Tag: book excerpt

A Sneak Peek at “Eggs for the Ageless”

Egg wrote.

Or rather, she scribbled words on papyrus, frowned, then crossed them out.

The Almighty Penguin waddled into the distance, Egg scribbled, nearly tearing the page with the ink-wet tip of her quill. And like a pastry at dessert, it vanished gradually, until it was finally gone.

She eased back, swept her bushy black hair from her eyes, admired the words for a moment, then shook her head and slashed them.

Like a pastry at dessert? That was a weird simile. Maybe she was just hungry. And waddling off into the sunset? Too cliche. (Not so much the waddling part, but still.) This was the summation of a year’s work, the final line of her first book. It needed to be memorable, moving, and above all, not crappy. So Egg tried a new closing line instead.

“We’ll meet again, child,” said the Almighty Penguin. “Someday soon.”

No. No no no. She slashed that, too. Made it seem like she was setting up a sequel, and she hated when authors did that. So presumptuous. At least let readers ask for another before you go forcing it on them.

“Subtle,” she whispered to the parchment. “We need to be more subtle. And maybe even a little profound, if we can swing it.”

“Excuse me?” someone asked.

Egg bolted upright and threw on her most genial smile. The someone who’d spoken was a man seated in the sand beside her, a round and jowly type who smelled slightly of ale. They’d met a few hours prior, but Egg had already forgotten his name. Boffer, maybe. Or Boofer?

“Who are you talking to, girl?” the man asked.

“Well, Mr., um…Boogler…” Egg began, then thought better of answering truthfully and finished with, “…I was just warming up my voice. For the call-and-answer bit.”

“It’s Bowler,” the man snapped. “Mayor Bowler. And what are you writing about, anyway?”

You’re awfully nosy, Mayor Bowler, Egg thought, though she didn’t say it. Instead, she tried her smile again. “Just, umm, taking notes.” She waved toward the makeshift dais before them, where the Holy Devoted was busy reading some story of self-righteous dopes from a chunky book called The Everything. It was the only book Egg could ever remember disliking.

Bowler glowered at the stack of papyrus mounted atop Egg’s lap. “That’s a lot of notes.”

It’s been a long service, she thought. Two hours, according to a nearby hourglass, and the Holy Devoted had only just gotten to the introduction of the Ageless bit. Bowler gave her a parting snort before returning his attention to the oration.

Around them dozed a lazy little town, just a pleasant smattering of sun-baked houses. It took Egg a moment to recall the name of said town, but a glance to the west reminded her.

Plainwall. So named, presumably, because of the looming western wall that provided shade from the omnipresent (I’m being literal here) sun. Not the most creative name for a town, but it was just down the road from a city called Buystuff, so what could you expect?

On the dais before them (actually a creaky wooden box, but “dais” sounded fancier), Holy Devoted Sarene graced the boiling morning air with her voice, enunciating every syllable with precision and clarity. Her reading was flawless as ever. If only her material was less boring.

“And so Lira, Goddess of Order, and Florinioniorius, God of Creation, had 10 children,” Sarene intoned. “And those 10 children, along with their mother and father, would be the foremost of the Ageless, the Greater Gods and Goddesses. They would be the Dozen.”

“The Dozen,” the gathering repeated.

“And many more Ageless would be born of Lira and Florinioniorius, and though they would be divine as well, they would be known as the Lesser Gods and Goddesses.”

“The Lesser,” the gathering repeated.

“And so all the Ageless, both the Dozen and the Lesser, do guide the lives of mortals. They do make our world whole.”

“They make our world whole,” the gathering repeated.

“With the exception of Hylus, God of the Sun,” Sarene clarified, “who hasn’t allowed our holy sun to set in decades, and shall not allow it until we humans prove our worth.”

“Until we prove our worth,” the gathering repeated.

Egg, by the way, wasn’t listening to any of this. It was too nice a day. The sun was fat and bloated as ever, but it was hidden for now, and a handful of puffy white clouds floated above. The sand beneath her bottom was blistering, as usual, but at least she had a blanket to sit on. And a songbird had appeared, settling on the eave of a nearby house. It trilled, then departed. Egg tried and failed to suppress her jealousy.

Anyway, back to writing. She started by twirling her quill around and around, like a real, honest-to-goodness writer must do. Unfortunately, when she looked down, she realized she’d splattered ink across the topmost page.

Oh dear, she thought.

She fumbled the quill and dropped it, which stained the papyrus further, plus got ink on her robes.

Oh shit, she thought.

She scooted to retrieve the quill, which displaced the stack of parchment upon her lap. It slipped off and scattered everywhere, fluttering away like so many leaves, and in her haste to catch them, she kicked the ink pot seated beside her. It tumbled across the sand, leaving a black smear in its wake. Droplets of ink spattered everyone seated too close—including Bowler. The town’s Mayor.

“Oh fuck.”

She thought she’d thought that. But when she felt eyes on her—several dozen pairs of them—she realized she hadn’t. Those words had slipped out.

The entire village of Plainwall, all here for the oration. All staring at her.

She rose. She tried summoning her genial smile but managed only a guilty grimace. The stares had turned to glares, from Mr. Bowler and the other ink-stained townsfolk, the clean ones too, and…

Egg gulped. And Holy Devoted Sarene.

There was no Goddess of Disapproval, but if there was, she probably would’ve taken the form of the Holy Devoted. Sarene was stern and severe with a heron’s build and differently colored eyes: one brown, one blue. Her scalp was completely shaven, revealing a smooth head with a halo of runic tattoos—12 of them, each representing one of the Dozen Gods and Goddesses.

“Child,” Sarene said. “What do you think you’re doing?”

Egg tried to speak, but the sound came out a sputter.

“She’s taking notes,” Mayor Bowler offered. “Allegedly.”

The Devoted did not react. She didn’t even blink. “You’ve made an unholy mess, Zeggara. Have you anything to say for yourself?”

“Yes. I have something to say for myself. I say I’d rather be writing than sitting here, because writing makes me happier than sitting around every week for hours on end, listening to stories I don’t believe in and participating in rituals I don’t care for. I say that maybe I believe in something else, or would at least like the opportunity to do so. Also, I say you’re overstating the state of this mess—I’ve done worse. That’s what I say.”

…Well, that’s what Egg would’ve said, if she’d had the courage. But she didn’t. Instead, she squeaked three words:

“I don’t know.”

Holy Devoted Sarene was intimidating enough. It didn’t help that she also happened to be Egg’s mother.

#

By the time the gathering dispersed, morning had turned to afternoon (not that you’d know it by looking at the sun; it hadn’t moved an inch, nor would it).

Nonetheless, the people of Plainwall returned to their houses, and Egg and her mother retired to their current home: Plainwall’s inn.

Up in their room, Sarene seated herself behind a desk. Egg sat across from her, beside a breezeless window. The ink-stained manuscript laid between them.

“So.” Egg’s mother flipped through the pages, examining them like scraps of food on the verge of spoiling. “Explain this.”

“It’s a book,” said Egg. Her eyes flicked to the candle flame dancing beside her manuscript. (Candles—and flames in general—became obsolete once the sun stopped setting, but you could still find them if you tried.)

“I see that. What sort of book?”

A good one, Egg thought. But she said, “I don’t know.”

Her mother pursed her lips and ran a finger along Egg’s tangled handwriting. “What would your father think of this?”

He’d love it. He’d at least give it a chance. “I…I don’t know.”

“Please stop telling me what you don’t know, Zeggara.” She fixed her differently colored eyes upon her daughter. “An anthropomorphic penguin?”

“It’s fiction,” Egg blurted. “Meant to provoke thought and reflection. You don’t have to take it literally.”

“Then explain it to me.”

Egg looked away. “You won’t like it.”

The edge of the Holy Devoted’s lip ticked up ruefully. “I don’t expect to.”

“It’s a story about a penguin who arrives in a town and teaches people how to be more penguin-like. They toboggan, feast on fish, and swim together in rafts. Did you know a pack of swimming penguins was called a ‘raft,’ mother?”

“I did not.”

“Well, it was. The point I’m trying to make is…” People have the right to live their lives however they want to. And maybe a penguin is just as good a deity as your Ageless. But Egg swallowed and instead finished, “I like penguins.”

“I can see that.” Her mother flipped to the front page and read, “Grand Teachings of the Almighty Penguin. Is that what I’m supposed to call this?”

“It’s a working title.”

Her mother sighed. “How long have you been writing it?”

“A year.”

The Holy Devoted shook her bald head. “And all that time you could’ve been reading your Everything. You could’ve been studying for your Devotion.”

The Everything was the holy book of the Ageless, and the Devotion was a ritual in which mortals pledged their lives to said Ageless to become (you guessed it) Holy Devoted. Devotion involved getting tattoos representing the Dozen, plus some sort of quiz and a public declaration. Truth be told, Egg was fuzzy on the details.

But Devotion wasn’t Egg’s passion in life. Writing was. It was the one skill she considered herself halfway decent at (aside from her abilities to forget names and spill things). She’d been writing constantly, ever since she was young. Granted, Grand Teachings of the Almighty Penguin was the first story she’d ever even come close to finishing, and some of her previous projects had been unimpressive at best. But she had written them. And writing remained her passion, despite her mother’s tireless attempts to replace it with religion.

“I just want to write, mother.”

Sarene offered no answer. Instead, she gathered the papers, flipped through them with her thumb. She sighed heavily. “There is only one book you should be studying, Zeggara. You know what I must do with this one.” Her gaze slid to the candle flame.

“Please.” Egg didn’t want to cry in front of her mother, but she feared she might, if it came to this. “You can’t.”

“I must. There is no Goddess of Penguins, Zeggara. We’ve traveled to this town to bring the teachings of the Ageless to its people. Not some fanciful tale of flying creatures.”

“Swimming.”

“I’m sorry?”

“Penguins didn’t fly—they swam. They were aquatic flightless birds.”

Egg’s mother rubbed at the tattoos on her bare scalp. “As you say, child. I know little of extinct species.”

“And it’s satire,” Egg added, her sudden courage taking her by surprise. “The point isn’t to present an alternative religion. It’s to poke fun at religion itself.”

Her mother’s mismatched eyes suddenly looked pained. “That cannot be, my daughter. Our faith is everything to us. It should be everything to you. Why do you think the sun never sets, hmm? Why do you think it dries our grounds and burns our backs? It’s because we aren’t devoted enough. We don’t believe enough. So if you truly want to become a Devoted, Zeggara, you must set aside this writing and focus on what truly matters.”

That’s what you want, mother, Egg thought. Not what I want.

It was unsurprising, anyway. Ever since she’d given herself to the Ageless, Egg’s mother had warned all about what wasn’t allowed. Egg wasn’t even sure she could have dessert without permission from the Ageless—not that it ever stopped her.

“Mother…” You’re missing the point. You’re preventing people from thinking for themselves. What if my book gave them a new perspective on their belief? What if it made them laugh, instead of feeling guilty or fearful?

She wanted to say that to her mother, and more. But she couldn’t. “Please. It’s just a book.”

“Books have power. This book you’ve written, Zeggara. It’s blasphemous.”

“Have you even read it?”

“I’ve read enough. For your sake, I must do this.” Her mother leaned toward the candle.

“Wait!” Egg cried. She wasn’t exactly sure what they were waiting for, but the answer came to her suddenly. “Let me do it, mother. I…I’ll do it.”

Sarene hesitated, holding the pages mere inches above the flickering candle. “You shall?”

“I must. It needs to be destroyed, burned, obliterated, all that. Just what blasphemy deserves, am I right?” She forced a chuckle, wishing she was better at lying. “I’m the one who created it. I should be the one to destroy it.”

The Holy Devoted gave her daughter a wary look. “If you say you’ll do this, you must not balk. I’m trusting you, child.”

Egg offered her most trustworthy smile. “You can count on me, mother. I just need a day to say goodbye. After that, I’ll destroy it. I swear it by…by the Ageless themselves.”

It hurt to make a promise she wasn’t sure she could keep. But her mother’s sudden smile hurt worse. It was one of the few times Egg could ever remember her mother looking proud of her.

“Believe in something, Zeggara. It will save you, in this life and the next.” She passed the manuscript across the desk, then patted her daughter on the hand. “You’re doing the right thing.”

Egg hugged her manuscript. “Thank you,” she said. But what she really meant was, Thank you for helping me finish my book.

#

Sunlight found her on the creaking front steps of the inn. The village was quiet, the stagnant air still, and Egg’s left hand itched to write. She drew her quill from her pocket, wetted it, then flipped to the back of her book and scribbled one final, fading line. It went like this:

“Believe in something,” said the Almighty Penguin, “so long as it makes you happy.”

“You’re finally finished,” Egg whispered to her book, planting a wet kiss upon the page. Her lips were probably black now, but whatever. “And now…I have to kill you.”

She’d promised it, sworn it, vowed it, both to the Ageless and her mother. Could she really break that promise?

Her eyes drifted to the horizon, to the gleaming spires in the distance. There loomed the city of Buystuff, the villagers had said. They called it the commerce capital of the world, the place where one could find any people or products there were to find. Hunters and diggers, jewelers and smiths, wanderers and soldiers, monarchs and peasants, writers and…

…And publishers…

“What do I do now?” Egg asked her manuscript. But she already knew the answer.


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife, their cats, and their dog. He has written two books and numerous short stories, both published and yet-to-be published. He enjoys unusual narrative structures, multiple POVs, and stories that make readers laugh. For a free sample of Kyle’s work, subscribe to his newsletter.

© Kyle A. Massa, 2020. All rights reserved. No part of this excerpt may be duplicated or distributed in any form or by any means without expressed written consent from the author.

A Hidden Track: A Night with Black Cat Waltz, written by Bob Spellman for Soundwave Magazine, 1975

It’s Halloween night and Black Cat Waltz has sold out the Nebula Lounge in downtown Los Angeles. The feeling is electric.

“I hope they play ‘The World’s Gone Red.’” I overhear a young woman say this to a young man beside her. She’s dressed like Dorothy and he’s dressed like Toto. She smokes what is either a hand-rolled cigarette or a joint—the smell suggests the latter. “This is gonna be interstellar.

The night is crisp and tangy as an apple, which fits the season (it’s cold, especially for L.A.). I stand in a line that winds around the corner and out of sight. It’s composed of cats, vampires, ghosts, pixies, Holly Golightlys, witches, John Waynes, hobos, and more. I myself am dressed in a leather jacket, jeans, and loafers. If anyone wonders what I’m supposed to be, I’m prepared to say, “Journalist,” which is of course entirely true. Anyway, no one’s asked yet.

The mood is a rope ready to snap. Bits of B.C.W. songs float up from the cacophony, with different voices joining the chorus as they hear it. Shouts of “Let us in!” and “This should be a free event, man!” echo into the night. Cars pass cautiously, as if fearful of the gathered crowd.

Indeed, one can sense the single-mindedness of this group. This is not some random assortment of young people out to hear some live music—this horde is here for Black Cat Waltz. Or, perhaps more specifically, it’s here for Julian Strange.

I hear snippets of conversation. Oddly enough, they’re all about Mr. Strange. This seems nearly impossible when I reflect on it. No one’s talking about the end of the war or Jaws or Patty Hearst or the Thrilla in Manila. Here in this line on this night, we only talk about the man and the band we’re about to see.

“Open the doors!” someone shouts. And another person quotes, “You can’t see the forest from the trees, when you’re dead and beaten and down on your knees!”

Someone else: “Julian Strange will live forever!”

And another voice: “Open those doors, pig! We want in, pig!”

Presumably, that last comment is directed at the bouncers on either side of the door (though they’re not policemen, so far as I can tell). They stand there grumbling and looking murderous. The wrong annoyance would give them an excuse to hurt someone, I’d guess. They’d probably enjoy that.

A fight breaks out somewhere in line. Two of the club’s bouncers peel away from the door to end it. That gives others hope. Three men dressed as the Three Stooges make a break for it. They get halfway through the door before they’re hauled off by a fresh pair of bouncers. Curly screeches, “We just want to see him! We just want to see him!” That leaves only one man defending the entrance. He suddenly appears a deal less confident than he did a moment ago.

The moment doesn’t last long. The doors open a crack and a message is relayed; the single man at the door pulls it the rest of the way and stands aside, like a surfer avoiding the rush of a tidal wave. I’m pushed from behind and suddenly I’m running forward with the rest of them. It’s either that or be swept under.

We crash through the open doors and flood into the lounge. I spoke to the event promoter earlier in the day and learned the maximum capacity for this venue is 1,001. Judging by the size of the line outside, I expect the health department will receive a call sometime soon.

The chanting begins as soon as we’re inside. One name, repeated over and over again: “Strange! Strange! Strange! Strange!” There’s a band here tonight, though you’d think it was a solo act.

The chant continues and grows louder as new voices enter the space. I attempt to order a drink with little luck—Gandalf and a Janis Joplin look-alike cut ahead, and suddenly a fresh wave of bodies rushes forward. Oh well.

When the lights dim, the audience screams. The lights come up again, and for the first time I notice the stage is littered with gifts. Wrapped boxes, flower bouquets, lingerie, packs of cigarettes. More follow them.

The stage itself is a modest platform ringed by more expressionless men in black shirts. The crowd tries an approach, but even their shoving can’t break these guys. At least not yet. The equipment behind them is all set up: a many-piece drum kit, Marshall stacks, wires, monitors. One single microphone in the center of the stage. Rumor has it that while the other members of the band can sing, Julian Strange won’t allow it; he wants only his own voice heard during shows.

Figures appear onstage. The crowd explodes. My eardrums whine with the sound of voices, so many voices collected into one. The figures are as follows:

Warren Wilder, the band’s guitarist. He’s dressed as William Shakespeare, complete with a ruffle around his neck, tights, and an ink-stained quill in his ear. His blonde hair is shaped in the style of the Bard’s. He slips his Fender Stratocaster over his shoulder and bows to the crowd.

Then there’s Francisco Jones Jr., the band’s drummer. He places a foot on the shell of both his bass drums, and suddenly he’s standing atop his own kit, arms held high, forming a cross with his drumsticks. He’s dressed as one of the three little pigs, making the whole scene all the more surreal.

Next, Luther Bangs, the band’s bassist. I think he’s supposed to be a blueberry though I’ll admit it’s difficult to tell; he wears a blue shirt, blue pants, long blue socks, a blue hat over wild hair. Maybe he’s just a guy wearing blue clothes. He dons his Gibson Grabber and waits, elbows propped upon the top edge of his instrument, one leg crossed over the other. Bangs stands just out of reach of the stage lights, a man in the shadows. He fires off a bass lick, his fingers flowing deftly over four fat strings and composing a flawless scale.

Then comes a pause while the three men wait. There is a fourth member of Black Cat Waltz and the audience knows he’s back there somewhere. Their chant begins again, louder than ever before.

“Strange! Strange! Strange! Strange! Strange! Strange! Strange! Strange! Strange!”

Yet still no man himself. They roar, they shout, they scream their throats bloody, all for him, all for Julian Strange. Someone has fainted beside me and her friends are trying to haul her out while still keeping their eyes on the stage. The chanting continues.

The voices grow louder, somehow. It doesn’t seem possible, yet it’s happening. And they grow louder still at the sight of the curtain parting behind the stage.

An immense figure approaches the mic. His night-black hair is a silky curtain and his beard cascades down his face like a rushing waterfall. He wears a formless white gown. The room’s gone hazy with smoke, but one can still make out the crown of thorns circling the man’s forehead. Blood (I hope fake blood) leaks down his face and into his eyes. He raises his hands and reveals more on his palms. It would appear the origin points are two deep gouges in the centers of his hands. If I could see his feet from where I’m standing, I’m sure he’d have identical wounds there as well.

The man standing at the mic is Julian Strange. He’s dressed as Jesus Christ. Maybe tonight there’s no difference between the two.

“Good evening ladies. Good evening gentlemen. Good evening felines.” His voice is a comet rippling through space. More screams, most of which sound orgasmic. “Good evening, my children. Happy Halloween. I hope you came to sing and dance.”

More howls, more calls. The man’s presence is like blow to these people. I must admit, even I am drawn to his energy. He has a magnetism unlike any I’ve encountered, and he hasn’t even started singing yet. It’s amazing. It’s strange.

Julian Strange purrs something into the mic. “Do you need an exception to the rule?”

Jones strikes his crash cymbal, Wilder thunders a tremendous chord, Bangs’s fingers slide down the neck of his bass, and suddenly we’re off into the first song, this one titled, “An Exceptional Boy.” It’s a tongue-in-cheek semi-autobiographical song about Julian Strange’s own life, stylized as a musical tale about a boy named Little Mudge who loses his voice. (Mudge, of course, is Strange’s real surname.)

The audience erupts. There are no seats in the Nebula, but even if there were, I doubt anyone would be sitting. They bounce up and down and jerk from side to side and dance like devils around a pyre. They hang from low ceiling rafters and are eventually pulled down by security. They rush the stage and are cast backward. They reach for Strange and they shriek wild words. The music drowns them out.

No sooner has the song ended than another begins. The next one is “May I Have Another?”, a subversive condemnation of those who make war.

Strange preens about the stage, leers at the audience, jumps so high that at times he appears to float. A man his size shouldn’t move the way he does, but I’m watching it and I know it must be real. On the guitar, Warren Wilder’s fingers dance over his fretboard. His string bends are impossibly crisp. I’ve seen Hendrix, Blackmore, and Clapton live, and though this man isn’t them, he is damn close. Behind him, Jones rages away at his drum kit, striking it like an enemy in battle. And Luther Bangs stands off to the side, edging closer still to the backstage. His rumbling improvised basslines wind around the main melody and form a counter-solo to Wilder’s, yet the man himself is almost like a ghost. One might wonder where the sound of his instrument comes from.

They play “There’s Starlight in Your Future,” “Cue the Music,” and “Sing Us a Song (But Not That One),” all in rapid succession. The room itself seems to bounce; the air is heavy with the smell of marijuana and booze and human perspiration. At first I recoiled from the Halloween fabric rubbing against my skin, but now I’ve accepted it. In this room, one is not allowed personal space.

I keep expecting a mid-set break, but Black Cat Waltz never takes one. They continue with a pair of ballads: “Love is for Strangers” and “Janine.” Their energy seems inexhaustible. Julian Strange has by now torn off his gown to reveal the hairy chest beneath, which seems to contrast with the usually hairless image of Jesus Christ. He’s also not so skinny.

Some cops have entered the floor. At first I take them to be attendees in costume, but when they snatch joints from people’s lips and haul them toward the exits, it becomes clear they’re the real deal. One of them gets up toward the front of the crowd and screams something into the ear of one of the security guys. The guy listens, leans back, shakes his head, and shrugs. If they’re trying to shut the whole thing down, it seems that’s not going to work.

Onstage, Waltz plays a song called “Mortal Man Blues,” a psychedelic 12-bar jam from their first album which stretches as long as 15 or 20 minutes when they play it live. I have no idea how deep we are into this rendition; their presence on stage seems to warp my perception of time.

At some point, the bulkiest and meanest-looking cop of the bunch bellows something at the audience. Problem is, he’s having a shouting match with Luther Bangs’s amplifier. He’s not winning. His face is all red and spittle flies from his mouth; the veins in his thick neck stand out like clutching fingers. He screams, and no one reacts. All we hear is Black Cat Waltz. He waves his arms toward the exits, even tries dragging someone off, but he’s a siren in a hurricane. He’s been rendered meaningless.

After another minute of this impotent posturing, the cop turns to the stage. The band has not stopped playing since they started, and it’s almost midnight. I can’t see the cop’s face, but I can imagine the expression upon it: awe, disbelief, hatred, embarrassment. When he turns back to the crowd, he’s deflated. He disappears within the audience, and I don’t see him or his men again.

By now the show is winding down. I never thought it would happen, truth be told, except they’re now playing “Interplanetary Freeway,” which is another double-digit minute composition. This one always comes before the encore, I’ve heard. It’s as good as you’d expect, down to the improvised guitar jam, an extended drum solo, and a bit where Strange repeats Wilder’s guitar licks with nothing but his voice.

“We thank you,” Julian Strange says to the crowd when it’s all finally over. “You’re the best audience we’ve ever had.” (I’m told Strange makes this assertion to every audience he plays for.) “We’ve got to be going now. Bless you, thank you, and goodnight.”

Shrieks as they leave the stage. The lights go out and we’re plunged into blackness. Maybe it’s the reefer mist I’ve been inhaling, but I swear I’m seeing things in the dark. Glowing eyes, bared fangs, leathery wings, tails, tentacles, tongues. They must be costumes—though I don’t recall them looking so horrifying in the light.

A woman’s voice asks if I’d like to make love on the floor. I decline, explaining that I’m actually working. She growls something that sounds more animal than human. I’m jostled and bumped from all sides. Twice I’m nearly knocked off my feet. I don’t know what’s going on around me, but I don’t question it. This is no longer Halloween—this is the night of Black Cat Waltz. Of Julian Strange.

They’re calling Strange’s name again. This time it’s louder than before, more desperate. They scream and cry and beg not for Waltz, but for Strange himself.

An amplified voice answers them. “Meow,” it says.

The crowd shrieks, the lights come up, and there they are. Black Cat Waltz.

For the encore, Julian Strange wears his crown of thorns and nothing else. This, of course, is completely illegal: appearing before hundreds of people entirely naked (with a massive erection, no less) is not exactly by-the-book. It doesn’t matter. The music plays on.

The band launches into “Gift to the Universe” and the crowd sings along. Pure hive mind, as if everyone in the room knows every word. I even find myself joining them, though I’ll admit I don’t know the whole song. Doesn’t matter. My voice joins the others and for a while, there is no individual singer. Even Strange’s voice, loud as it is, weaves together with the rest. We’re all one for this last number, and it is glorious.

When they finish, Strange says nothing. He and his bandmates bow and wave and blow kisses, and then they vacate the stage without another word. It’s an amazing feat, what they’ve accomplished. The crowd seems finally sated. They turn their backs on the now-empty stage and head for the exits. I follow them.

Outside, the night feels colder than it should. You don’t have to listen long to hear voices singing the songs. They disperse into the dark, yet a part of Black Cat Waltz stays with them. A part of tonight will stay with me as well.

I spot Dorothy and Toto wandering down the sidewalk, arms locked around one another. Dorothy says, “See? What did I tell you? Inter-fucking-stellar.”


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife and their two cats. His stories have appeared in numerous online magazines, including Allegory, Chantwood, and Dark Fire Fiction.


© Kyle A. Massa, 2018. All rights reserved. No part of this excerpt may be duplicated or distributed in any form or by any means without expressed written consent from the author.

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