I felt it wasn’t working. That was Short Contracts, a book about a sports league in a fantasy setting (not to be confused with fantasy sports). I plan to return to it when the time is right.

I also tried NaNoWriMo in 2017. That was the success. I wrote what Stephen King would call a trunk novel, which is one of those books you finish but save for later. It’s called Upstate and a While Back. Someday I’ll reveal it from the trunk.

The experience was fun but grueling, especially in the latter half of November. 50k words is all about consistency and planning, as I remember, so we’ll see if I’m up to the task.

This Time

This month, I’ll be working on a story called Remembering the End: A Novel of Novel Apocalypse Stories. Think Canterbury Tales, except it’s about worlds ending. Cheery, right?

Honestly, I hope so. I’ve already got a head start on one character’s story, and it’s turned out fairly comic (like most of my stuff). I anticipate the rest to be the same—though I’ve only got vague ideas for them. And when I say vague, I mean super vague. Like, the ending of Mulholland Drive vague.

Anyhoo, I’ll be tracking my progress on this here chart:

NaNoWriMo Progress

Yes, that is Magic: The Gathering artwork in the background. I use it in my MTG articles, but I like the cats, so I’m using it again here.

The Distractions

Over the past year I’ve recalibrated my writing strategy to be less about word count (in fact, I wrote an article all about it). For NaNoWriMo, I’ve got to readjust. Gonna be a challenge for sure.

Also, November is going to be a busy month. Here are some of the non-writing activities I’m doing:

  • November 11: Playing in my first Magic: The Gathering tournament since 2018.
  • November 12: Being a raging fan at the Cortaca Jug game at Yankee Stadium. Go Bombers!
  • November 15: The new Magic set releases online. Always a major distraction.
  • November 24: Thanksgiving. (And my beloved New York Giants are playing the hated Dallas Cowboys.)

Oh yeah, and I still have to work and stuff. Doesn’t seem like much, but when you’re writing 50,000 words in 30 days, you can’t really afford to take time off.

Will I Succeed?

Reply hazy, ask again later. But here’s what I can promise: I’ll be checking in with you throughout the month. Here’s the schedule…

  • November 1: This blog post.
  • November 7: Email newsletter.
  • November 14: Another blog post.
  • November 21: Another email.
  • December 5: An email and blog post summing it all up.

If you want to follow along as I slowly descend into madness, feel free to subscribe to my newsletter below. Wish me luck!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A Muggle Parent’s Questions About Academics at Hogwarts

Hogwarts Questions

Dear Hogwarts Admissions Office,

My name is Kyle Massa and the only magic I know is the trading card game. Nonetheless, I’m considering sending my daughter to your school, provided you can answer some quick questions.

First, what’s the approximate mortality rate among students? I ask because the brochure mentions giant spiders in the woods, secret chambers beneath the castle, and ghosts of former students haunting the bathrooms. Also, the liability waiver is longer than Infinite Jest. Should I be concerned about this?

Second, where are the math classes? I never liked math and, truth be told, I dropped out of precalculus after two classes. Still, basic mathematical skills seem important in the everyday world, magical or otherwise, yet all I’m seeing is stuff like Transfiguration (whatever that is). Does this mean wizards can’t calculate tips? If not, will Grubhub still deliver to the school?

My third question is about PTAs. Most Muggle schools have them, yet Hogwarts appears not to. I have no firsthand experience of such things, but I hear PTAs are sort of like a prison sentence, except you volunteer for it. More experienced parents have advised me never to speak of them, lest someone mistake it for interest.

You know what? This isn’t a question—more a congratulations on not having PTAs. Well done.

Actual question number three: What’s your cell phone policy? Ubiquitous cell usage was just beginning during my school days, yet even then administrators spent roughly half their tenure confiscating Motorola Razrs. So what’s the Hogwarts policy? (My suggestion: Outlaw Snapchat. It’s the worst.)

My fourth question is about the houses. Here are my general impressions:

  • Gryffindor: The home for future world leaders with no discernible issues or shortcomings.
  • Slytherin: A pack of cheats, sociopaths, and borderline white supremacists.
  • Hufflepuff: A bunch of randos who do nothing noteworthy, except maybe die.
  • Ravenclaw: See above.

Look, I know tribalism is fun for kids (e.g. Lord of the Flies). However, after careful research, I’ve concluded that Gryffindor is the only house a parent would want their child in. If my daughter got into Slytherin, for example, I’d immediately hire several psychiatrists and hide all the knives in the house.

And hey, does your food contain laxatives? This is my fifth question. I ask because, when I was a freshman at Ithaca College, one of my good friends insisted the campus food was laced with laxatives. He provided no evidence other than claiming he was pooping a lot (we took his word for it). According to his theory, if we drained our bodies frequently, we’d need to eat more, thereby making the college more money.

I reiterate: This was never proven. I am not suggesting my alma mater tampered with our food. But does Hogwarts? I’m asking as a concerned parent.

I could go on, but I’m running out of ink and this owl you sent to retrieve my letter won’t stop staring at me. Which brings up another question: Do you have email?

Best,

Kyle


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

The World Without Coffee

The World Without Coffee

The world without coffee is, I must say, a horrifying alternate reality. However, here in the World Without series, we don’t avoid difficult topics. We examine them head-on, with courage, humor, and, fortunately, caffeine.

So get ready, people. In a world without coffee…

…We’d Live in The Hunger Games

Coffee contains caffeine, which is the chief reason most folks drink it—unless you’re one of those weirdos who drinks decaf. In such cases, I must assume you also enjoy non-alcoholic beer, sugar-free Coke, and rock songs without guitar solos. Are you all right? I’m asking as a friend.

Sorry, let’s get back on track. According to the National Coffee Association (yes, there is a national association dedicated to coffee), 62% of Americans drink coffee every day. I’d guess a significant portion of them drink the caffeinated sort. Without it, waking up for work would be difficult, if not downright impossible.

What if we extend this logic further? If people can’t wake up for work, they work less. If that happens, the gross domestic product of countries shrivels, trade suffers, and the world descends into chaos. Hence, a Hunger Games scenario. (I fell asleep during the fourth movie, so hopefully it ends well.)

…We’d Have to Resort to Alternate Forms of Caffeine

Tea, for example. Or soda. Or energy drinks. Or cocaine.

Look, I know cocaine is far more stimulating than caffeine. But from my understanding, it’s sort of like caffeine on cocaine—not that I would know from experience (I promise I’ve never done cocaine, Mom). I’m just saying, people would need something to wake them up. Who can say it wouldn’t be the 80s all over again?

…Toilets Would Be Used Less Frequently

Everybody knows that coffee makes you poop. Without your morning joe, you’d be less regular (I know I would). And when you get constipated, you get irritable, so the world would probably be a lot grouchier, too.

…We’d Lose the “Caution: Contents Are Hot” Warning

That’s because it comes from an infamous 1992 case in which Stella Liebeck sued McDonald’s for serving coffee so hot it gave her third-degree burns when spilled. I wonder why we don’t have more of these warnings, such as “Caution: knife is sharp.”

…People’s Breath Would Smell Better

No other beverage makes breath smell worse (unless you’re a fan of onion broth). This has become even more apparent while wearing masks everywhere.

…The Starbucks Empire Would Collapse

And I would play my fiddle while it burned. The downfall of Starbucks would devastate millions of people, but personally, I think it’s vastly overrated. Sure, they have some decent stuff, like that sweet vanilla cold brew thing. But Starbucks reminds me a little of NXIVM, and any chain that substitutes the word “large” for “venti” is clearly full of itself.

Another strike against it: I have a personal vendetta. When I was a young lad, there was a combination KFC/Taco Bell only 15 minutes from my house. When the KFC left, I was hurt. When the Taco Bell left, I was devastated. And you know what replaced them?

A Starbucks. Never forgive, never forget.

…Interns Would Become Obsolete

When I interned in Los Angeles, I’d say a good 68% of my job was hustling down to the Starbucks on Wilshire Blvd (yet another reason I hate the Bucks). Plus, one of my professors once said Los Angeles is built on the backs of interns. So if interns didn’t have coffee runs to make, L.A. would crumble. A definite bummer, but at least there’d be less traffic.

…Undercover Police Would Need Another Way to Stay Awake

Again, I don’t want to say cocaine, but…cocaine?

…The World Would Be Far Less Interesting

Thankfully, we live in a world with coffee, and today’s the day to celebrate it. Now please excuse me while I brew a fresh pot. Happy International Coffee Day!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

You can read more from the “World Without” blog series here. And if you want to see a specific topic, email kyle@kyleamassa.com.

The World Without Chocolate

The World Without Chocolate

Cake. Syrup. Mousse. Cookies. Pudding.

Those desserts (and so many more) would suffer without chocolate. Yes, reader, that’s the bleak scenario we’re examining today. In a world without chocolate…

…Things Would Get Gloomy

That’s the word my wife used to describe this alternate reality, along with a sad sigh. Sorry to bum you out, Sara.

…Several Holidays Would Die

We have numerous choco-based holidays, including Easter, Halloween, and Valentine’s Day. Without the chocolate, what would we be celebrating? Rabbits? Pumpkin mutilation? Love? Come on now.

Of those three holidays, Halloween would have it worst, since the entire conceit of the night is stuffing yourself with chocolate until you puke, all while pretending to be someone else to hide your shame. And without chocolate, Milky Way, Twix, and Snickers are out, leaving whatever’s left in people’s cupboards. Hope you like expired Saltines, kids.

Charlie and the Chocolate Factory Would Need a New Setting

Maybe not the worst thing, since both versions of this film are super creepy. I’ve never read the book, but knowing Roald Dahl, it’s probably just as disturbing—if not more so.

Also, did you know there’s a prequel movie slated for release next year? It’s an origin story for Willy Wonka, because apparently we needed the Dahl Cinematic Universe.

Matilda Would Be More Enjoyable

Speaking of movies, Matilda is another DCU film, the one where school faculty forces some kid to eat an entire chocolate cake, solo. For many, this would be a delight. However, this particular cake is made from the “sweat and blood” of the lunch lady.

It’s a grotesque sequence, enough so that it ruined chocolate cake for my sister for at least a few months. Quite the astounding feat considering she requested a seven-layer chocolate cake for her birthday one year (my mom vetoed that idea).

…Peanut Butter Would Lose a Longtime Ally

As they so frequently remind us on Reese’s commercials, chocolate and peanut butter go together like Jagger and Richards (except for the 80s). Peanut butter would still have jelly and fluff, I suppose, but jelly is messy and fluff is objectively gross.

…Vanilla Would Own a De Facto Monopoly Over Soft Serve Ice Cream

As it stands, our standard soft serve options are vanilla and chocolate. Without the latter, we’d have no selection, not even a twist. I’ve never been partial to soft serve chocolate, but even I must admit, this sounds like slim pickings.

…Count Chocula Would Need a Rebrand

To what, Count Vanilla? Vanilla is literally synonymous with boring. We can’t have that.

…The Cookie Monster Would Lose His Favorite Cookie

I recommend the snickerdoodle as a replacement, both for the taste and the name.

…Cookie Crisp Would Cease to Exist

Maybe not a bad thing; it’s the antithesis of nutrition. I don’t understand why the FDA ever approved the stuff. Also, if we’ve learned anything from the last three points, it’s that a world without chocolate would decimate many people’s childhoods.

…No More Chocolataires

Did you know such a thing was a thing? Because I didn’t.

Not to be confused with a chocolatier, chocolataires are parties where every food and beverage served contains some form of chocolate. Apparently, this type of shindig was biggest in the early 1900s. (This is all according to Wikipedia, so if I’m the victim of an elaborate trolling, I apologize.)

Such a party would be tough to hold without chocolate. Truth be told, I’m just trying to imagine the menu with chocolate. Something like this…?

  • Hors d’oeuvres: Cocoa Puffs, fudge Pop Tarts, and random chocolates from a Whitman’s Sampler
  • Drink of the evening: Chocolate milk
  • First course: A traditional Caesar salad doused in Hershey’s syrup in lieu of dressing
  • Second course: A slice of pepperoni pizza (the pepperonis are Reese’s Cups)
  • Third course: A seemingly normal pork roast, only someone injected the meat with searing hot fudge
  • Dessert: Chocolate ice cream topped with chocolate sauce and chocolate sprinkles, packed with chocolate chips and chocolate chunks, all floating on a bed of chocolate mousse, served with Hot Chocolate’s “You Sexy Thing” playing in the background
  • Party favor: Lines of cocoa powder that you snort off a golden platter

Hmm. Maybe we’d be better off if these never existed.

…The World Would Be Far Less Interesting

We all need a little chocolate in our lives from time to time, else things would definitely get gloomy. For my wife’s sake, I’m glad it’s still here.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

The subject for this article came from a reader named Cherry. Thanks, Cherry! You can read more from the “World Without” blog series here. And if you want to see a specific topic, email kyle@kyleamassa.com.

Ready for Misery: A 2022 New York Giants Season Preview

Giants Season Preview

All-Pro Reels, CC BY-SA 2.0, via Wikimedia Commons

Big Blue is back and bluer than ever. Another NFL season is upon us!

Yes, pity me, reader. I’m a New York Giants fan. Just like last year, I’m getting you set with a preview article. Here are all the reasons to be both hopeful and depressed (mostly depressed).

Last Season

…Was a dumpster fire. Whether it was the slew of injuries, the anemic offense, or the infamous back-to-back QB sneaks, nothing went right. The only good thing about the season was its conclusion, along with General Manager David Gettleman’s retirement and the firings of Head Coach Joe Judge and Offensive Coordinator Jason Garrett. I don’t enjoy rooting for people to lose their jobs, but in these cases, it felt warranted.

The Offseason

Gettleman, Judge, and Garrett weren’t the only departures. The Giants cleaned house in the front office; by my count, 20 positions were replaced or eliminated. The most notable new arrivals are Head Coach Brian Daboll and General Manager Joe Schoen, both coming from the Buffalo Bills and both doing their respective jobs for the first time.

Of the two, Daboll worries me most. Why? Since Tom Coughlin left in 2016, here are the Giants’ non-interim head coaches:

  • Ben McAdoo (the guy who looked like he was reading from a Denny’s menu)
  • Pat Shurmur (the guy with a lifetime coaching record of 19-26)
  • Joe Judge (the guy Sally Jenkins compared to a clown)

All three served as successful assistant coaches prior to their hirings. All three fizzled after two years in NYC. Seeing a pattern here?

Like his predecessors, Daboll was a hotshot coordinator with little or no previous head coaching experience. Sure, he’s likely better than the others. But after three failed attempts, why do we think the fourth will work? Why didn’t we instead hire a proven, competent NFL coach, like Brian Flores? Because that’s Giants football, baby.

And somehow, this isn’t even the team’s most dubious offseason move. That award goes to a trio of cuts: Veterans James Bradberry, Logan Ryan, and Blake Martinez, all trimmed to clear cap space.

Cap space for what, you ask? The piggy bank, I suppose, since the team’s best acquisitions were Matt Breida, Jon Feliciano, and Tyrod Taylor, all castoffs from the Buffalo Bills (because the Bills are trendy right now).

The Draft

At least this went well. With two picks in the top 10, the Giants selected Oregon defensive end Kayvon Thibodeaux and Alabama offensive tackle Evan Neal. Many analysts considered Thibodeaux the most talented player in the draft, but after launching his own cryptocurrency, NFL GMs questioned his focus, hence his fall to the Giants at pick five.

Umm. Okay? I don’t understand cryptocurrencies, either, but I wouldn’t call them a red flag. Whatever. The Giants got Thibodeaux, so that makes me happy.

Of course, in typical Giants fashion, he got injured in the preseason and will miss several weeks, barring any setbacks. Best invest in KayvonCoin now.

What to Expect This Season

The easy answer is mediocrity. Quarterback Daniel “Dimes” Jones has showed little improvement (if any) during his three years in the NFL. Also, after cutting Bradberry and Ryan and losing safety Jabrill Peppers in free agency, the Giants’ secondary looks about as formidable as a “please slow down” sign written in crayon.

And yet…

There is a case for success. First, they have one of the easiest schedules in football based on projected win totals. Second, their division is one of the worst; Washington spent draft capital to acquire Carson Wentz (rivals Daniel Jones for turnover creativity), Dallas is always overhyped (don’t deny it), and Philly is coached by this guy:

Third, the Giants have a contingency plan at quarterback: Tyrod Taylor. He’s not flashy, but he’s competent. Despite his cool nickname, Danny Dimes has played more like Danny Ha’Penny. I expect Tyrod to arrive around week four or five.

Get Ready for Football

When you’re a Giants fan, pessimism is never a bad look. But with New York’s season kicking off Sunday, September 11, there’s still time to hope. It might be miserable, but hey. At least it’s football.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

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