Category: Writing (Page 10 of 12)

Scrivener: Disorganization Gets the Boot

Papers

If you’ve ever written written a novel, then you’ve probably experienced an especially terrifying organizational nightmare. I’m talking character outlines, story outlines, pages and pages of research, random ideas, maybe even illustrations of people or places—and that’s all before you even start writing the actual draft. While programs like Word and Pages might be just fine for the average writer, you need something with a little more umph.

Enter Scrivener.

Created with long-form writers in mind, Scrivener might be one of the best tools a writer could dream of. I found it more or less on accident (I thank you, almighty Google), and I was happy to purchase it. Let’s take a look at some features.

1. You know those story ideas scattered all over your desktop? Put them in one place.

This is probably my favorite feature of Scrivener: you can consolidate everything in one document. No more flipping between pages to see your research and your working document. You can do a split screen with the manuscript on one half and your overly-detailed character outline on the other.

The research function is also very cool. Let’s say you’re writing a crime novel set in the 20’s, and you’d like to know what sort of forensic capabilities folks had back then. You’ve found your article, but you already know you’ll have to refer back to it many, many times before the book is done. With Scrivener, you can add the web page right to your document and glance at it whenever you want.

2. You can view and rearrange chapters.

I have a pretty lousy memory, but I doubt I’m the only person who can’t remember what happened in chapter one, especially when working on a really long piece.

Scrivener allows you to enter quick details about your chapters in notecard form. You can give yourself a brief summary of what happens in each chapter for quick reference. If you’re juggling multiple POV characters, you can even throw that onto the notecard. It’s a great way to save yourself some time.

Furthermore, Scrivener lets you rearrange entire chapters. Say you have a flashback that you think needs to come sooner. Instead of doing a massive cut and paste in Word (that just sounds dangerous), you can pick the chapter up and place it elsewhere.

3. You can compile your manuscript with ease.

Many authors find it difficult to compile manuscripts into ebook form. I’ve never had to do it, but I can only imagine the struggle of convincing word processors to agree with me. Scrivener compiles your writing into many forms, including regular manuscript form and, yes, ebook form. And it doesn’t fight about it, either.

#

A program as complex as this has a steep learning curve. I had to take a few hours just to go through the tutorial materials, including text and video, in order to learn how to do some of the fancier features. However, the time you spend on this step will be saved many times over in the future, when you’re not fumbling over formatting.

I really like Scrivener. It helps organize my work, puts everything in one place, and, best of all, makes me look like I actually know what I’m doing.

3 Podcasts Writers Will Love

Sound Wave

I love podcasts. I listen to them when I work, when I work out, when I do the dishes, when I drive. I pretty much listen to them all the time. For those who don’t know, they’re kind of like free downloadable radio shows for your phone. In other words, they’re great.

There are tons of podcasts for writers out there. Here are some of the best I’ve heard. They’re all free to download, so check them out!

Geek’s Guide to the Galaxy

Geek’s Guide has been my favorite podcast for quite a while. If you like fantasy, science fiction, and geeky stuff in general, it might become your favorite too.

Each week, host David Barr Kirtley interviews writers, movie producers, scientists, theorists, journalists, and more. Some of the show’s more notable guests have included George R.R. Martin, Neil DeGrasse Tyson, Ursula K. Le Guin, Simon Pegg, and Michael Chabon.

Recently, author George Saunders joined the show to discuss his new novel Lincoln in the Bardo. This episode will make writers salivate. Saunders goes in-depth on inspiration, speculative elements in fiction, and his origins as a writer. Really good show here.

This American Life

If you loved Serial (of course you did), you’ll love This American Life, too. It’s a similar structure, only instead of one story told for an entire season, each weekly episode examines three to five smaller ones.

Though this show isn’t aimed specifically at writers, this show is sure to inspire you. Depending on the week, you’ll get stories that are amusing, strange, profound, exciting, or tense (plus some other adjectives I can’t think of).

One of my absolute favorite episodes features a story about two comedians who just so happened to appear on Ed Sullivan on a very special night in 1964. I won’t say anything else.

Dissecting Dragons

I discovered this show a few weeks ago, and I already love it. Hosted by authors Madeleine Vaughan and Jules Ironside, the show explores every aspect of writing speculative fiction.

The hosts are well-read and have a tight grasp on what makes stories tick. When they discuss a subject, they go in depth. For example, their episode on dragons covered all sorts of dragon myths from numerous different cultures, as well as more contemporary fiction. They even have a establish the key distinctions between dragons and wyrms, so you know they did their research.

Those are just a few of the podcasts I enjoy. What shows are you listening to? Let me know in the comments below.

Using Duotrope to Publish Your Short Fiction

Writing short stories is tough. Getting them published might be even tougher.

But hey, you’re not alone. Though you might not know it from a quick Google search, online markets for short stories are plentiful. The key is finding the right place for your story.

The best solution I’ve found is a handy little site called Duotrope. If you need help tracking submissions, learning more about publishing tendencies, or discovering brand new markets, you’re gonna dig Duotrope.

Track Those Submissions

When you create your account, here’s what you’ll see first:

screen-shot-2017-01-24-at-6-48-16-am

Duotrope shows how many pieces you’ve got out in the wild currently, how many submissions you’ve made in the past 12 months, and your acceptance ratio. Plus, you can get knee-deep in the nitty and the gritty.

screen-shot-2017-01-24-at-6-51-24-am

I love this screen because it gives me a quick glance at what stories are where and what’s happening with them. Also, the constant rejections make you feel like a real writer.

Detailed Market Details

Hate waiting? Me too. If you want to know what markets get back with a “yes” or “no” the fastest, this is your screen.

screen-shot-2017-01-24-at-6-57-38-am

As you can see, these range from the expedient to the glacial. Honestly, unless I absolutely love a particular market, I won’t submit to them if they’re on the slowest list. By contrast, if they’re on the fast list, I’m much more likely to send them my story.

This next report is one of my favorites. The percentages listed here indicate what portion of submissions are accepted.

screen-shot-2017-01-24-at-7-03-17-am

For writers, getting our names out there is essential. Approachable markets allow us to do that, even if they can’t always pay us.

Discover New Markets

Before I found Duotrope, I searched for new markets with search engines. I soon found that though Google is great for finding memes, it’s not so great for finding online fiction magazines. Here’s why:

When you search with Google, their systems prioritize sites with high domain authorities. This means that sites which generate more web traffic and have more content will appear higher on the results list. However, since you’ve probably heard of all these places before (think F&SF, Clarkesworld, Lightspeed), Google probably isn’t helping you find anything new.

Duotrope, on the other hand, allows you to get super specific with your searches. By doing so, you can find far more new destinations for your writing.

screen-shot-2017-01-24-at-7-19-34-am

Check out all those criteria. For best results, mark off as many categories as possible. You’ll be amazed at how many as-before unknown markets appear.

In Conclusion

Duotrope is one of the best companions a writer can have. Though there is a $50 yearly subscription fee, I think it’s well worth the small investment. Check it out and decide for yourself!

Should You Publish Your Fiction to Your Website?

Woman at Laptop on Internet

A few days ago, I published a piece of flash fiction to my website. It was the first—but not the last—time I’ll do it. The piece I went with is called “Large Coffee, Black.” It’s a quick little tongue-in-cheek horror story for coffee drinkers.

Many folks on the internet think publishing work to your website is a good idea. Just as many think it isn’t. After trying it myself, I’m in the former camp. If you’re debating whether or not to publish your fiction on your website, here are a few things you should consider.

Pick a Piece You Really Like

Put a lot of thought into what you’re going to post. Don’t just share any old story you wrote in high school (unless it’s awesome). Choose a piece that you love and can’t wait to share. Make sure it’s something that represents you as a writer.

I chose “Large Coffee, Black” because it was fun to write. A dude falls in love with coffee, and things go from there. It’s pretty strange, but then, that’s part of the reason I like it so much. Also, I think it was pretty unlikely to be published elsewhere.

That’s not to say the quality is poor (I hope!). It’s just that it’s a very strange piece, not quite mainstream enough for a mainstream audience and not quite speculative enough for a speculative fiction audience. I could shop it around for a while and probably never place it anywhere, or I could share it with people who will (hopefully) enjoy it.

Why couldn’t I publish it on my site and also in other online markets? Glad you asked.

Once It’s Published, It Can’t Be Published Again

This isn’t a hard and fast rule, but a lot of pro-paying online fiction markets don’t accept unsolicited reprints. Which means they won’t take anything that’s already been published—including material on your website.

Sure, some online markets accept reprints. They always take them at a reduced rate, however, and they’d much rather have original work. Therefore, the requirements for acceptance will be much more stringent for you than they will be for someone whose piece hasn’t yet been published.

Of note: if you’re an independent author, none of this matters. Even if you’ve already published your work on your website, you can republish again on Amazon without penalty. A lot of indie authors do this with serial fiction, or with short story collections.

Be Okay with Giving Your Work Away for Free

The purpose of publishing on your website is not to make money—at least, not directly. Once you hit submit, anyone anywhere can read your piece for no cost. Some people use this as a reason not to publish on a personal site, but I think they’re missing the point.

If you’re selling a product, any product, consumers will be less likely to convert if they haven’t seen said product in action. Writing is the same; most people buy books from authors they’ve already read and liked. It takes good reviews and positive word-of-mouth referrals for readers to try new authors. Or, a good sample.

That’s the beauty of giving away a good piece of writing. Readers can read your work at their leisure, and, if they like your sample, they’re far more likely to check out the next thing you write.

So Should You Post Your Fiction to Your Website?

Publishing on my website was the right thing for me. I came to that decision after a lot of thinking and a lot of reading. If you’re considering posting your fiction on your website, I’d recommend doing some research of your own.

Every writer wants his or her work to be read. So why not publish something and get it out there?

You’ve already heard so much about “Large Coffee, Black,” so why not read it here?

Why Do We Care When Characters Die?

Death

Why’d you have to take Ned Stark, man?

Did you cry when Bambi’s mom got shot?

It’s okay. You can admit it. Though we know they’re not real, the death of fictional characters evokes real emotion in us. I find that amazing. After all, when fictional character die, we’re essentially mourning the loss of someone who does not, has not, and never will, exist.

The question is: why? Why do we care when a nonexistent character bites the dust?

I don’t claim to know the answer. But I do have some theories.

Here’s the first: we humans can’t help but empathize. When characters feel realistic, when we become invested in them, they become mirrors. We see our own traits reflected back at us, both the good and the bad. We draw parallels between our lives and theirs. So, when one of them dies, we see parts of us dying, too. And nobody likes that.

Here’s another: the more time we spend with characters, the more we become attached to them. Especially in book series, TV series, and film franchises, we watch these characters grow, watch them succeed and fail, watch them change with us. I think this is especially true for something like the Harry Potter series, in which the readers/viewers grow up right alongside the characters. When you’re going through the same experiences with another person at the same time, you’re likely to form a connection with them (even if they’re made up).

My third and most out-there theory: death in fiction reminds us of our own mortality. A popular theory of filmmaking states that we love movies because they solve problems in a matter of hours that are otherwise unsolvable in real life. In The Lord of the Rings, for example, Frodo extinguishes every last shred of evil in the world just by tossing some jewelry into an active volcano. Of course, we know that destroying (or even defining) evil is not that simple. But it’s still satisfying to see it done in fiction.

When characters die, however, it’s a subconscious reminder of the real world. We react so strongly to death in fiction because it reminds us that problems like death can’t be solved, not even in fictional realities.

It’s weird, but as much as they can sometimes upset us, character deaths often shape good fiction. Without people dying left and right, would A Song of Ice and Fire be the compelling series that it is? Definitely not. No matter what the reason, killing beloved characters is an essential part of fiction.

But still. Bambi’s mom was over the line, Disney.

3 Tools That Will Improve Your Writing

Though pretty much everything we write can use a fresh paint job every now and then, we need to stop somewhere. And the better we get at writing, the less time it takes to get to that stopping point.

Fortunately for us, there are tons of tools designed to help us improve. Here are three that I’ve found especially helpful:

Hemingway App

Though I only recently discovered Hemingway App, I’ve used it extensively. In fact, I’m using it to review this blog.

Just copy your writing and paste it into the Hemingway window. The app crawls your piece for complex sentences, adverbs, phrases with simpler alternatives, and even passive voice. As an example, here’s an early draft of this blog:

hemingway-1

The highlights illustrate exactly where your readers might stumble over your writing. The app even recommends more precise words to try in place of complex ones.

And the best part? The Hemingway web app is free.

Trello

As soon as I saw this, I knew I would like Trello

trello-1

The truth is out there.

Anyway, there’s way more to this app than just good humor. It’s free to create an account and easy to get started.

Once you’ve logged in, start by creating your boards. These might be general topics, projects you’re working on, specific mediums you write in, anything like that. Trello’s cool because it’s so open ended.

trello-2

As you can see, I’ve divided my boards up into different forms of writing. Once you’ve set yours up, click on any board to add your projects.

trello-3

Within my short fiction board, each white card represents a different story. I attach my project files to each card so I can access them at any time. Plus, doing so provides a backup of my work in case my hard drive crashes (please don’t let that happen, universe).

trello-4

The card structure also allows you to track your notes on every project, as I’ve done in the above screenshot. I find it’s the best way to keep my writing organized.

Scrivener

I’ve written about this one before, but I think it’s worth another look. Put simply, Scrivener is the perfect tool for novel writers.

I’ve written manuscripts on Microsoft Word, and though it works, I don’t think it’s the best option. With Word, it’s difficult to get an overview of your piece without scrolling through every page. If I want to change the sequence of the chapters, it’s a real pain to copy and paste thousands of words at a time. And for ancillary stuff like character bios, I have to create new documents in other windows.

In short, Word is fine, but it’s not designed for writing novels.

Scrivener is. It puts everything your novel needs in one place.

scrivener-1

You’ve got your main workspace in the middle and a whole lot of other stuff surrounding it. The folders on the left represent your chapters. You can divide them into smaller sections or group them within different parts. You can also add character bios, setting descriptions, and even web pages with relevant information.

When you’re ready for feedback, you can export your piece into a ton of different file formats, including Word, Pages, .pdf, .mobi, and more. That’s right—Scrivener lets you make e-books with ease. If that doesn’t sound like a big deal to you, ask any indie author what it’s like trying to format an e-book. It’s a pain, and Scrivener makes it easy.

What Tools Do You Use?

Let me know in the comments. There are tons out there and I’m always looking for more!

Why I Use WordPress

WordPress Logo

Want to start a blog or a website? If you’re looking for an easy-to-use, free, and customizable platform, I recommend WordPress. Here’s why:

It’s Easy to Use

If I had to code my website, I wouldn’t have a website. Which is a big reason I dig WordPress.

To be fair, there are many other platforms out there that allow you to create websites without coding knowledge. And, to be even more fair, I haven’t used any aside from WordPress. But I’m thrilled with what I’ve gotten out of the ol’ Press.

I set up this WordPress blog way back in 2011, and it was easy. I got started for free, chose a website name and then I was pretty much set. Easy stuff. I didn’t need to do much of anything to start blogging; the interface was (and still is) easy to use. I just wrote up my draft, saved it, and published when ready.

It’s Free

Blogging is essential for many writers. And saving money is essential for pretty much everybody. If you want a blog, you’d better do it on the cheap.

With WordPress, there’s no cost to get started and no charges to keep your blog going. As long as you’ve got “.wordpress.com” in your URL, you don’t need to pay anybody anything. And if you’d like to drop that part of the domain like I have, it’s only 25 bucks a year.

Don’t think I need to say much more about this one. Save your dough for something else.

It’s Customizable

I drive a Honda Element. I’ve been driving it for a few years now and I love it. It’s spacious, reliable, good in the snow, great for transporting objects of all sizes. But it’s also shaped like a shoebox. I love that car, but sometimes I wish I could change the exterior.

WordPress makes it easy to change how your site looks. There are tons of templates to choose from, most of which are free, some of which cost 60 or 70 bucks. You can also add additional pages to your website and open ecommerce platforms. All in all, it’s simple to get your site looking the way you want it to.

If you’re already on WordPress, you probably already know the wonders of using it. If not, I hope I’ve convinced you. Give it a try and see how you like it.

The Power of “What If?”

Futuristic City

For writers, the future is fascinating.

Whether it’s Le Guin, Bradbury, or any number of other writers, one question has been at the heart of pretty much every story set in the future: “What if?”

When of my favorite “What If?” questions came from my dad: “What if every future film is made on a computer?” He thinks computer images are becoming so sophisticated that soon they’ll be indistinguishable from reality. Meaning it will eventually be far cheaper to draw an actor on a computer than to hire one. At which point, real actors will become obsolete.

I decided to explore this idea in fiction. It took a few drafts and some much needed criticism, but this idea eventually turned into a short story. It’s called “Thespian: A Tale of Tragedy and Redemption in Three Acts.”

This story was a lot of fun to write. It’s about a theater actor who loses his job to a computer. In this story, just as my dad predicted, technology has become so good that real actors have become obsolete. Our protagonist spends the rest of the story trying to get even with technology in general. Spoiler alert: things don’t go quite as planned.

With this piece, I wanted to inject a little satire into the whole dystopian future thing. I enjoy those stories, but I feel that most are a bit too somber. “Thespian” is more lighthearted, a little less concerned with doom and gloom and more interested in poking fun. It’s one of my favorite stories I’ve ever written, and I really enjoyed working on it.

Next time you sit down to write, try coming up with your own answer to “What if?” I think you’ll be impressed with the results.

The Value of Joining a Writing Group

Writing Group

Moscow’s Sreda Literary Gathering, 1902 – Wikipedia

Just the other day, I finished a first draft of a piece I was working on and thought to myself, This is pretty darn good. I brought that piece to my writing group a week later, and after fifteen minutes of critiquing, I was reminded of this fact:

The first draft is never, ever good enough.

Little reminders like this are why writing groups are so valuable. Writing alone and never sharing anything with anyone works for some people, but if you want to write professionally, that’s not really an option. Somebody’s going to read your work, whether that be family members, beta readers, or your editor. And, as solitary as writing can be, sometimes it’s nice to get some outside input.

The writing group I’m a member of meets in Boulder every two weeks. Though we all write speculative fiction, everyone brings a differing perspective; we’ve got a pharmacist and mother of two, a couple retirees, a computer programmer, a landscaper, a guy who sells fruit in the midwest for four months out of the year so he can write for the other eight.

It’s these unique personalities that make our critique sessions so beneficial. For example, we’ve got one member who can find something to like in every piece and another member who can, without fail, pinpoint exactly what isn’t working.

Having these diverse perspectives in a writing group is key. “I liked it” is great and it makes you feel good, but it doesn’t improve your piece. Likewise, “You need to change everything because I hated it” doesn’t give you much to work with, either. The best writing groups are specific with feedback and judicious with both praise and criticism.

In addition, you’ll find that your fellow writers tend to have unique backgrounds that can help you out. The programmer in our group, for instance, challenged me on a character description in one of my stories: “The man who lived in A-2 looked like he’d just gotten home from work. Probably worked at a software company, from the look of his clothes; white and blue checkered shirt, along with a red tie and black pants.”

That’s a bit of a stereotypical description for someone in the computing field, now that I look at it. At the time I was writing it, however, I thought nothing of it. Good thing the folks in my writing group had my back!

Which brings me to my next point, the fellow writers in your group will see everything in your piece that you didn’t. They’ll see the inconsistencies that you missed, the subplot you forgot to resolve, even that killer theme that you didn’t realize you’ve woven into your narrative. It’s because writers often get too close to their work, to the point that they don’t even see the fine details anymore.

Writing groups can be hard to find, however, especially if you live in a small town. I found my group through Meetup.com, which has a whole category for writers. There’s also Codex—I’ve never used it, but I understand it’s an online community for writers. However, Codex does require that its members meet certain criteria, and it’s a specifically speculative fiction community. If you don’t meet the requirements or aren’t writing in a speculative genre, you might try a similar community like WritersCafe.

Also, Googling “writing groups” works pretty darn well, too.

So get out there, meet some fellow writers, and share your work. I think you’ll be pleasantly surprised with the results.

« Older posts Newer posts »

© 2024 Kyle A. Massa

Theme by Anders NorenUp ↑