Category: Writing (Page 1 of 12)

Try My Stew

Not the kind you eat. The kind you read.

Hi reader. Today I’d like to share my newest book with you. It’s called Hecatontagonal Stew, and it’s out now in ebook, paperback, and soon, hardcover. Let me tell you a bit more about it.

The Gimmick

Hecatontagonal Stew is a short story collection. However, it’s unlike most—or perhaps any—you’ve ever read. That’s because it has 100 stories, and each story is exactly 100 words long.

With so many stories, I had the unique opportunity to explore all sorts of genres, styles, approaches, and more. I divided them into 10 parts of 10 stories each. Speaking of which…

The Parts

Are as follows…

  1. Tales & Tails (Fairy tales, Shakespeare, folklore, animals, and more)
  2. Who Are You? (Stories about identity—but sadly, none about The Who)
  3. Consumption (Eating, drinking, buying, etc.)
  4. How Creepy (Horror, but mostly funny horror)
  5. Selective Memory (History, reminiscence, and period pieces)
  6. Please Be Professional, Please (Work stories)
  7. Surreality (Stories based in fact, or at least not fiction)
  8. Sporting (All about sports)
  9. Circles (Anything with a circular narrative)
  10. Crime & Reward (Because sometimes, crime pays off)

Hopefully that gives you a decent idea of what’s floating around in this stew. But why did I even cook it? I’m glad you asked.

The Inspiration

I began writing this book back in 2022—though I didn’t know it yet. I answered an open call for drabbles from a site called Black Ink Fiction. (A drabble is a story that’s exactly 100 words long.) The theme was “snow,” which put me in mind of snow days, which made me wonder what might be the weirdest way to get one.

Easy, I thought. Ragnarok.

That’s basically the Norse version of the Apocalypse, only instead of fire and brimstone, it begins with snow. So, I wrote a 100-word, two-sentence story about Ragnarok beginning in New Jersey, of all places. And Black Ink Fiction liked it enough to publish it.

I planned on including that story in a future fiction collection, along with a few other brief pieces. But once I started writing them, I found I couldn’t stop. And each one came out around 100 words.

It felt like a gimmick. And I can’t resist a good gimmick.

The Gimmick Earns Some Titles

My initial goal was 50 hundred-word stories, so my initial title was 50 x 100. Knowing that wasn’t very catchy, I forged ahead with the more important part—the actual stories.

The initial burst was prolific. I remember writing 20 stories in one day and thinking, This is easy! At this rate, I’ll have this book done by May.

That was in April. Of course, I didn’t. Progress slowed from there, though never entirely. It was satisfying to sit down every day and pump out a few complete stories. At just 100 words each, it didn’t take long.

In fact, by the summer, I decided to double my goal. Why not 100?

That changed the title, too. My book was now called 100 x Hundred, and I’d even mocked up a cover for it.

The Covers

Here it is…

Pretty bland, as you can see, but the joke is, it’s a 100 by 100 grid. Hoping for something a little more flavorful, I brainstormed some new titles:

  • 100 Unblessed Sneezes
  • 100 Splatters of Ink
  • Hecatontagonal Microseconds

I enjoyed the 100-sided polygon thing, and a stew seemed like an apt metaphor for whatever I was putting together. That meant I needed a new cover…

Yes, I designed this one myself (using elements from Canva, of course). And now it’s here!

Try My Stew

Head on over to the Stew landing page by clicking here. Hope you enjoy it!


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include six books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

!

I end too many sentences with exclamation marks. I’m aware of this personal flaw, yet I can’t seem to stop myself from doing it.

I know it’s overdone. I know it’s inaccurate. I know Strunk and White would table-top me if they could. And yet, I do it anyway.

Why? Because I don’t want people to think I’m upset.

Perhaps I should specify. My exclamation marks appear almost exclusively in my digital communication. I’m better at excluding them from my prose, mostly because I’m afraid grammarians on Goodreads will slap me with one-star reviews. Yet texts and emails remain breeding grounds for my exclamations.

To prove this observation, I reviewed yesterday’s sent emails from my work address. Ten of my previous 10 messages contained exclamation marks. Worse yet, now that I’ve established this pattern at work, I can’t relent.

For the sake of demonstration, let’s imagine we’re coworkers. Greetings, coworker. Now let’s pretend you’ve requested help from me, and I reply thusly:

All set!

Oh that Kyle, you must be thinking, shaking your head and smiling to yourself. What a chipper fellow.

Try receiving this reply instead:

All set.

Oh no, you’d think to yourself. Is Kyle mad at me? Is everything okay? Did his cat die?

Don’t worry, both cats are very much alive. One of them just puked on the rug. But here you’ve spotted my dilemma: I’ve worked at Special Olympics New York for five years now, and over that time, I’d estimate 96.56% of my emails used an exclamation mark. When you write almost as many exclamations as periods, you’ve got a problem.

And it’s not just me. A few years back, our organization recruited a writing consultant to help improve our written communication. My wife Sara also works at Special Olympics NY, and she was among the select few invited to the seminar. Here’s what she says the consultant said:

“I’ve never encountered an organization that writes with as many exclamation marks as yours!”

His statement probably ended in a period, but I wanted to reinforce his point.

But here’s my rebuttal, writing consultant guy: Periods make texts and emails sound terse. I know they’re grammatically correct. I know they’re proper. Yet when communicating digitally, I can’t ignore the finality of that single dot. Consider this text message:

Okay.

This is how my parents text, and they’re right to do so. The vast majority of sentences should end in periods. But this sentence sounds aggressive, even though I know my parents aren’t aggressive (unless my dad’s talking to the cable company). If that example doesn’t convince you, try this one:

See you soon.

Without an exclamation mark, this sounds like a threat. In my more paranoid moments, I might even receive this text and think, Oh shit! Am I about to be assassinated!?

See? I even think in exclamation marks.

My problem is one of consistency. I’ve often daydreamed about converting to the period, about dropping all my overused exclamation marks from my texts, emails, and thoughts, becoming the diligent grammarian I know I should be. Yet I can’t. Because if I do, people will fear something’s wrong.

What’s with all the sudden periods? they’ll think as they read my emails. Is Kyle going to assassinate me?

The answer is, of course, no (unless you’re an Eagles fan, in which case, maybe). But who would know that by reading an email dominated by periods? I pretty much only use them when I’m annoyed with people and I assume they know I’m annoyed with them. No exclamation marks for you, I think as I pound the period key. Every sentence you get ends in a black hole.

I could add an addendum to my email signature explaining my change, e.g. I’ve realized I overuse exclamation marks in my emails, so you may notice their absence in future messages. This does not reflect my general mood or feelings toward you, unless it does, in which case, you know who you are. But that would make me seem like even more of a psycho than I already am.

Yet still, I’m not alone. Exclamation overuse isn’t just localized to my organization—it’s generational. As a Millennial, ours was the first generation to grow up with text messaging. Without the in-person benefits of tone, expression, and posture, our early text messaging relied on nonsense like colons combined with right-half parentheticals. Or, better yet, exclamation marks. Emojis came later, but even they haven’t killed the vertical-line-and-dot.

Perhaps this suggests that we Millennials are an empathetic generation. We want to assure our recipients that we’re not angry with them, so much so that we end most sentences with an additional press of the “Shift” key. Or, perhaps we’re all part of the problem. I couldn’t say.

But here’s what I could do: I could end this confessional with a vow to write fewer exclamation marks. I know I won’t. Instead, later today, as I sit down at my desk and browse my emails, I’ll reply with the same platitudes I always use. Sounds good! Copy that! Thanks so much! And I’ll think to myself, Well, at least you’re certain I’m not mad at you!


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

New Year, New Mailbag

A brown sack on a yellow field. Exciting, I know.

As has become an annual tradition, I recently ran a survey with my newsletter subscribers. Were their questions awesome? Absolutely—and you can have that answer for free.

…Oh yeah, and the rest are free, too. Here they are!

1. What is the genre of your writing?

It’s funny you should ask that, because I myself am not quite sure. So far, I’ve written sci-fi, mystery, epic fantasy, and creative nonfiction in the forms of novels, novellas, short stories, poetry, and essays. Is hodgepodge a genre?

No matter what I’m writing, I strive to unify my work with humor. I’ll continue to do so with my future endeavors (one of which may or may not be a poetry collection).

2. Is Nairn Lockwood going to get her own book?

Whoever submitted this question is a real one.

For context, Nairn Lockwood is the co-hero of my novella “The Megrim,” appearing in the short fiction collection Monsters at DuskShe’s brave, brash, and greedy, though she’s got more heart than she lets on. Plus, she’s as big a fan of leftovers as I am, which is really saying something.

So, as this intelligent and thoughtful person wondered, will Lockwood get her own book? The short answer is this: It’s already in the works.

Ever since completing “The Megrim” in 2019, I’ve been brainstorming Lockwood’s next adventure (accompanied by her sidekick Pureman Wendyll—can’t forget him). I even wrote an outline for a potential sequel, one I’m quite proud of. Its setting is a cross between Ancient Rome and modern-day Las Vegas.

I expect that story and any subsequent ones will be standalone novellas, where each tale follows a new challenge for Lockwood and Wendyll. When I’ve got enough material for a book, I’ll collect them all and publish them for your reading pleasure.

I don’t have a release date for you, but it might come sooner rather than later now that I know someone’s anticipating it!

3. Could you please write a zombie comedy? I think you would do it well!

Why thank you!

I’ve never considered writing about zombies because, honestly, I’m afraid of them. I remember seeing Shaun of the Dead as a 12-year-old and being scared shitless (excuse my French). Later I tried The Walking Dead, and though I enjoyed the first few episodes, I never kept up.

Keeping up is part of the challenge with zombies—and I don’t mean keeping up with your fellow humans while the horde is hot on your heels. I mean zombies have become as well-trodden a sub-genre as vampires, rife with tropes and clichés and reader expectations up the whazoo. If one elects to write in this space, they’d better do their research.

I haven’t, but maybe someday I will. I tend to follow my passions, so who knows? Maybe one day I’ll get over my fear and start writing.

4. Why isn’t comedy included [in your genre list]? I love your comedic sci-fi / fantasy stuff.

To explain, I asked respondents what genres they read, though I didn’t include comedy among my multiple choices. That’s because I don’t always view comedy as a literary genre unto itself—I view it as a tone, at least in my work. After all, I try to inject humor into everything I write, even places it doesn’t belong (e.g. a haiku about cutting my cats’ nails).

Still, it’s an interesting question: Is comedy its own genre? In film, that’s an obvious “yes,” with countless movies created for the sole purpose of generating laughs (see, for example, the works of Nicolas Cage).

I find the answer is murkier in books. Though comedy exists in literature, it’s often blended with better-defined genres. Kurt Vonnegut’s Slaughterhouse-Five, for instance, has a darkly humorous tone, but it’s hard to classify it as anything other than science-fiction.

Genre debates like these have raged for centuries, though they’re about as useful as sports topics on First Take, which is to say, not very. But like Stephen A., that won’t stop me from debating them!

5. [Your survey question] could be replaced by “how many of my books have you downloaded and not gotten around to reading yet?”

To explain this answer, I asked people which of my books they’ve read, if any. The above was one person’s response.

Owning more books than can be read is a common phenomenon. You could build mountain ranges out of peoples TBR piles. From personal experience, I can attest that I’ve got a laundry basket full of unread books by my bedside, one which my wife, Sara, is not especially happy about. (I’m sorry, Sara.)

So, PSA to the readers out there: We need to borrow from libraries more often. I utilize my local library’s digital collection, where they offer thousands of ebooks and audiobooks, all for free. I even learned New York State residents can earn membership to the New York Public Library, which offers a dwarven treasure-trove of knowledge.

Also, if you’ll allow me a brief and shameful plug, you might find my epic fantasy-comedy novel Eggs for the Ageless among your local library’s digital collection. Okay, plug over.

6. I am new to your books and would like to know more about you.

Well hi! I write pretty much whatever I feel like writing, which ranges from the genres and styles I mentioned in question one to future stuff I’m too afraid to reveal.

A few other random facts about me:

  • I root for the New York Giants. It’s often painful.
  • I’m not unconvinced there aren’t alien tourists visiting our planet for funzies.
  • I like cats because I see a lot of myself in them.
  • I once wrote a short story about a commune of geriatric cannibals living in a New York City neighborhood.
  • “Anyhoo” might be my favorite word.

Thanks for your questions!

They’re always a delight to answer. If you’ve got any more, please send them to kyle@kyleamassa.com and I’ll be happy to reply. I just can’t promise I won’t use the word “anyhoo.”


Kyle A. Massa is an author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

One-Sentence Story Notes for “Mild Buffoonery”

My dog Osi (pictured above) recently read my new book, Mild Buffoonery. Her review: “Woof.”

Hopefully that’s positive. I don’t speak dogish. All I can tell you for certain is that Mild Buffoonery is a collection of humorous essays on topics ranging from parenting to music to sports to reminiscence about a cruise I took a decade ago. In other words, I think I’ve really lived up to the title.

If you haven’t read the book yet, maybe these one-sentence story notes will get you interested. If you’ve already read it, maybe these notes will deepen your appreciation (or distaste). Either way, that’s enough stalling from me. Let’s get to the essays!

“A Dad’s Review of Disney on Ice”

After posting this story to my blog and getting a warm reception, I became inspired to write this entire book.

“Irrational Fears of the Possibly Supernatural”

Ghost sightings always make for good stories—even in nonfiction.

“The Land of Buckets and Honey”

I enjoy essays with strange subjects, and I don’t think it gets any stranger than porta-potties.

“Grand Theft Auto: Nassau Edition”

Thus far, this has proven to be the book’s most popular entry, despite potential embarrassment for myself and/or my dad.

“Is All Art Really Quite Useless?”

I wrote this piece on my blog several years ago, though I added three mini-stories here to underscore my points and make it feel more substantive.

“Hilarity at the Movies (Accidentally)”

“What? No!”

“Famous Person”

My wife Sara is fairly unimpressed with celebrities (unless they happen to be Tim Shriver), so I really tried to win her over with this one.

“The Return of the Albany Book Festival”

I was trying to write my version of David Foster Wallace’s “Ticket to the Fair,” in which the author wanders around making witty observations, though I’m unsure if I succeeded.

“Hot Sauce and the Importance of Humor”

I often write in fits and starts, finding dead ends and doubling back until I discover the proper route, yet this was one of those rare pieces that simply flowed.

“In the Absence of a Drum Kit, Tabletops Are a Decent Substitute”

Perhaps the most Sedarisian essay of the bunch, specifically reminding me of “The Understudy,” in which the author vividly describes a bizarre babysitter.

“The Losers’ Game”

My editor, Matt Price, described this one has the most “wistful” essay in the collection, and I think he’s spot-on.

“Giving Thanks for the Applause”

I tried expanding this one, but after re-reading it several times, I concluded its brevity was a strength, not a flaw.

“I Admire Poets”

I think the lengthy digression in the middle of this essay adds flavor to what’s already a fairly tasty entry—and if food isn’t poetry, I don’t know what is.

“Three Hours and 64 Ounces”

I apologize in advance; this is the second essay in the book centered around bathroom humor.

“Sideburns”

I like this piece because it’s specific yet universal, in that most of us wear styles in the past that embarrass us in the present.

“A Tale of Two Gigs”

Yes, the band is still around, but no, we haven’t returned to Randy’s.

“Remembering Gizzvember”

Perhaps the most self-indulgent essay of the bunch—and considering the aforementioned one about porta-potties, that’s really saying something.

“Five Rules of Karaoke (Plus One More)”

Nostalgia is a powerful force.

“Why Tapas Restaurants Fill Me With Nothing But Rage”

Probably better described as a rant than an essay.

“Slut Life”

Proof that I need a stronger optical prescription.

“Birds, Bets, and Sarcastic Texts”

I’ve changed my mind—this is my favorite entry in the book.

“On Being Descended from an Extreme Cheapskate”

After years of wanting to write about Jeff Yeager, I finally found the opportunity.

Grab Your Copy

Ready to read Mild Buffoonery? It’s available in ebook, paperback, and hardcover from tons of places. Get your copy today!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A New Book, and This Time, It’s Personal (Essays)

Greetings reader,

I’m happy to report that Mild Buffoonery is available right now in ebook, paperback, and hardcover. There’s no film adaptation, but we’re working on the script.

I’m pleased to report that early readers have commended its “good humor,” “fun and lighthearted writing style,” and its “essential contributions to humankind rivaled only by the wheel.” (That last one was completely fabricated.) It even peaked at number 25 on Amazon’s Rural Life Humor category, which I consider a major victory.

In no particular order, here are some of my personal favorite excerpts from the book:



You get the idea. You can purchase your digital copy right on my website, paperback at Amazon, or hardcover at Barnes & Noble. (Note: The B&N link is active as I write this, but I think they’re still building it. Might want to check back an a bit if it’s not active.)

Whatever you choose, thank you for reading. I hope you enjoy it!

Best,

Kyle

P.S. I’ll be reading some essays from the book live this Sunday, September 17, at 10am EST. Hope to see you there!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A Dad’s Review of Disney on Ice

Disney on Ice

HarshLight, CC BY 2.0, via Wikimedia Commons

It wasn’t as cold as I thought it would be.

That’s the first note from my experience at Disney on Ice. My wife Sara and I took our daughter Sasha to the show last month, and Sara’s sister Michaela joined us.

We drove to the MVP Arena, formerly the Times Union Center, formerly the Pepsi Center, formerly the Knick, formerly probably something else, like the General Electric General Sports Dome or something. It’s an indoor arena right off I-90, which is just how we Albanians like it.

Speaking of Albanians, there were lots of us there. By Albanians, I mean citizens of Albany, New York, not citizens of Albania. (I mean, some folks might’ve been from Albania—I didn’t ask.) I’ve been to a Roger Waters show at this venue, plus several arena football games (go Empire), along with a handful of college basketball and minor league hockey games.

The crowd for Disney on Ice was more excited than them all.

I’m not sure why this surprised me, but it did. I expected the audience for an off-Broadway play, not a playoff game.

Into the parking garage we drove, trailing behind several minivans, SUVS, and other family-friendly vehicles. We chugged up a couple levels, avoided the odd sprinting child as we drove, and soon found ourselves a parking space. After gathering Sasha’s supplies (because sometimes being a parent feels more like being a roadie for the Grateful Dead), we headed inside.

The copious offerings of fried dough and souvenirs lent the place a carnival atmosphere. Unfortunately, the latter were a disappointment to both Sara and Michaela, since it all seemed to be seizure-inducing lights attached to plastic rods (more on this later).

The only thing that caught Sara’s eye was popcorn. As we searched for our seats, she asked me, Michaela, and Sasha if we wanted any (reminder: Sasha’s still learning English). All three of us declined, to which Sara replied, “Maybe we should get popcorn.” When we declined a second time, Sara called it an “outrage” and threatened to get some, anyway. Fortunately, she decided against it when she saw the line. We proceeded to our seats.

Sasha began the show in my lap. She was pretty much motionless for the next 45 minutes, which is commendable for a then-13-month-old kid. I’m guessing she was stupefied by all the strobing lights, which glimmered both on and off the ice; in addition to the overhead lighting, most kids wielded those blinking plastic sticks, with which they prodded one another.

Before the prodding could progress to smacking, the show began. In glided Mickey, Minnie, Donald, and Goofy, enjoying the type of ravenous applause reserved for mid-60s Beatles concerts. Through voiceovers pumped from the stadium speakers, we learned the framing story: The fab four wanted to make a movie, only they couldn’t settle on a subject.

A few notes so far:

  • The sexual tension between Mickey and Minnie was undeniable.
  • I’m pretty sure Tim Blake Nelson does the voice of Goofy. I know there’s no evidence of this, but it really, really sounds like him.
  • Donald Duck’s dialogue is inscrutable. Imagine a person whose tongue has been stung by a bee, then had a fishbowl shoved over their head.

After some friendly banter, the crew settled on not one story, but many, beginning with Finding Dory.

Er, at least, I think they did. The sequence of segments has blurred in my mind, becoming a jumble of twirls, axels, and flying camels (Sara assures me that’s a real skating move).

But here’s one thing I do remember: The Dory costumes were creepy. Creative, yes, but super creepy. The skaters’ heads exploded from the fishes’ backs—or maybe the fishes’ heads exploded from the skaters’ chests. Either way, I couldn’t help but wonder whether the kids were amazed or horrified.

Turns out it was the former. If you think European soccer fans are passionate, you should see children at a Disney show. Most were on their feet the entire time, and if they weren’t, it was only because they couldn’t yet stand. They clapped. They shrieked. They twirled their blinking plastic sticks in heedless, blurring arcs, making me wonder how nobody got concussed by an errant swing. Sara herself sat beside a little girl whose stick was apparently quite blinding. I didn’t notice; I was too busy trying to recall the names of the boyfriends of the Disney princesses.

This was the next bit of the show. Dory, Marlon, and Nemo departed, ceding center ice to Belle and the Beast. That one I remembered. But then came Ariel and her dude, Snow White and a dude, Aurora plus dude, and pretty soon I gave up. I challenge the average Disney fan to name these scrubs. They’re almost as interchangeable as contestants on The Bachelor.

Afterward, Sara, Michaela, and I speculated on the strategy behind the rapid-fire princesses. After much deliberation, we decided it was a diversion tactic, something along the lines of, Let’s rush in princess after princess so there’s no time to reflect on the racism/sexism of the old movies.

It didn’t really work, but it did make for some cool skating, especially when all 77 or so couples united for a group number. After a wave of raucous applause, this brought us to halftime—I mean, intermission.

As kids and parents alike raced for the bathrooms, Sasha’s trance broke. She began to squirm and was only placated by a pre-packed bottle of milk. Crisis averted.

While we waited for the show to resume, I spotted a lot of Molsons. All slim cans with open tops, all clutched by people I assumed were parents. It seemed an odd place to enjoy a brew, yet I realized most were likely enjoying their brews because of the place.

Sasha was chugging her beverage, too, though hers was Vitamin D whole milk, not light beer. No sooner had she finished than the show resumed.

Mickey, Minnie, Donald, and Goofy returned to discuss their work-in-progress, which Donald described as—and I’m quoting him here—”Plazz-bwoo.” The others pretended to understand him, then introduced The Lion King.

I cringed during this sequence, and not because the costumes reminded me of the film Cats. Rather, it was due to their song choice: “Can You Feel the Love Tonight?”

See, I love this song, and so does Sara. In fact, I performed and recorded it one year for her for Valentine’s Day. This might sound impressive…until you hear my performance. Imagine someone slowly squeezing the life out of a squirrel by sitting on it. That’s basically my voice, especially on Nala’s parts, which I had no business singing. If they’d played my version of the song instead of the original, I suspect even more Molsons would’ve been chugged.

I forgot my shame when Frozen began. Unsurprisingly, this claimed a major portion of the show. It was great: the songs, the routines, even the costumes (Olaf’s was my favorite). During “Let It Go,” I even got a little choked up. You’re so brave, Elsa, I thought to myself, squeezing Sasha like she squeezes her Carebears. You finally let it go.

After that came Taylor Swift.

…Just kidding, it was the cast of Toy Story. But if you closed your eyes and listened, you’d think someone was about to launch into the 10-minute version of “All Too Well.” Even a guy named “Forky” got a rave reception, though I’d never heard of him. (Probably because I refuse to acknowledge Toy Story 4, because Toy Story 3 came out the year I graduated high school, and since Andy was doing the same in the movie, I view as the definitive conclusion to the franchise.)

Side note: Is Forky okay? His schtick is constantly trying to leap into piles of trash, which seems like abnormal behavior to me (unless you’re a raccoon). Maybe Woody and Buzz should stage an intervention.

However, since an intervention would likely be too difficult to choreograph, the cast instead proceeded to Mulan. This almost brought Michaela to tears. Maybe it was the staging, or maybe it resulted from PTSD.

See, sometime in their adolescence, Sara demanded Michaela stay up well past midnight memorizing every word of every song from the movie. If even one lyric was incorrect, they had to restart the whole thing (Sara asked me to include this fact in this essay, and she sounded proud about it).

Though I wasn’t recalling an instance of sleep deprivation torture, I found Mulan moving as well. At one point, she shoots a live firework at the Hun army, triggering an avalanche simulated by a gigantic white sheet sweeping over the skaters. Very cool.

There was some stuff from Aladdin, too, like 20 blue genies forming a kickline across the ice, plus Aladdin wrestling a ragdoll version of his monkey. Afterward came the finale, where the entire cast circled the ice to wave goodbye.

Sasha saw none of this. Sometime around the genies’ arrival, she sprawled across Sara and me and promptly began to snore. (Her ability to sleep anywhere makes me a little jealous.)

When the show ended, I lifted her and cradled her in my arms. She slept on, even as we navigated our way through the fans, many of whom were screeching, crying, and flopping on the ground. Kids are experts at flopping on the ground, like fish unhooked from the line. They’re best at it when they want something, or really don’t want something, and they feel no remorse for their poor parents who make accidental eye contact with other nearby adults, who then think to themselves, I may pity you, but I can’t help you.

I’m sure such behavior is in our future, but just then, Sasha kept on sleeping. I carried her all the way to the car, where I set her down in her seat and buckled her in. She stirred for a moment, then sighed and slept on.

If Sasha had written this review instead of me, she might’ve started it like this: “This show put me to sleep.”

I’ll admit, that doesn’t sound great. And since she’s so little, I doubt she’ll remember much, if any, of Disney on Ice. But for whatever time she was awake, she was enchanted. And that, I’d say, was worth the price of admission.

Which is good, because tickets were surprisingly affordable, and there are apparently several other variations of the show. Parts II, III, IV, and V coming soon…


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

“If Pages Could Blush”: The Story Behind the Story

If Pages Could Blush

This story began in my car. Well, it technically began with an anthology. But not the anthology you’ll read it in.

You know what? Let’s back up a bit. There’s a story behind every story, and today, I’d like to tell you the tale of my latest.

It’s Called “If Pages Could Blush”

…And it appears in Unidentified Funny Objects 9, an anthology edited by Alex Shvartsman. We’ve also got stories from Jane Espenson, Lavie Tidhar, and Simon R. Green, amongst many other talented writers.

My story takes place in a library where the books are sentient. One of those books—the infamous Necronomicon—escapes from its section, no doubt for nefarious purposes. Now it’s up to Augustus Fluff, bumbling librarian’s apprentice, to apprehend the escapee.

How It Started

As I mentioned, “If Pages Could Blush” (we’ll call it “IPCB” from now on) began with an anthology. The theme? Send a story about books.

I had a few ideas. I drafted a tale where someone procures a forbidden book from an underground bookshop, then another about a book that transports readers to an alternate world (literally). After my usual trial-and-error cycle, I settled on a concept I liked: A book gets loose in a library.

The First Draft

Here’s the part about writing the story in my car. In the fall of 2021, during my work commute (shoutout to Special Olympics New York), I decided I’d do something besides listen to Limited Resources.

In the writer world, you hear legends of people who pen 4 or 5k words per day using the magic of dictation. Being the copycat that I am, I tried the same, starting with my escaped-book story. Here’s the first line of my first draft:

“A book was missing.”

Not the most riveting stuff. Also, according to my Google Doc, I began writing on October 14 at 8:35am, meaning I was late to work. For shame!

Things got better from there. My main character was a librarian who owned his own set of sentient books. When one escaped, he went on a quest to find it. However, as I wrote, the librarian became increasingly incompetent. His adventure took on a farcical tone because he was so flustered about the whole situation. So, I morphed my MC into an apprentice rather than a master.

Subsequent Drafts

In my next version, the Master Librarian established the rules of the world in the first scene (yes, she’s known as “The Master Librarian,” even in the final draft). My new main character, the Master Librarian’s bumbling apprentice, was named Augustus Gulp. I liked the name because it was contradictory: “Augustus” is an emperor’s title, yet “gulp” is the sound you make when you’re in trouble.

However, my writers’ group caught something. The name sounded awfully similar to Augustus Gloop, that gluttonous ginger kid from Charlie and the Chocolate Factory. Not a bad association, but not one I wanted, either. After a few days’ deliberation, “Gulp” became “Fluff.”

At the suggestion of both Sara and my writers’ group, I cut the opening scene with the Master Librarian, preferring instead to launch directly into the story. I tightened said story, too, adding references to my favorite books and clarifying the trail of clues leading to the denouement. The deadline for the anthology was January 31, 2022. I worked diligently to hit it.

(When I say “diligently,” I mean squeezing it in between games of Magic: The Gathering and reading sessions of Shakespeare’s Othello, which Goodreads tells me I was reading at the time. Justice for Desdemona.)

Anywho, eventually I finished “If Pages Could Blush”—or at least finished it enough to submit.

The Anthology

I use a handy little site called Duotrope to track my writing submissions. That’s how I know that, on January 31, 2022, I sent “IPCB” to the anthology. On March 24, I received a response that can be summed up in two words:

No thanks.

That one hurt. I’m used to rejections, as evidenced by my 115 submissions since 2013, with a rejection percentage of 85.8. Like baseball, a high-failure rate is part of the game.

Yet this proverbial strikeout stung more than the others. Why? Because I’d written the piece specifically for the market. It was like crafting the perfect gift for your Secret Santa, then watching them set it ablaze with a flamethrower.

Okay, that was melodramatic. But still, it was a bummer.

Furthermore, I thought “If Pages Could Blush” was pretty darn good. The concept was fun, the mystery felt satisfying to me, and early readers seemed to find it amusing. So what was wrong with it?

Nothing? Everything? The answers in art are never that clear.

A Brief Aside

You may not know this, but I once volunteered as a first reader for Grimdark Magazine. In that role, I read stuff.

…And then offered thoughtful feedback to the editor. But really, the position was well-named, because it was all reading.

Most of what I read was strong, yet little of it made the final mag. Why? Limited space in the issue. Topic too similar to previous stories. Elements that didn’t align with our theme.

In other words, there’s more to publishing than quality. Not to say quality isn’t the most important factor in any artistic endeavor—it’s just that those other, less visible details matter, too.

This is a long way of rationalizing my rejection. It’s how I convinced myself to continue submitting.

The Next Few Months

In May, I sent “IPCB” to three pro-paying markets. I received a one-day rejection, a 38-day rejection, and a shortlisting. Feeling encouraged by that last one, I submitted my story for the fifth (and, as it would turn out) final time.

I’d never read Unidentified Funny Objects before, but I’d heard of it. It’s one of the few pro-paying humorous fantasy/sci-fi markets around (professional payment being defined by Duotrope as “5 US cents per word and up”). UFO has also published stories by two of my literary heroes, Neil Gaiman and George R.R. Martin, so that was a definite draw.

Three days later, I received notice that “IPCB” was being held for final consideration. And, on September 24, 2022, my story was accepted.

Provisionally. (Dun dun DUN!)

The Edits

Alex Shvartsman, the aforementioned series editor, responded with the news. He said he’d be happy to accept my story, provided we agree on some changes.

To preserve editorial integrity, I won’t disclose those changes. (I’m new to this, so I’m honestly unsure if sharing would be considered tacky.) Suffice it to say there were four suggestions, and they all improved the piece.

After those edits came a round of copy edits, then signing the contract in blood (JK, it was a BIC). Then, finally, “If Pages Could Blush” became an official inclusion in UFO9. You can read a copy yourself.

The Takeaways

Prior to this, I’d only ever sold a single short story; those of you who’ve read Monsters at Dusk will remember it. It’s called “Thespian: A Tale of Tragedy and Redemption in Three Acts,” and Allegory gave me a cool $20 for it.

I don’t write for money. Yet still, someday I want to make a living off this writing thing. And earning 20 times what I had before? That felt pretty good.

Go Catch Your Copy Before It Escapes!

If you’ve made it this far, then why not read the story this entire story’s been about? Go grab your copy of Unidentified Funny Objects 9 on Kindle or paperback! I hope you enjoy it as much as I did.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

I’m Halfway Through NaNoWriMo 2022, And…

If NaNoWriMo was a baseball season, this would be my mid-season slump. Just check out my graph…

Why the sudden decline? Several reasons:

  1. My wife and I traveled to Yankee Stadium to see our alma mater, Ithaca College, crush our arch rivals, Cortland University, in the annual Cortaca Jug football game. Let’s go Bombers!
  2. I have a cold (probably from the game).
  3. I’m stumbling on my story.

Not struggling—just stumbling. I’ve completed three of a planned five parts of Remembering the End, but part four is giving me issues. Still working through them on my way to the right draft.

Here’s a bit from my work-in-progress. It’s from the part called “Summers in Hell”:

Hell is cold.

The wind cracks your bones, the snow falls when it wishes, and the old fires stand frozen on the tundra, locked in snapshots of dancing ecstasy.

Hell is cold.

The demons live in igloos. Every day, they fish beneath the ice for the souls of the damned, and every day they nab the same tortured people on their serrated fishing hooks, pulling them up all blue and drenched and sputtering. They roast the souls over fires until they’re crisped and blackened, and then the demons eat them with a side of baked beans and Bob Evans mashed potatoes. In Hell, the meals are always the same.

Overnight, the seven suns of Hell set and the demons retreat to their igloos. Their fires freeze and the holes they drilled ice over, and when they emerge from their igloos at first light, they do it all again. They catch the same damned souls, roast them, eat them, day after day after day, forever, eternally.

Hell is very cold.

Now if that doesn’t make you hungry, I don’t know what will.

Oh, and It’s Still Gizzvember

Yes, King Gizzard and the Lizard Wizard is officially my new favorite band. They’ve played the soundtrack to my writing, whether it’s bluesy boogie, hard rock, or heavy metal. I’ve listened to all 23 of their studio albums, and I’m now working through their live bootleg catalog. My wife is loosing patience with the constant Gizzard playing around the house, so I suppose I’ll have to scale things back eventually.

Side note: When I was proofreading my last email, my computer pronounced “Gizzvember” as “Jizzvember,” which was concerning.

How About You?

Overall, it’s been a fun, if hectic, November thus far. Are you doing NaNoWriMo? If so, let me know!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

I’m Joining NaNoWriMo 2022

I succeeded once, failed once, and now I’ll be doing one or the other again. NaNoWriMo, here I come!

That stands for National Novel Writing Month, by the way. It begins today and ends when November does. My mission: To write a 50,000-word manuscript in 30 days.

Last Time

Last time I tried NaNoWriMo was 2019. That was the failure.

…Well, I shouldn’t say that. I got about 45k into the book, then quit when I felt it wasn’t working. That was Short Contracts, a book about a sports league in a fantasy setting (not to be confused with fantasy sports). I plan to return to it when the time is right.

I also tried NaNoWriMo in 2017. That was the success. I wrote what Stephen King would call a trunk novel, which is one of those books you finish but save for later. It’s called Upstate and a While Back. Someday I’ll reveal it from the trunk.

The experience was fun but grueling, especially in the latter half of November. 50k words is all about consistency and planning, as I remember, so we’ll see if I’m up to the task.

This Time

This month, I’ll be working on a story called Remembering the End: A Novel of Novel Apocalypse Stories. Think Canterbury Tales, except it’s about worlds ending. Cheery, right?

Honestly, I hope so. I’ve already got a head start on one character’s story, and it’s turned out fairly comic (like most of my stuff). I anticipate the rest to be the same—though I’ve only got vague ideas for them. And when I say vague, I mean super vague. Like, the ending of Mulholland Drive vague.

Anyhoo, I’ll be tracking my progress on this here chart:

NaNoWriMo Progress

Yes, that is Magic: The Gathering artwork in the background. I use it in my MTG articles, but I like the cats, so I’m using it again here.

The Distractions

Over the past year I’ve recalibrated my writing strategy to be less about word count (in fact, I wrote an article all about it). For NaNoWriMo, I’ve got to readjust. Gonna be a challenge for sure.

Also, November is going to be a busy month. Here are some of the non-writing activities I’m doing:

  • November 11: Playing in my first Magic: The Gathering tournament since 2018.
  • November 12: Being a raging fan at the Cortaca Jug game at Yankee Stadium. Go Bombers!
  • November 15: The new Magic set releases online. Always a major distraction.
  • November 24: Thanksgiving. (And my beloved New York Giants are playing the hated Dallas Cowboys.)

Oh yeah, and I still have to work and stuff. Doesn’t seem like much, but when you’re writing 50,000 words in 30 days, you can’t really afford to take time off.

Will I Succeed?

Reply hazy, ask again later. But here’s what I can promise: I’ll be checking in with you throughout the month. Here’s the schedule…

  • November 1: This blog post.
  • November 7: Email newsletter.
  • November 14: Another blog post.
  • November 21: Another email.
  • December 5: An email and blog post summing it all up.

If you want to follow along as I slowly descend into madness, feel free to subscribe to my newsletter below. Wish me luck!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A Muggle Parent’s Questions About Academics at Hogwarts

Hogwarts Questions

Dear Hogwarts Admissions Office,

My name is Kyle Massa and the only magic I know is the trading card game. Nonetheless, I’m considering sending my daughter to your school, provided you can answer some quick questions.

First, what’s the approximate mortality rate among students? I ask because the brochure mentions giant spiders in the woods, secret chambers beneath the castle, and ghosts of former students haunting the bathrooms. Also, the liability waiver is longer than Infinite Jest. Should I be concerned about this?

Second, where are the math classes? I never liked math and, truth be told, I dropped out of precalculus after two classes. Still, basic mathematical skills seem important in the everyday world, magical or otherwise, yet all I’m seeing is stuff like Transfiguration (whatever that is). Does this mean wizards can’t calculate tips? If not, will Grubhub still deliver to the school?

My third question is about PTAs. Most Muggle schools have them, yet Hogwarts appears not to. I have no firsthand experience of such things, but I hear PTAs are sort of like a prison sentence, except you volunteer for it. More experienced parents have advised me never to speak of them, lest someone mistake it for interest.

You know what? This isn’t a question—more a congratulations on not having PTAs. Well done.

Actual question number three: What’s your cell phone policy? Ubiquitous cell usage was just beginning during my school days, yet even then administrators spent roughly half their tenure confiscating Motorola Razrs. So what’s the Hogwarts policy? (My suggestion: Outlaw Snapchat. It’s the worst.)

My fourth question is about the houses. Here are my general impressions:

  • Gryffindor: The home for future world leaders with no discernible issues or shortcomings.
  • Slytherin: A pack of cheats, sociopaths, and borderline white supremacists.
  • Hufflepuff: A bunch of randos who do nothing noteworthy, except maybe die.
  • Ravenclaw: See above.

Look, I know tribalism is fun for kids (e.g. Lord of the Flies). However, after careful research, I’ve concluded that Gryffindor is the only house a parent would want their child in. If my daughter got into Slytherin, for example, I’d immediately hire several psychiatrists and hide all the knives in the house.

And hey, does your food contain laxatives? This is my fifth question. I ask because, when I was a freshman at Ithaca College, one of my good friends insisted the campus food was laced with laxatives. He provided no evidence other than claiming he was pooping a lot (we took his word for it). According to his theory, if we drained our bodies frequently, we’d need to eat more, thereby making the college more money.

I reiterate: This was never proven. I am not suggesting my alma mater tampered with our food. But does Hogwarts? I’m asking as a concerned parent.

I could go on, but I’m running out of ink and this owl you sent to retrieve my letter won’t stop staring at me. Which brings up another question: Do you have email?

Best,

Kyle


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

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