Tag: ernest hemingway

Why You Should Be Reading Flash Fiction

Ernest Hemingway

Just like the name implies, flash fiction is short enough to read in an instant. But if you’re not reading it, here’s why you should be.

Opinions vary on what length qualifies as flash fiction. Some markets say 300 words max, some say 500, others say 1,000. Whatever the case may be, flash fiction has to be really short—which is not to say incomplete. Rather, many flash pieces still have the elements of traditional literature (character, plot, conflict, setting), only they’re condensed. Think of them like shorter short stories.

The form has existed for quite a while, though it wasn’t known as “flash fiction” until 1992, when James Thomas, Denise Thomas, and Tom Hazuka published their anthology Flash Fiction: 72 Very Short StoriesDespite the its relative mainstream obscurity, many high-profile authors have written flash fiction, including Kurt Vonnegut, Ray Bradbury, Joyce Carol Oats, Ernest Hemingway, and H.P. Lovecraft.

In many ways, flash fiction bears a strong resemblance to poetry. Some of my favorite flash pieces create a mood or feeling instead of focusing on narrative, just as some poems do. Others feature complete stories with beginnings, middles, and ends. It’s a flexible form, and one I enjoy very much. In fact, I included three flash pieces in my short fiction collection, Monsters at Dusk.

Thanks to the internet, flash fiction’s popularity has only grown. There are numerous online magazines devoted solely to flash fiction, and quite a few popular markets that publish flash from time to time. Just to name a few: Apex MagazineBeneath Ceaseless Skies, Fantasy & Science Fiction, Flash Fiction Onlineand NANO Fiction.

If you’d like to challenge yourself as a writer, flash is a great way to do it. It might sound easy to write 500 words, but when you sit down and think about all the components of a good story, it can be difficult to cram everything in.

Furthermore, with such limited space to work with, your language must be razor sharp. In general, readers are far more forgiving of bland language in long-form narratives. It’s easy to skip a poorly-written section of a novel. But when a piece only lasts about a page or two, that poor writing sticks out like a fly in your drink.

Flash fiction is a unique form which will, in my opinion, only grow in popularity in the future. Word counts are shrinking, attention spans are decreasing, and concision is becoming more and more essential. Try some flash fiction and see if you agree!


Kyle A. Massa is the author of the short fiction collection Monsters at Dusk and the novel Gerald Barkley Rocks. His stories have appeared in numerous online magazines, including Allegory, Chantwood, and Dark Fire Fiction. He lives somewhere in upstate New York with his wife and their two cats.

Some Things to Remember When Rejection Gets Us Down

Pencil Eraser

I don’t mean to sound morose or anything, but writing and rejection might as well be the same word. Writejection? Yeah, that’s it.

It’s hard not to get discouraged. It’s hard to work on a manuscript for months or in some cases years, only to have an agent send back a form rejection without even really reading it.

But that’s alright. In fact, we shouldn’t let writejection get us down. We should use it to do better.

Point A: writers need to write a lot of crap before writing anything worth publishing. I’ve literally never heard of anyone publishing their first attempt at a novel. Even an author’s debut novel isn’t really their first; they’ve probably written a bunch more before that one that just weren’t good enough for anyone to read. For context, Stephen King wrote about five novels that didn’t get published before Carrie and Brandon Sanderson wrote around ten before Elantris, his first wide release. That’s the hard truth of writing: the first manuscripts we write are practice, and nothing more.

But that’s okay. No one uses everything they write. Many writers write entire backstories for their characters, or subplots that never go anywhere, or just cool little scenes that are fun, but don’t really move the plot forward. Writing is just like any skill: it’s the work that people don’t see that makes it great.

And another thing to remember about work from pro writers: they write gross first drafts, too. It doesn’t matter who writes them—they are, by their very nature, gross. But remember, we never see first drafts from pro authors. We only read the finished product, which has gone through countless iterations. If you don’t believe me, believe Ernest Hemingway, who said, “I rewrote the ending of Farewell to Arms, the last page of it, 39 times before I was satisfied.”

But here’s maybe the most important rule of all: even the best writers have been rejected just as much as we have.

This all might sound terribly daunting, and I suppose it is. But don’t let it get you down. I mean, if you really want to be a writer, would you want it to be easy? It wouldn’t be worth anything if it was. We have to work hard, we have to write every day, we have to earn those rejections before we can really get anywhere. And that’s how it should be. That’s how we know that what we’re doing is really worth doing.

So when we’re just collecting rejections, there’s only one thing we can do. Today, let’s write something better than we wrote yesterday.

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