Category: Writing (Page 1 of 12)

If This is the Future of AI, I’m Disappointed

A frowning robot face.

So I got an email the other day from William Gibson.

That name might ring a bell, because William Gibson is a famous and influential science fiction author. I mean, he’s got his own Wikipedia page. He wrote Neuromancer, the novel largely credited with pioneering—and perhaps perfecting—the cyberpunk genre. He also wrote two X-Files episodes, which were kinda mid, but still.

So William Gibson emailed me. I know, I thought the same thing you’re thinking now: That’s funny. Must be someone with the same name.

Turns out it wasn’t. It was, he assured me, the real, actual William Gibson. He really buttered me up, too:

“I want to be upfront with you before anything else. I don’t do this. Writing cold to someone I haven’t met is not in my nature and not something I make a habit of.”

Oh really? You don’t randomly email random indie authors to randomly lavish praise upon them? I never would’ve guessed!

William proceeded to compliment several stories in my collection, Monsters at Dusk, with comments that seemed specific but weren’t. For example, “[Yours] is the instinct of a writer who understands that the most serious arguments land hardest in the most apparently frivolous containers.”

Gee whiz, thanks mister! Are you about to offer me a lucrative book deal in exchange for my social security number?

Alas, no. William ended like, 10 paragraphs later, with a soft sell:

“No agenda. Just one person who spent forty years asking what happens when the rules collide wanting to be useful to someone who found the funniest and most honest version of the answer.”

And in case I had any doubts, William even signed his unnecessarily lengthy email like this: “William Gibson, Author of Neuromancer, Pattern Recognition & Agency, Vancouver, BC.”

The funny thing is, AI impersonation would fit right into a William Gibson novel. Because that’s what’s going on here. Some scammer punched my stuff into Chat GPT and requested an email from William (my new biggest fan, apparently), and, five minutes later, they hit “send.”

Bait cast. Now to wait for the dumb fish to bite.

Now I may be dumb, but I’m not a fish. Also, for the past few years, I get emails like this daily. Since William messaged me on Monday, for instance, I received emails from “Lilly’s Morgan” (why is there an apostrophe?) offering me a free business loan, and another from the dubiously named “Maxwell Skyrim.” No subject line, but here’s the body in its entirety:

“Hi Kyle, I had a quick thought. If I could bring steady book sales to your Amazon listing, would you consider a 2% commission arrangement?”

Say no more, Mr. Skyrim! You’re hired! And while we’re at it, let’s discuss upping that commission rate, shall we? You deserve so much more!

For the record, I don’t share people’s emails to public forums without their consent. But these aren’t actual people—they’re just AI scambots with unlikely names. And though I’m tempted to reply back with some of these zingers I’ve shared with you, it’s best to just ignore them. If these scammers feel a wiggle on the line, they won’t stop pulling.

I feel like we keep being promised that AI is the wave of the future, and yet when it comes to art, I keep being disappointed. Mostly, it seems non-artists are just using AI to impersonate, dupe, or even try to replace actual artists.

To be clear, I’m not totally opposed to artificial intelligence. (Not that being opposed to a tidal wave keeps you dry, anyway.) I’m told it’s got promising applications for medicine, science, technology, and more.

But otherwise, I gotta say, I’m not impressed, AI. I know you just do what people tell you to do, but if you can’t do anything more productive than petty grifting, I don’t think you belong in the pond with us artists.

So stay out! And scammers, stop scamming people. It’s only funny for the first few emails, and after that, it’s just annoying.

And to Mr. William Gibson, if that somehow really, truly was you, I am so, so sorry.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include 10 books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

Some links in this publication might be affiliate links. This means the author earns a commission on sales made through those links, while you pay no additional cost. Just another way to support indie authors like me!

F*ck You, Kurt Vonnegut

A photo of Kurt Vonnegut.So I was in my in-laws’ basement.

It was afternoon, that liminal space between morning and night, when you really wish you could be napping, but you drank too much coffee to make it happen.

I was exercising. It was an online video where they guide you through silly-looking movements with sillier-sounding names. For example, “butt-kickers.”

I was doing my cool-down, trying some self-directed yoga-esque stretches, doing a move I’ll call the Moaning Walrus, when I noticed a book on the shelf.

My parents-in-law, Bill and Karen, have an outstanding bookshelf. It claims its own wall downstairs in the finished basement, four columns with five shelves apiece, each crammed with books on history, computing, politics, golf-swinging, and fiction.

It’s the fiction that always attracts my attention. They’ve got old classics down there, like Rushdie’s Satanic Verses, more recent hits like Tartt’s The Goldfinch, and others I’ve never heard of. And then there’s the Vonnegut section.

I, like pretty much everybody, love the works of Kurt Vonnegut. His prose is readable yet meaningful, his style flippant yet profound. His works feel as relevant now as they were then. And it helps that I feel a personal affinity with Kilgore Trout.

Bill and Karen keep a row of Vonnegut’s novels along the bottom shelf. As I was stretching and groaning, I read the titles, one by one, mentally noting which I’d read and which I needed to.

Slaughterhouse-Five? Check. Cat’s Cradle? Check. Player Piano? Couldn’t remember—check later. Armageddon in Retrospect? Check, like a month ago. Mother Night?

Mother Night? I thought. Wait. That’s my book!

Or at least, it’s going to be. Later this month, I’m releasing a complimentary duology of short stories. The first is (was) going to be Father Day. The second is…taken.

This bothered me. Perhaps more than it should’ve. For the rest of that day and into the night, I got progressively more pissed at Kurt Vonnegut.

Why’d he have to take that title? I thought to myself. My own voice in my own head sounded like the growl of a particularly petty gremlin. It sounds cool, and it fits my stories, and now I don’t even want to read his stupid book.

…Okay, it’s probably not stupid, it’s probably awesome. But I’m still not going to read it.

…Okay, I’ll probably still read it. But I’m still mad at him.

I personally despise when writers name books based on SEO viability, but even I’ll admit that sharing a title with a classic isn’t ideal. Every mention of Mother Night will be a mention of Kurt’s book, not mine.

Fortunately, my book is still in the final trimester, so there’s time to change the name before the doctor (being Google in this clunky metaphor, I guess) slaps it on the birth certificate.

So, world, meet Mother Day, and her companion, Father Night, both still coming to you on December 31.

The funniest thing is, there’s still another book out there called Father Night. But it’s not by Kurt Vonnegut, so I like my chances to compete. Or at least make it interesting.

Is there a moral to this story? Yes, I suppose there is: Google your book’s title before you plaster it all over the internet. Also, don’t obsess over it like I did. In the end, a rose by any other name smells as sweet.

Unless, perhaps, you call it a shitblossom. Now that’s a unique book title.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include eight books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

You’ll notice some affiliate links in my posts. This means I earn a commission on sales made through those links, while you pay no additional cost. Just another way to support indie authors like me!

Annual Jugs

A photograph of the two jugs in question resting on a countertop in a kitchen.

As we walked into work one morning, my wife remarked, “I always have to wait for you and your jugs!”

No, I do not have breasts. The jugs Sara referred to were my two reusable drinking cups, each of which is roughly the size of an extra large McDonald’s soda. They’re both too bulky to fit into my backpack holders, so I lug them around, water in one hand, coffee in the other. They’re large enough, in fact, that it always takes a moment or two to gather them. Maybe that’s why Sara feels justified calling them jugs.

We work at the same place, so I hear this quip quite often. On this particular morning, I quipped back.

“Oh great,” I groaned. “Your annual jug joke.”

Annual. Annual meaning anything that happens at a recurring, predictable time. Annual being a synonym for periodically, of course.

“That’s not what annual means,” said Sara. “Annual means yearly.”

“No it doesn’t, it means…” I could tell from her expression that she was correct.

“You’re just kidding around with me,” she said. “Right?”

I wish I could say I was. I’m 33 years old and, until that moment, I was mistaken on the definition of the word annual.

I blame the American public schooling system. No, that’s not fair. If anyone’s responsible for my education or lack thereof, it’s me, since I wasn’t much of a student. Whatever the reason for my gaff, it was especially embarrassing because I am, according to my Instagram bio, a writer of some sort. I should probably know the correct meaning of a simple three-syllable adjective.

Sara was nice enough about it. I mean, she didn’t point and laugh, and she only brought it up again three more times. But it could’ve been worse. And ever since, I’ve been on hyper alert with my vocabulary. It’s like my whole life is a lie. What other words have I been flubbing? I ask myself. Is that even the proper application of the word “flubbing”? Or “proper”? Or “that”?

It’s been difficult to move on. Irrationally so. I drink from my jugs annually—or what I thought was annually—so whenever I sip, I hear a little voice whispering, “I bet you don’t even know what ‘gubernatorial’ means.”

“I don’t!” I want to sob back. “I don’t know what ‘gubernatorial’ means, okay!? I just heard it in Deadpool & Wolverine and thought it sounded funny.”

At least I’m right about that. Gubernatorial does sound funny. And, according to the New Oxford American Dictionary, it means “relating to a state governor or the office of state governor.”

This is all well and good, but it underscores a flaw in the English language: It’s nonsensical.

Even native speakers agree. Why is there an elaborate rhyme to remind us which letter comes first: “I” or “E”? Why do silent letters exist? Why do “P” plus “H” equal “F”? Why, I ask you, does annual mean yearly, and not what I thought it meant?

The answer to these questions, and any others you might concoct about English, is the same: Nobody knows. Dictionaries might provide explanations, but the truth is a collective shrug and a sigh and a lazy assertion that that’s just how it is.

Words are like a teenager’s parents:

Sure, we love them, but they’re also, like, so embarrassing. For example, as I typed that aforementioned silly word gubernatorial (which sounds like an alien from Star Wars), my search suggested the word “guber.” This is apparently also a real word, not to be confused with the homophone “goober,” which is what our dog walker friend calls our dog Osi, because Osi is, in fact, a goober.

Guber means, according to the New Oxford Dictionary, “relating to a governor; gubernatorial.” These are their examples: “scores of guber candidates and aspirants attended the rally; the guber election.”

No one has ever used that word in that context or any other, ever. In fact, I’m beginning to wonder if people who write dictionaries, a.k.a. dictionarians, are just making up words at this point so they retain their jobs. And you know what? According to both New Oxford and spellcheck, “dictionarians” isn’t even a word. It sure sounds like a word to me!

See? Language makes us look, feel, and sometimes act like dopes. Words have meanings we’re unaware of. Words exist when they shouldn’t, and others don’t exist when they should.

So where does that leave us? Should I float some Aaron Rodgers-esque conspiracy theory about dictionarians and their attempts to bend society to their will? No thanks—that guy gets enough attention as it is. Instead, I’ll conclude with this. Maybe words aren’t like parents of teenagers. Maybe they’re more like my jugs—and again, I don’t mean my breasts. They’re bulky and awkward, and sometimes they don’t fit into the spaces they should. And even given the occasional spill (i.e. the misuse of a word or two), there’s still sustenance within.

Now it’s time for me to drink up. I need my annual jug of coffee.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include eight books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

Go Birds

An eagle plummeting to earth, because I hate the Philadelphia Eagles.

I’ve been having a hard time getting over the Philadelphia Eagles winning this year’s Super Bowl. Here’s a 100-word story that describes my feelings.


“I don’t see the problem,” said the DMV employee.

“See, ‘PHI’ stands for Philadelphia,” I explained, pointing at my new license plate. “And 2017 was the last year they won a Super Bowl.”

“So?”

“So if I drive around with this, people are gonna think I’m an Eagles fan.”

“And?”

“And I’d rather lay down in traffic!”

The DMV employee shrugged. “Next.”

I drove home with my new plates. At an intersection, a truck stopped alongside mine. The driver flapped his arms. “Go Birds!”

I exited my vehicle. I glared at my plates. And I laid facedown in the road.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include six books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

The above story is one of 100 hundred-word stories in my new book, Hecatontagonal Stew. Buy it here!

Try My Stew

Not the kind you eat. The kind you read.

Hi reader. Today I’d like to share my newest book with you. It’s called Hecatontagonal Stew, and it’s out now in ebook, paperback, and soon, hardcover. Let me tell you a bit more about it.

The Gimmick

Hecatontagonal Stew is a short story collection. However, it’s unlike most—or perhaps any—you’ve ever read. That’s because it has 100 stories, and each story is exactly 100 words long.

With so many stories, I had the unique opportunity to explore all sorts of genres, styles, approaches, and more. I divided them into 10 parts of 10 stories each. Speaking of which…

The Parts

Are as follows…

  1. Tales & Tails (Fairy tales, Shakespeare, folklore, animals, and more)
  2. Who Are You? (Stories about identity—but sadly, none about The Who)
  3. Consumption (Eating, drinking, buying, etc.)
  4. How Creepy (Horror, but mostly funny horror)
  5. Selective Memory (History, reminiscence, and period pieces)
  6. Please Be Professional, Please (Work stories)
  7. Surreality (Stories based in fact, or at least not fiction)
  8. Sporting (All about sports)
  9. Circles (Anything with a circular narrative)
  10. Crime & Reward (Because sometimes, crime pays off)

Hopefully that gives you a decent idea of what’s floating around in this stew. But why did I even cook it? I’m glad you asked.

The Inspiration

I began writing this book back in 2022—though I didn’t know it yet. I answered an open call for drabbles from a site called Black Ink Fiction. (A drabble is a story that’s exactly 100 words long.) The theme was “snow,” which put me in mind of snow days, which made me wonder what might be the weirdest way to get one.

Easy, I thought. Ragnarok.

That’s basically the Norse version of the Apocalypse, only instead of fire and brimstone, it begins with snow. So, I wrote a 100-word, two-sentence story about Ragnarok beginning in New Jersey, of all places. And Black Ink Fiction liked it enough to publish it.

I planned on including that story in a future fiction collection, along with a few other brief pieces. But once I started writing them, I found I couldn’t stop. And each one came out around 100 words.

It felt like a gimmick. And I can’t resist a good gimmick.

The Gimmick Earns Some Titles

My initial goal was 50 hundred-word stories, so my initial title was 50 x 100. Knowing that wasn’t very catchy, I forged ahead with the more important part—the actual stories.

The initial burst was prolific. I remember writing 20 stories in one day and thinking, This is easy! At this rate, I’ll have this book done by May.

That was in April. Of course, I didn’t. Progress slowed from there, though never entirely. It was satisfying to sit down every day and pump out a few complete stories. At just 100 words each, it didn’t take long.

In fact, by the summer, I decided to double my goal. Why not 100?

That changed the title, too. My book was now called 100 x Hundred, and I’d even mocked up a cover for it.

The Covers

Here it is…

Pretty bland, as you can see, but the joke is, it’s a 100 by 100 grid. Hoping for something a little more flavorful, I brainstormed some new titles:

  • 100 Unblessed Sneezes
  • 100 Splatters of Ink
  • Hecatontagonal Microseconds

I enjoyed the 100-sided polygon thing, and a stew seemed like an apt metaphor for whatever I was putting together. That meant I needed a new cover…

Yes, I designed this one myself (using elements from Canva, of course). And now it’s here!

Try My Stew

Head on over to the Stew landing page by clicking here. Hope you enjoy it!


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include six books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

!

I end too many sentences with exclamation marks. I’m aware of this personal flaw, yet I can’t seem to stop myself from doing it.

I know it’s overdone. I know it’s inaccurate. I know Strunk and White would table-top me if they could. And yet, I do it anyway.

Why? Because I don’t want people to think I’m upset.

Perhaps I should specify. My exclamation marks appear almost exclusively in my digital communication. I’m better at excluding them from my prose, mostly because I’m afraid grammarians on Goodreads will slap me with one-star reviews. Yet texts and emails remain breeding grounds for my exclamations.

To prove this observation, I reviewed yesterday’s sent emails from my work address. Ten of my previous 10 messages contained exclamation marks. Worse yet, now that I’ve established this pattern at work, I can’t relent.

For the sake of demonstration, let’s imagine we’re coworkers. Greetings, coworker. Now let’s pretend you’ve requested help from me, and I reply thusly:

All set!

Oh that Kyle, you must be thinking, shaking your head and smiling to yourself. What a chipper fellow.

Try receiving this reply instead:

All set.

Oh no, you’d think to yourself. Is Kyle mad at me? Is everything okay? Did his cat die?

Don’t worry, both cats are very much alive. One of them just puked on the rug. But here you’ve spotted my dilemma: I’ve worked at Special Olympics New York for five years now, and over that time, I’d estimate 96.56% of my emails used an exclamation mark. When you write almost as many exclamations as periods, you’ve got a problem.

And it’s not just me. A few years back, our organization recruited a writing consultant to help improve our written communication. My wife Sara also works at Special Olympics NY, and she was among the select few invited to the seminar. Here’s what she says the consultant said:

“I’ve never encountered an organization that writes with as many exclamation marks as yours!”

His statement probably ended in a period, but I wanted to reinforce his point.

But here’s my rebuttal, writing consultant guy: Periods make texts and emails sound terse. I know they’re grammatically correct. I know they’re proper. Yet when communicating digitally, I can’t ignore the finality of that single dot. Consider this text message:

Okay.

This is how my parents text, and they’re right to do so. The vast majority of sentences should end in periods. But this sentence sounds aggressive, even though I know my parents aren’t aggressive (unless my dad’s talking to the cable company). If that example doesn’t convince you, try this one:

See you soon.

Without an exclamation mark, this sounds like a threat. In my more paranoid moments, I might even receive this text and think, Oh shit! Am I about to be assassinated!?

See? I even think in exclamation marks.

My problem is one of consistency. I’ve often daydreamed about converting to the period, about dropping all my overused exclamation marks from my texts, emails, and thoughts, becoming the diligent grammarian I know I should be. Yet I can’t. Because if I do, people will fear something’s wrong.

What’s with all the sudden periods? they’ll think as they read my emails. Is Kyle going to assassinate me?

The answer is, of course, no (unless you’re an Eagles fan, in which case, maybe). But who would know that by reading an email dominated by periods? I pretty much only use them when I’m annoyed with people and I assume they know I’m annoyed with them. No exclamation marks for you, I think as I pound the period key. Every sentence you get ends in a black hole.

I could add an addendum to my email signature explaining my change, e.g. I’ve realized I overuse exclamation marks in my emails, so you may notice their absence in future messages. This does not reflect my general mood or feelings toward you, unless it does, in which case, you know who you are. But that would make me seem like even more of a psycho than I already am.

Yet still, I’m not alone. Exclamation overuse isn’t just localized to my organization—it’s generational. As a Millennial, ours was the first generation to grow up with text messaging. Without the in-person benefits of tone, expression, and posture, our early text messaging relied on nonsense like colons combined with right-half parentheticals. Or, better yet, exclamation marks. Emojis came later, but even they haven’t killed the vertical-line-and-dot.

Perhaps this suggests that we Millennials are an empathetic generation. We want to assure our recipients that we’re not angry with them, so much so that we end most sentences with an additional press of the “Shift” key. Or, perhaps we’re all part of the problem. I couldn’t say.

But here’s what I could do: I could end this confessional with a vow to write fewer exclamation marks. I know I won’t. Instead, later today, as I sit down at my desk and browse my emails, I’ll reply with the same platitudes I always use. Sounds good! Copy that! Thanks so much! And I’ll think to myself, Well, at least you’re certain I’m not mad at you!


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

New Year, New Mailbag

A brown sack on a yellow field. Exciting, I know.

As has become an annual tradition, I recently ran a survey with my newsletter subscribers. Were their questions awesome? Absolutely—and you can have that answer for free.

…Oh yeah, and the rest are free, too. Here they are!

1. What is the genre of your writing?

It’s funny you should ask that, because I myself am not quite sure. So far, I’ve written sci-fi, mystery, epic fantasy, and creative nonfiction in the forms of novels, novellas, short stories, poetry, and essays. Is hodgepodge a genre?

No matter what I’m writing, I strive to unify my work with humor. I’ll continue to do so with my future endeavors (one of which may or may not be a poetry collection).

2. Is Nairn Lockwood going to get her own book?

Whoever submitted this question is a real one.

For context, Nairn Lockwood is the co-hero of my novella “The Megrim,” appearing in the short fiction collection Monsters at DuskShe’s brave, brash, and greedy, though she’s got more heart than she lets on. Plus, she’s as big a fan of leftovers as I am, which is really saying something.

So, as this intelligent and thoughtful person wondered, will Lockwood get her own book? The short answer is this: It’s already in the works.

Ever since completing “The Megrim” in 2019, I’ve been brainstorming Lockwood’s next adventure (accompanied by her sidekick Pureman Wendyll—can’t forget him). I even wrote an outline for a potential sequel, one I’m quite proud of. Its setting is a cross between Ancient Rome and modern-day Las Vegas.

I expect that story and any subsequent ones will be standalone novellas, where each tale follows a new challenge for Lockwood and Wendyll. When I’ve got enough material for a book, I’ll collect them all and publish them for your reading pleasure.

I don’t have a release date for you, but it might come sooner rather than later now that I know someone’s anticipating it!

3. Could you please write a zombie comedy? I think you would do it well!

Why thank you!

I’ve never considered writing about zombies because, honestly, I’m afraid of them. I remember seeing Shaun of the Dead as a 12-year-old and being scared shitless (excuse my French). Later I tried The Walking Dead, and though I enjoyed the first few episodes, I never kept up.

Keeping up is part of the challenge with zombies—and I don’t mean keeping up with your fellow humans while the horde is hot on your heels. I mean zombies have become as well-trodden a sub-genre as vampires, rife with tropes and clichés and reader expectations up the whazoo. If one elects to write in this space, they’d better do their research.

I haven’t, but maybe someday I will. I tend to follow my passions, so who knows? Maybe one day I’ll get over my fear and start writing.

4. Why isn’t comedy included [in your genre list]? I love your comedic sci-fi / fantasy stuff.

To explain, I asked respondents what genres they read, though I didn’t include comedy among my multiple choices. That’s because I don’t always view comedy as a literary genre unto itself—I view it as a tone, at least in my work. After all, I try to inject humor into everything I write, even places it doesn’t belong (e.g. a haiku about cutting my cats’ nails).

Still, it’s an interesting question: Is comedy its own genre? In film, that’s an obvious “yes,” with countless movies created for the sole purpose of generating laughs (see, for example, the works of Nicolas Cage).

I find the answer is murkier in books. Though comedy exists in literature, it’s often blended with better-defined genres. Kurt Vonnegut’s Slaughterhouse-Five, for instance, has a darkly humorous tone, but it’s hard to classify it as anything other than science-fiction.

Genre debates like these have raged for centuries, though they’re about as useful as sports topics on First Take, which is to say, not very. But like Stephen A., that won’t stop me from debating them!

5. [Your survey question] could be replaced by “how many of my books have you downloaded and not gotten around to reading yet?”

To explain this answer, I asked people which of my books they’ve read, if any. The above was one person’s response.

Owning more books than can be read is a common phenomenon. You could build mountain ranges out of peoples TBR piles. From personal experience, I can attest that I’ve got a laundry basket full of unread books by my bedside, one which my wife, Sara, is not especially happy about. (I’m sorry, Sara.)

So, PSA to the readers out there: We need to borrow from libraries more often. I utilize my local library’s digital collection, where they offer thousands of ebooks and audiobooks, all for free. I even learned New York State residents can earn membership to the New York Public Library, which offers a dwarven treasure-trove of knowledge.

Also, if you’ll allow me a brief and shameful plug, you might find my epic fantasy-comedy novel Eggs for the Ageless among your local library’s digital collection. Okay, plug over.

6. I am new to your books and would like to know more about you.

Well hi! I write pretty much whatever I feel like writing, which ranges from the genres and styles I mentioned in question one to future stuff I’m too afraid to reveal.

A few other random facts about me:

  • I root for the New York Giants. It’s often painful.
  • I’m not unconvinced there aren’t alien tourists visiting our planet for funzies.
  • I like cats because I see a lot of myself in them.
  • I once wrote a short story about a commune of geriatric cannibals living in a New York City neighborhood.
  • “Anyhoo” might be my favorite word.

Thanks for your questions!

They’re always a delight to answer. If you’ve got any more, please send them to kyle@kyleamassa.com and I’ll be happy to reply. I just can’t promise I won’t use the word “anyhoo.”


Kyle A. Massa is an author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

One-Sentence Story Notes for “Mild Buffoonery”

My dog Osi (pictured above) recently read my new book, Mild Buffoonery. Her review: “Woof.”

Hopefully that’s positive. I don’t speak dogish. All I can tell you for certain is that Mild Buffoonery is a collection of humorous essays on topics ranging from parenting to music to sports to reminiscence about a cruise I took a decade ago. In other words, I think I’ve really lived up to the title.

If you haven’t read the book yet, maybe these one-sentence story notes will get you interested. If you’ve already read it, maybe these notes will deepen your appreciation (or distaste). Either way, that’s enough stalling from me. Let’s get to the essays!

“A Dad’s Review of Disney on Ice”

After posting this story to my blog and getting a warm reception, I became inspired to write this entire book.

“Irrational Fears of the Possibly Supernatural”

Ghost sightings always make for good stories—even in nonfiction.

“The Land of Buckets and Honey”

I enjoy essays with strange subjects, and I don’t think it gets any stranger than porta-potties.

“Grand Theft Auto: Nassau Edition”

Thus far, this has proven to be the book’s most popular entry, despite potential embarrassment for myself and/or my dad.

“Is All Art Really Quite Useless?”

I wrote this piece on my blog several years ago, though I added three mini-stories here to underscore my points and make it feel more substantive.

“Hilarity at the Movies (Accidentally)”

“What? No!”

“Famous Person”

My wife Sara is fairly unimpressed with celebrities (unless they happen to be Tim Shriver), so I really tried to win her over with this one.

“The Return of the Albany Book Festival”

I was trying to write my version of David Foster Wallace’s “Ticket to the Fair,” in which the author wanders around making witty observations, though I’m unsure if I succeeded.

“Hot Sauce and the Importance of Humor”

I often write in fits and starts, finding dead ends and doubling back until I discover the proper route, yet this was one of those rare pieces that simply flowed.

“In the Absence of a Drum Kit, Tabletops Are a Decent Substitute”

Perhaps the most Sedarisian essay of the bunch, specifically reminding me of “The Understudy,” in which the author vividly describes a bizarre babysitter.

“The Losers’ Game”

My editor, Matt Price, described this one has the most “wistful” essay in the collection, and I think he’s spot-on.

“Giving Thanks for the Applause”

I tried expanding this one, but after re-reading it several times, I concluded its brevity was a strength, not a flaw.

“I Admire Poets”

I think the lengthy digression in the middle of this essay adds flavor to what’s already a fairly tasty entry—and if food isn’t poetry, I don’t know what is.

“Three Hours and 64 Ounces”

I apologize in advance; this is the second essay in the book centered around bathroom humor.

“Sideburns”

I like this piece because it’s specific yet universal, in that most of us wear styles in the past that embarrass us in the present.

“A Tale of Two Gigs”

Yes, the band is still around, but no, we haven’t returned to Randy’s.

“Remembering Gizzvember”

Perhaps the most self-indulgent essay of the bunch—and considering the aforementioned one about porta-potties, that’s really saying something.

“Five Rules of Karaoke (Plus One More)”

Nostalgia is a powerful force.

“Why Tapas Restaurants Fill Me With Nothing But Rage”

Probably better described as a rant than an essay.

“Slut Life”

Proof that I need a stronger optical prescription.

“Birds, Bets, and Sarcastic Texts”

I’ve changed my mind—this is my favorite entry in the book.

“On Being Descended from an Extreme Cheapskate”

After years of wanting to write about Jeff Yeager, I finally found the opportunity.

Grab Your Copy

Ready to read Mild Buffoonery? It’s available in ebook, paperback, and hardcover from tons of places. Get your copy today!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A New Book, and This Time, It’s Personal (Essays)

Greetings reader,

I’m happy to report that Mild Buffoonery is available right now in ebook, paperback, and hardcover. There’s no film adaptation, but we’re working on the script.

I’m pleased to report that early readers have commended its “good humor,” “fun and lighthearted writing style,” and its “essential contributions to humankind rivaled only by the wheel.” (That last one was completely fabricated.) It even peaked at number 25 on Amazon’s Rural Life Humor category, which I consider a major victory.

In no particular order, here are some of my personal favorite excerpts from the book:



You get the idea. You can purchase your digital copy right on my website, paperback at Amazon, or hardcover at Barnes & Noble. (Note: The B&N link is active as I write this, but I think they’re still building it. Might want to check back an a bit if it’s not active.)

Whatever you choose, thank you for reading. I hope you enjoy it!

Best,

Kyle

P.S. I’ll be reading some essays from the book live this Sunday, September 17, at 10am EST. Hope to see you there!


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

A Dad’s Review of Disney on Ice

Disney on Ice

HarshLight, CC BY 2.0, via Wikimedia Commons

It wasn’t as cold as I thought it would be.

That’s the first note from my experience at Disney on Ice. My wife Sara and I took our daughter Sasha to the show last month, and Sara’s sister Michaela joined us.

We drove to the MVP Arena, formerly the Times Union Center, formerly the Pepsi Center, formerly the Knick, formerly probably something else, like the General Electric General Sports Dome or something. It’s an indoor arena right off I-90, which is just how we Albanians like it.

Speaking of Albanians, there were lots of us there. By Albanians, I mean citizens of Albany, New York, not citizens of Albania. (I mean, some folks might’ve been from Albania—I didn’t ask.) I’ve been to a Roger Waters show at this venue, plus several arena football games (go Empire), along with a handful of college basketball and minor league hockey games.

The crowd for Disney on Ice was more excited than them all.

I’m not sure why this surprised me, but it did. I expected the audience for an off-Broadway play, not a playoff game.

Into the parking garage we drove, trailing behind several minivans, SUVS, and other family-friendly vehicles. We chugged up a couple levels, avoided the odd sprinting child as we drove, and soon found ourselves a parking space. After gathering Sasha’s supplies (because sometimes being a parent feels more like being a roadie for the Grateful Dead), we headed inside.

The copious offerings of fried dough and souvenirs lent the place a carnival atmosphere. Unfortunately, the latter were a disappointment to both Sara and Michaela, since it all seemed to be seizure-inducing lights attached to plastic rods (more on this later).

The only thing that caught Sara’s eye was popcorn. As we searched for our seats, she asked me, Michaela, and Sasha if we wanted any (reminder: Sasha’s still learning English). All three of us declined, to which Sara replied, “Maybe we should get popcorn.” When we declined a second time, Sara called it an “outrage” and threatened to get some, anyway. Fortunately, she decided against it when she saw the line. We proceeded to our seats.

Sasha began the show in my lap. She was pretty much motionless for the next 45 minutes, which is commendable for a then-13-month-old kid. I’m guessing she was stupefied by all the strobing lights, which glimmered both on and off the ice; in addition to the overhead lighting, most kids wielded those blinking plastic sticks, with which they prodded one another.

Before the prodding could progress to smacking, the show began. In glided Mickey, Minnie, Donald, and Goofy, enjoying the type of ravenous applause reserved for mid-60s Beatles concerts. Through voiceovers pumped from the stadium speakers, we learned the framing story: The fab four wanted to make a movie, only they couldn’t settle on a subject.

A few notes so far:

  • The sexual tension between Mickey and Minnie was undeniable.
  • I’m pretty sure Tim Blake Nelson does the voice of Goofy. I know there’s no evidence of this, but it really, really sounds like him.
  • Donald Duck’s dialogue is inscrutable. Imagine a person whose tongue has been stung by a bee, then had a fishbowl shoved over their head.

After some friendly banter, the crew settled on not one story, but many, beginning with Finding Dory.

Er, at least, I think they did. The sequence of segments has blurred in my mind, becoming a jumble of twirls, axels, and flying camels (Sara assures me that’s a real skating move).

But here’s one thing I do remember: The Dory costumes were creepy. Creative, yes, but super creepy. The skaters’ heads exploded from the fishes’ backs—or maybe the fishes’ heads exploded from the skaters’ chests. Either way, I couldn’t help but wonder whether the kids were amazed or horrified.

Turns out it was the former. If you think European soccer fans are passionate, you should see children at a Disney show. Most were on their feet the entire time, and if they weren’t, it was only because they couldn’t yet stand. They clapped. They shrieked. They twirled their blinking plastic sticks in heedless, blurring arcs, making me wonder how nobody got concussed by an errant swing. Sara herself sat beside a little girl whose stick was apparently quite blinding. I didn’t notice; I was too busy trying to recall the names of the boyfriends of the Disney princesses.

This was the next bit of the show. Dory, Marlon, and Nemo departed, ceding center ice to Belle and the Beast. That one I remembered. But then came Ariel and her dude, Snow White and a dude, Aurora plus dude, and pretty soon I gave up. I challenge the average Disney fan to name these scrubs. They’re almost as interchangeable as contestants on The Bachelor.

Afterward, Sara, Michaela, and I speculated on the strategy behind the rapid-fire princesses. After much deliberation, we decided it was a diversion tactic, something along the lines of, Let’s rush in princess after princess so there’s no time to reflect on the racism/sexism of the old movies.

It didn’t really work, but it did make for some cool skating, especially when all 77 or so couples united for a group number. After a wave of raucous applause, this brought us to halftime—I mean, intermission.

As kids and parents alike raced for the bathrooms, Sasha’s trance broke. She began to squirm and was only placated by a pre-packed bottle of milk. Crisis averted.

While we waited for the show to resume, I spotted a lot of Molsons. All slim cans with open tops, all clutched by people I assumed were parents. It seemed an odd place to enjoy a brew, yet I realized most were likely enjoying their brews because of the place.

Sasha was chugging her beverage, too, though hers was Vitamin D whole milk, not light beer. No sooner had she finished than the show resumed.

Mickey, Minnie, Donald, and Goofy returned to discuss their work-in-progress, which Donald described as—and I’m quoting him here—”Plazz-bwoo.” The others pretended to understand him, then introduced The Lion King.

I cringed during this sequence, and not because the costumes reminded me of the film Cats. Rather, it was due to their song choice: “Can You Feel the Love Tonight?”

See, I love this song, and so does Sara. In fact, I performed and recorded it one year for her for Valentine’s Day. This might sound impressive…until you hear my performance. Imagine someone slowly squeezing the life out of a squirrel by sitting on it. That’s basically my voice, especially on Nala’s parts, which I had no business singing. If they’d played my version of the song instead of the original, I suspect even more Molsons would’ve been chugged.

I forgot my shame when Frozen began. Unsurprisingly, this claimed a major portion of the show. It was great: the songs, the routines, even the costumes (Olaf’s was my favorite). During “Let It Go,” I even got a little choked up. You’re so brave, Elsa, I thought to myself, squeezing Sasha like she squeezes her Carebears. You finally let it go.

After that came Taylor Swift.

…Just kidding, it was the cast of Toy Story. But if you closed your eyes and listened, you’d think someone was about to launch into the 10-minute version of “All Too Well.” Even a guy named “Forky” got a rave reception, though I’d never heard of him. (Probably because I refuse to acknowledge Toy Story 4, because Toy Story 3 came out the year I graduated high school, and since Andy was doing the same in the movie, I view as the definitive conclusion to the franchise.)

Side note: Is Forky okay? His schtick is constantly trying to leap into piles of trash, which seems like abnormal behavior to me (unless you’re a raccoon). Maybe Woody and Buzz should stage an intervention.

However, since an intervention would likely be too difficult to choreograph, the cast instead proceeded to Mulan. This almost brought Michaela to tears. Maybe it was the staging, or maybe it resulted from PTSD.

See, sometime in their adolescence, Sara demanded Michaela stay up well past midnight memorizing every word of every song from the movie. If even one lyric was incorrect, they had to restart the whole thing (Sara asked me to include this fact in this essay, and she sounded proud about it).

Though I wasn’t recalling an instance of sleep deprivation torture, I found Mulan moving as well. At one point, she shoots a live firework at the Hun army, triggering an avalanche simulated by a gigantic white sheet sweeping over the skaters. Very cool.

There was some stuff from Aladdin, too, like 20 blue genies forming a kickline across the ice, plus Aladdin wrestling a ragdoll version of his monkey. Afterward came the finale, where the entire cast circled the ice to wave goodbye.

Sasha saw none of this. Sometime around the genies’ arrival, she sprawled across Sara and me and promptly began to snore. (Her ability to sleep anywhere makes me a little jealous.)

When the show ended, I lifted her and cradled her in my arms. She slept on, even as we navigated our way through the fans, many of whom were screeching, crying, and flopping on the ground. Kids are experts at flopping on the ground, like fish unhooked from the line. They’re best at it when they want something, or really don’t want something, and they feel no remorse for their poor parents who make accidental eye contact with other nearby adults, who then think to themselves, I may pity you, but I can’t help you.

I’m sure such behavior is in our future, but just then, Sasha kept on sleeping. I carried her all the way to the car, where I set her down in her seat and buckled her in. She stirred for a moment, then sighed and slept on.

If Sasha had written this review instead of me, she might’ve started it like this: “This show put me to sleep.”

I’ll admit, that doesn’t sound great. And since she’s so little, I doubt she’ll remember much, if any, of Disney on Ice. But for whatever time she was awake, she was enchanted. And that, I’d say, was worth the price of admission.

Which is good, because tickets were surprisingly affordable, and there are apparently several other variations of the show. Parts II, III, IV, and V coming soon…


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

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