Tag: novel

A Sneak Peek at “Eggs for the Ageless”

Egg wrote.

Or rather, she scribbled words on papyrus, frowned, then crossed them out.

The Almighty Penguin waddled into the distance, Egg scribbled, nearly tearing the page with the ink-wet tip of her quill. And like a pastry at dessert, it vanished gradually, until it was finally gone.

She eased back, swept her bushy black hair from her eyes, admired the words for a moment, then shook her head and slashed them.

Like a pastry at dessert? That was a weird simile. Maybe she was just hungry. And waddling off into the sunset? Too cliche. (Not so much the waddling part, but still.) This was the summation of a year’s work, the final line of her first book. It needed to be memorable, moving, and above all, not crappy. So Egg tried a new closing line instead.

“We’ll meet again, child,” said the Almighty Penguin. “Someday soon.”

No. No no no. She slashed that, too. Made it seem like she was setting up a sequel, and she hated when authors did that. So presumptuous. At least let readers ask for another before you go forcing it on them.

“Subtle,” she whispered to the parchment. “We need to be more subtle. And maybe even a little profound, if we can swing it.”

“Excuse me?” someone asked.

Egg bolted upright and threw on her most genial smile. The someone who’d spoken was a man seated in the sand beside her, a round and jowly type who smelled slightly of ale. They’d met a few hours prior, but Egg had already forgotten his name. Boffer, maybe. Or Boofer?

“Who are you talking to, girl?” the man asked.

“Well, Mr., um…Boogler…” Egg began, then thought better of answering truthfully and finished with, “…I was just warming up my voice. For the call-and-answer bit.”

“It’s Bowler,” the man snapped. “Mayor Bowler. And what are you writing about, anyway?”

You’re awfully nosy, Mayor Bowler, Egg thought, though she didn’t say it. Instead, she tried her smile again. “Just, umm, taking notes.” She waved toward the makeshift dais before them, where the Holy Devoted was busy reading some story of self-righteous dopes from a chunky book called The Everything. It was the only book Egg could ever remember disliking.

Bowler glowered at the stack of papyrus mounted atop Egg’s lap. “That’s a lot of notes.”

It’s been a long service, she thought. Two hours, according to a nearby hourglass, and the Holy Devoted had only just gotten to the introduction of the Ageless bit. Bowler gave her a parting snort before returning his attention to the oration.

Around them dozed a lazy little town, just a pleasant smattering of sun-baked houses. It took Egg a moment to recall the name of said town, but a glance to the west reminded her.

Plainwall. So named, presumably, because of the looming western wall that provided shade from the omnipresent (I’m being literal here) sun. Not the most creative name for a town, but it was just down the road from a city called Buystuff, so what could you expect?

On the dais before them (actually a creaky wooden box, but “dais” sounded fancier), Holy Devoted Sarene graced the boiling morning air with her voice, enunciating every syllable with precision and clarity. Her reading was flawless as ever. If only her material was less boring.

“And so Lira, Goddess of Order, and Florinioniorius, God of Creation, had 10 children,” Sarene intoned. “And those 10 children, along with their mother and father, would be the foremost of the Ageless, the Greater Gods and Goddesses. They would be the Dozen.”

“The Dozen,” the gathering repeated.

“And many more Ageless would be born of Lira and Florinioniorius, and though they would be divine as well, they would be known as the Lesser Gods and Goddesses.”

“The Lesser,” the gathering repeated.

“And so all the Ageless, both the Dozen and the Lesser, do guide the lives of mortals. They do make our world whole.”

“They make our world whole,” the gathering repeated.

“With the exception of Hylus, God of the Sun,” Sarene clarified, “who hasn’t allowed our holy sun to set in decades, and shall not allow it until we humans prove our worth.”

“Until we prove our worth,” the gathering repeated.

Egg, by the way, wasn’t listening to any of this. It was too nice a day. The sun was fat and bloated as ever, but it was hidden for now, and a handful of puffy white clouds floated above. The sand beneath her bottom was blistering, as usual, but at least she had a blanket to sit on. And a songbird had appeared, settling on the eave of a nearby house. It trilled, then departed. Egg tried and failed to suppress her jealousy.

Anyway, back to writing. She started by twirling her quill around and around, like a real, honest-to-goodness writer must do. Unfortunately, when she looked down, she realized she’d splattered ink across the topmost page.

Oh dear, she thought.

She fumbled the quill and dropped it, which stained the papyrus further, plus got ink on her robes.

Oh shit, she thought.

She scooted to retrieve the quill, which displaced the stack of parchment upon her lap. It slipped off and scattered everywhere, fluttering away like so many leaves, and in her haste to catch them, she kicked the ink pot seated beside her. It tumbled across the sand, leaving a black smear in its wake. Droplets of ink spattered everyone seated too close—including Bowler. The town’s Mayor.

“Oh fuck.”

She thought she’d thought that. But when she felt eyes on her—several dozen pairs of them—she realized she hadn’t. Those words had slipped out.

The entire village of Plainwall, all here for the oration. All staring at her.

She rose. She tried summoning her genial smile but managed only a guilty grimace. The stares had turned to glares, from Mr. Bowler and the other ink-stained townsfolk, the clean ones too, and…

Egg gulped. And Holy Devoted Sarene.

There was no Goddess of Disapproval, but if there was, she probably would’ve taken the form of the Holy Devoted. Sarene was stern and severe with a heron’s build and differently colored eyes: one brown, one blue. Her scalp was completely shaven, revealing a smooth head with a halo of runic tattoos—12 of them, each representing one of the Dozen Gods and Goddesses.

“Child,” Sarene said. “What do you think you’re doing?”

Egg tried to speak, but the sound came out a sputter.

“She’s taking notes,” Mayor Bowler offered. “Allegedly.”

The Devoted did not react. She didn’t even blink. “You’ve made an unholy mess, Zeggara. Have you anything to say for yourself?”

“Yes. I have something to say for myself. I say I’d rather be writing than sitting here, because writing makes me happier than sitting around every week for hours on end, listening to stories I don’t believe in and participating in rituals I don’t care for. I say that maybe I believe in something else, or would at least like the opportunity to do so. Also, I say you’re overstating the state of this mess—I’ve done worse. That’s what I say.”

…Well, that’s what Egg would’ve said, if she’d had the courage. But she didn’t. Instead, she squeaked three words:

“I don’t know.”

Holy Devoted Sarene was intimidating enough. It didn’t help that she also happened to be Egg’s mother.

#

By the time the gathering dispersed, morning had turned to afternoon (not that you’d know it by looking at the sun; it hadn’t moved an inch, nor would it).

Nonetheless, the people of Plainwall returned to their houses, and Egg and her mother retired to their current home: Plainwall’s inn.

Up in their room, Sarene seated herself behind a desk. Egg sat across from her, beside a breezeless window. The ink-stained manuscript laid between them.

“So.” Egg’s mother flipped through the pages, examining them like scraps of food on the verge of spoiling. “Explain this.”

“It’s a book,” said Egg. Her eyes flicked to the candle flame dancing beside her manuscript. (Candles—and flames in general—became obsolete once the sun stopped setting, but you could still find them if you tried.)

“I see that. What sort of book?”

A good one, Egg thought. But she said, “I don’t know.”

Her mother pursed her lips and ran a finger along Egg’s tangled handwriting. “What would your father think of this?”

He’d love it. He’d at least give it a chance. “I…I don’t know.”

“Please stop telling me what you don’t know, Zeggara.” She fixed her differently colored eyes upon her daughter. “An anthropomorphic penguin?”

“It’s fiction,” Egg blurted. “Meant to provoke thought and reflection. You don’t have to take it literally.”

“Then explain it to me.”

Egg looked away. “You won’t like it.”

The edge of the Holy Devoted’s lip ticked up ruefully. “I don’t expect to.”

“It’s a story about a penguin who arrives in a town and teaches people how to be more penguin-like. They toboggan, feast on fish, and swim together in rafts. Did you know a pack of swimming penguins was called a ‘raft,’ mother?”

“I did not.”

“Well, it was. The point I’m trying to make is…” People have the right to live their lives however they want to. And maybe a penguin is just as good a deity as your Ageless. But Egg swallowed and instead finished, “I like penguins.”

“I can see that.” Her mother flipped to the front page and read, “Grand Teachings of the Almighty Penguin. Is that what I’m supposed to call this?”

“It’s a working title.”

Her mother sighed. “How long have you been writing it?”

“A year.”

The Holy Devoted shook her bald head. “And all that time you could’ve been reading your Everything. You could’ve been studying for your Devotion.”

The Everything was the holy book of the Ageless, and the Devotion was a ritual in which mortals pledged their lives to said Ageless to become (you guessed it) Holy Devoted. Devotion involved getting tattoos representing the Dozen, plus some sort of quiz and a public declaration. Truth be told, Egg was fuzzy on the details.

But Devotion wasn’t Egg’s passion in life. Writing was. It was the one skill she considered herself halfway decent at (aside from her abilities to forget names and spill things). She’d been writing constantly, ever since she was young. Granted, Grand Teachings of the Almighty Penguin was the first story she’d ever even come close to finishing, and some of her previous projects had been unimpressive at best. But she had written them. And writing remained her passion, despite her mother’s tireless attempts to replace it with religion.

“I just want to write, mother.”

Sarene offered no answer. Instead, she gathered the papers, flipped through them with her thumb. She sighed heavily. “There is only one book you should be studying, Zeggara. You know what I must do with this one.” Her gaze slid to the candle flame.

“Please.” Egg didn’t want to cry in front of her mother, but she feared she might, if it came to this. “You can’t.”

“I must. There is no Goddess of Penguins, Zeggara. We’ve traveled to this town to bring the teachings of the Ageless to its people. Not some fanciful tale of flying creatures.”

“Swimming.”

“I’m sorry?”

“Penguins didn’t fly—they swam. They were aquatic flightless birds.”

Egg’s mother rubbed at the tattoos on her bare scalp. “As you say, child. I know little of extinct species.”

“And it’s satire,” Egg added, her sudden courage taking her by surprise. “The point isn’t to present an alternative religion. It’s to poke fun at religion itself.”

Her mother’s mismatched eyes suddenly looked pained. “That cannot be, my daughter. Our faith is everything to us. It should be everything to you. Why do you think the sun never sets, hmm? Why do you think it dries our grounds and burns our backs? It’s because we aren’t devoted enough. We don’t believe enough. So if you truly want to become a Devoted, Zeggara, you must set aside this writing and focus on what truly matters.”

That’s what you want, mother, Egg thought. Not what I want.

It was unsurprising, anyway. Ever since she’d given herself to the Ageless, Egg’s mother had warned all about what wasn’t allowed. Egg wasn’t even sure she could have dessert without permission from the Ageless—not that it ever stopped her.

“Mother…” You’re missing the point. You’re preventing people from thinking for themselves. What if my book gave them a new perspective on their belief? What if it made them laugh, instead of feeling guilty or fearful?

She wanted to say that to her mother, and more. But she couldn’t. “Please. It’s just a book.”

“Books have power. This book you’ve written, Zeggara. It’s blasphemous.”

“Have you even read it?”

“I’ve read enough. For your sake, I must do this.” Her mother leaned toward the candle.

“Wait!” Egg cried. She wasn’t exactly sure what they were waiting for, but the answer came to her suddenly. “Let me do it, mother. I…I’ll do it.”

Sarene hesitated, holding the pages mere inches above the flickering candle. “You shall?”

“I must. It needs to be destroyed, burned, obliterated, all that. Just what blasphemy deserves, am I right?” She forced a chuckle, wishing she was better at lying. “I’m the one who created it. I should be the one to destroy it.”

The Holy Devoted gave her daughter a wary look. “If you say you’ll do this, you must not balk. I’m trusting you, child.”

Egg offered her most trustworthy smile. “You can count on me, mother. I just need a day to say goodbye. After that, I’ll destroy it. I swear it by…by the Ageless themselves.”

It hurt to make a promise she wasn’t sure she could keep. But her mother’s sudden smile hurt worse. It was one of the few times Egg could ever remember her mother looking proud of her.

“Believe in something, Zeggara. It will save you, in this life and the next.” She passed the manuscript across the desk, then patted her daughter on the hand. “You’re doing the right thing.”

Egg hugged her manuscript. “Thank you,” she said. But what she really meant was, Thank you for helping me finish my book.

#

Sunlight found her on the creaking front steps of the inn. The village was quiet, the stagnant air still, and Egg’s left hand itched to write. She drew her quill from her pocket, wetted it, then flipped to the back of her book and scribbled one final, fading line. It went like this:

“Believe in something,” said the Almighty Penguin, “so long as it makes you happy.”

“You’re finally finished,” Egg whispered to her book, planting a wet kiss upon the page. Her lips were probably black now, but whatever. “And now…I have to kill you.”

She’d promised it, sworn it, vowed it, both to the Ageless and her mother. Could she really break that promise?

Her eyes drifted to the horizon, to the gleaming spires in the distance. There loomed the city of Buystuff, the villagers had said. They called it the commerce capital of the world, the place where one could find any people or products there were to find. Hunters and diggers, jewelers and smiths, wanderers and soldiers, monarchs and peasants, writers and…

…And publishers…

“What do I do now?” Egg asked her manuscript. But she already knew the answer.


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife, their cats, and their dog. He has written two books and numerous short stories, both published and yet-to-be published. He enjoys unusual narrative structures, multiple POVs, and stories that make readers laugh. For a free sample of Kyle’s work, subscribe to his newsletter.

© Kyle A. Massa, 2020. All rights reserved. No part of this excerpt may be duplicated or distributed in any form or by any means without expressed written consent from the author.

Gerald Barkley Rocks is Available Now!

Cover designed by Nathan Rumsey

What’s the overlap between fame and immortality? Is rock really dead? Are cats hiding something from us? These are a few of the questions that inspired my first novel, Gerald Barkley Rocks.

Let’s start with our protagonist. Gerald Barkley is a soon-to-be retired homicide detective who’s forgotten by most people as soon as they meet him. He’s also been diagnosed with a rare blood disease. When he wonders if anyone will notice when he’s gone, Barkley always comes to the same conclusion: Seems unlikely.

We contrast his life with that of Julian Strange, lead singer and principal songwriter of seminal rock band Black Cat Waltz. Strange is dead, and it’s up to Barkley to figure out why. The question is, how did Strange die? And what does it all have to do with Barkley himself?

Gerald Barkley Rocks is one part detective story, one part rock-and-roll elegy, and one part supernatural comedy. Buy your copy for  Amazon Kindle today!

So that’s what the book is about. Why should you read it?

For one, this book will appeal to anyone who likes rock-and-roll culture. I grew up not only listening to The Who, The Rolling Stones, and The Doors, but also reading the stories about them. In fact, I’d say the stories behind these groups are just as interesting as the music they made. They served as key inspirations for this novel.

You’ll see shades of Jim Morrison in Julian Strange, plus hints of Keith Moon, Freddie Mercury, David Bowie, Meatloaf, Ozzy Osbourne, Robert Plant, Warren Zevon, and maybe a few other guys. Heck, I even drew inspiration from This is Spinal Tap, which remains the greatest satire of rock-and-roll ever.

One thing I’m hoping I did not do is glorify the subculture. I love classic rock music and probably always will. But if you read enough about the people who made it, you’ll find that they were by and large not very nice folks. Many musicians of that era cheated on their spouses and regularly caused untold amounts of property damage. And the casual misogyny of the music is quite obvious.

Nonetheless, their stories are good inspirations for fiction. I tried to strike a balance between celebrating the music and questioning the behavior of those who made it when appropriate. Hopefully I succeeded.

You might also enjoy Gerald Barkley Rocks if you’re a fan of detective stories. I’ll admit, my knowledge of the subgenre is more localized to film; Chinatown, Hollywoodland, and The Ghost Writer are a few that particularly influenced this novel.

Lastly, my main goal with this book is to touch on the topic of death (but not in a super morbid way). Generalizations are dangerous, but I think it’s safe to say that most people fear death. I know I do. Humans have been speculating about what follows it for forever, and though there are many guesses, nobody can know for sure.

In Gerald Barkley Rocks, I’m not trying to answer that question. Rather, I wanted to tell a story about a character who’s not sure what comes after death, either. Which, in turn, might tell us something about life.

I think Gerald Barkley Rocks is a good book (though I admit I’m a little biased). I hope you feel the same way!


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife and their two cats. His stories have appeared in numerous online magazines, including Allegory, Chantwood, and Dark Fire Fiction. His debut novel, Gerald Barkley Rocksis available now on Amazon Kindle.

NaNoWriMo 2017 in Review

Image courtesy of National Novel Writing Month.

It’s December, which means NaNoWriMo 2017 is officially in the books. This is the second time I participated and the first time I hit the 50,000 word mark. I’m glad I did it.

Did you participate in National Novel Writing Month too? If so, you probably learned a lot about yourself as a writer. I know I did. Allow me to share my best takeaways.

You Really Can Do It

Writing an entire novel seems impossible—until you do it. Participating in National Novel Writing Month is proof of that fact.

This year, I enjoyed using the NaNoWriMo website to track my progress. I entered my word count every day to see how many words I wrote each day, and how many more I needed to stay on track for my goal. Super handy and a great way to stay motivated.

You Just Did the Hardest Part

Buy yourself a coke, champ. Filling a few hundred blank pages is a monumental accomplishment.

Of course, we’ve just got manuscripts right now. They’re not novels until we edit them!

Though this is another daunting task, we now have the confidence to do it. Plus, it’s actually pretty fun to paint a shinier coat over the initial strokes. Since we’ve been racing against the clock all month, it’s unlikely that our first draft is ready for readers.

So let’s reorganize and refine those raw concepts. The result is sure to be magnificent.

People Now Think You’re Awesome

I mentioned this in my pre-NaNoWriMo blog post, but I think it bears repeating: people are always impressed when you finish a novel manuscript. I once interviewed for an internship and was asked what accomplishment I was most proud of. My answer: “I finished a manuscript for a novel.” I don’t have conclusive evidence, but I think it went a long way toward getting the internship.

Just because NaNoWriMo’s over for this year doesn’t mean we should stop writing. Keep at it!

Chunk Writing and Why It Might Work For You

I’m sure you’ve heard the proverb “there are many ways to skin a cat.” I myself find this phrase distasteful, if not downright alarming. However, the general idea is still relevant, especially to writing.

Let’s rephrase it. There are many ways to write a book. (Be nice to cats.)

Part of writing long-form narratives is discovering what works best for us. Learn how others write, but don’t feel the need to copy them.

I’ve found a process that works for me. I didn’t invent it, but so far as I know, I did invent the name for it. I call it chunk writing (patent pending).

No, chunk writing is not treating yourself to chunks of food while writing (though it could be, if that works for you). Chunk writing—or at least the version of it I’d like to describe today—is exactly what it sounds like: writing a story in chunks. They need not be, and often aren’t, in chronological order. Rather, you come up with individual scenes you’re excited about, write them, then string them together.

For Starters

I begin chunk writing with a character. Imagine, for example, a story about a cat named Mittens who’s searching for his favorite litter box. (The main character is a cat because I like cats. Also, we’re still making amends to the cat community for that comment at the beginning.)

It’s often best to start with a character you love. Character should almost always drive plot, so be sure you’re invested in this person (or feline). You could also start with a setting, or a scene, or a line of dialogue. Again, writing is all about what works best for you.

Once you’ve found your starting point, write it down on an index card. Or a word document, a piece of paper, a stone tablet—whatever you dig most. Ask yourself some questions: who is this person? What are they searching for? Familiarize yourself with your character.

Next Steps

Most stories are about a journey. Characters start somewhere, then end up somewhere else. With that thought in mind, write an index card for the beginning of your story and another for the end. The challenge is getting from one point to the other.

For this part, I tend to focus on the scenes I’m most excited to write. This keeps me invested in the story I’m telling.

Let’s jump back to the story of Mittens the crusading cat. I’m hyped to write the scene where Mittens confronts his nemesis the vacuum cleaner. Therefore, this should be one of the first notecards I create. You can fill in the less important (and sometimes less interesting) transitional chapters later.

Elmore Leonard said that you shouldn’t bother writing the parts your readers will skip. While you might want to write them anyway and cut them from the final product, the index card method gives you a preliminary feel for your chapters. If the index card itself feels boring or unimportant, you might not commit time to fleshing it out.

Pulling It All Together

Once I’ve got some index cards I’m excited about, I start writing! At this stage, I don’t worry about revisions. I might go back and switch out an index card or make some mental notes for later. The most important thing is just to get the words down.

While chunk writing might sound like a lot of work upfront, I’ve found that it creates a better final product. For me, it gives direction without the rigidity of an outline.

Everyone’s writing process is different. I hope these tips prove useful, but I doubt the exact same methods will work for you. Just keep writing and discovering. And be nice to cats.

Scrivener: Disorganization Gets the Boot

Papers

If you’ve ever written written a novel, then you’ve probably experienced an especially terrifying organizational nightmare. I’m talking character outlines, story outlines, pages and pages of research, random ideas, maybe even illustrations of people or places—and that’s all before you even start writing the actual draft. While programs like Word and Pages might be just fine for the average writer, you need something with a little more umph.

Enter Scrivener.

Created with long-form writers in mind, Scrivener might be one of the best tools a writer could dream of. I found it more or less on accident (I thank you, almighty Google), and I was happy to purchase it. Let’s take a look at some features.

1. You know those story ideas scattered all over your desktop? Put them in one place.

This is probably my favorite feature of Scrivener: you can consolidate everything in one document. No more flipping between pages to see your research and your working document. You can do a split screen with the manuscript on one half and your overly-detailed character outline on the other.

The research function is also very cool. Let’s say you’re writing a crime novel set in the 20’s, and you’d like to know what sort of forensic capabilities folks had back then. You’ve found your article, but you already know you’ll have to refer back to it many, many times before the book is done. With Scrivener, you can add the web page right to your document and glance at it whenever you want.

2. You can view and rearrange chapters.

I have a pretty lousy memory, but I doubt I’m the only person who can’t remember what happened in chapter one, especially when working on a really long piece.

Scrivener allows you to enter quick details about your chapters in notecard form. You can give yourself a brief summary of what happens in each chapter for quick reference. If you’re juggling multiple POV characters, you can even throw that onto the notecard. It’s a great way to save yourself some time.

Furthermore, Scrivener lets you rearrange entire chapters. Say you have a flashback that you think needs to come sooner. Instead of doing a massive cut and paste in Word (that just sounds dangerous), you can pick the chapter up and place it elsewhere.

3. You can compile your manuscript with ease.

Many authors find it difficult to compile manuscripts into ebook form. I’ve never had to do it, but I can only imagine the struggle of convincing word processors to agree with me. Scrivener compiles your writing into many forms, including regular manuscript form and, yes, ebook form. And it doesn’t fight about it, either.

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A program as complex as this has a steep learning curve. I had to take a few hours just to go through the tutorial materials, including text and video, in order to learn how to do some of the fancier features. However, the time you spend on this step will be saved many times over in the future, when you’re not fumbling over formatting.

I really like Scrivener. It helps organize my work, puts everything in one place, and, best of all, makes me look like I actually know what I’m doing.

Why Do We Care When Characters Die?

Death

Why’d you have to take Ned Stark, man?

Did you cry when Bambi’s mom got shot?

It’s okay. You can admit it. Though we know they’re not real, the death of fictional characters evokes real emotion in us. I find that amazing. After all, when fictional character die, we’re essentially mourning the loss of someone who does not, has not, and never will, exist.

The question is: why? Why do we care when a nonexistent character bites the dust?

I don’t claim to know the answer. But I do have some theories.

Here’s the first: we humans can’t help but empathize. When characters feel realistic, when we become invested in them, they become mirrors. We see our own traits reflected back at us, both the good and the bad. We draw parallels between our lives and theirs. So, when one of them dies, we see parts of us dying, too. And nobody likes that.

Here’s another: the more time we spend with characters, the more we become attached to them. Especially in book series, TV series, and film franchises, we watch these characters grow, watch them succeed and fail, watch them change with us. I think this is especially true for something like the Harry Potter series, in which the readers/viewers grow up right alongside the characters. When you’re going through the same experiences with another person at the same time, you’re likely to form a connection with them (even if they’re made up).

My third and most out-there theory: death in fiction reminds us of our own mortality. A popular theory of filmmaking states that we love movies because they solve problems in a matter of hours that are otherwise unsolvable in real life. In The Lord of the Rings, for example, Frodo extinguishes every last shred of evil in the world just by tossing some jewelry into an active volcano. Of course, we know that destroying (or even defining) evil is not that simple. But it’s still satisfying to see it done in fiction.

When characters die, however, it’s a subconscious reminder of the real world. We react so strongly to death in fiction because it reminds us that problems like death can’t be solved, not even in fictional realities.

It’s weird, but as much as they can sometimes upset us, character deaths often shape good fiction. Without people dying left and right, would A Song of Ice and Fire be the compelling series that it is? Definitely not. No matter what the reason, killing beloved characters is an essential part of fiction.

But still. Bambi’s mom was over the line, Disney.

Winter Book Recommendations

Here in Colorado, we got about six inches of snow last night. And when we get snowfall like that, there’s nothing I like better than to sit down with a book about…well, snow. Don’t ask me why.

So what winter books might I revisit this winter? I’ll give you a quick rundown here.

American Gods by Neil Gaiman

It’s a case of old gods versus new gods in this 21st century classic. Shadow, a man just released from prison, has his world turned upside down when he finds out that his wife is dead. When it seems he has nothing, he has a chance (or maybe not) meeting with the enigmatic Mr. Wednesday. Together, they begin to assemble the players for the ultimate battle: new gods against old.

One of my absolute favorites. Widely regarded as Neil Gaiman’s finest work, American Gods is thoughtful, creative, and still timely, even though it was written more than a decade ago. It’s dense with memorable characters and settings, and the writing is clever and elegant. It’s so damn American, in fact, that you’d think that the author grew up someplace in the U.S. Though Mr. Gaiman lives in American now, he is in fact British.

A Dance with Dragons by George R.R. Martin

Okay, so this one doesn’t always have snow. The setting shifts from tons of snow beyond the wall, to lots on the wall, to a decent amount around Winterfell, to pretty much none across the Narrow Sea and in the South (until the epilogue, that is). Also, the next installment in this series, entitled The Winds of Winter, obviously promises even more snow.

I’m listening to this one on audiobook for the second time and enjoying every moment. Some people have criticized the exalted Mr. George R.R. Martin for broadening his scope too much and taking too long to write his books. Some have even whined that he might die before finishing his series. I’ll let George speak for himself on that score…

Anyway, I’m getting sidetracked. No matter what you might think of this book, you’ve got to admit that there’s a heck of a lot of snow falling in the Seven Kingdoms. There are even two characters named Snow (Jon and Ramsay) to go along with the regular ol’ fluffy stuff.

Ghost Story by Peter Straub

This one isn’t necessarily my all time favorite horror novel, but it still deserves a spot on the list. It’s sufficiently creepy and atmospheric, and once the snow starts falling, the freakiness is only heightened. Plus, it turns that idyllic peaceful winter image on its head. Definitely an awesome book to read if you’re looking for a creepy winter’s tale. I wrote a review for it a while back if you’re interested. (Ironically, I read Ghost Story some time in July, when the only snow around was the icy buildup in the corners of my freezer.)

What are your favorite winter books? Feel free to mention them in the comments. Until then, stay warm!

China Mieville’s “Kraken” is Delightfully Undefinable

Kraken

Like most of his novels, China Mieville’s Kraken defies easy explanation. Here’s the plot in a nutshell: someone steals a giant squid specimen from the British Museum of Natural History. It’s up to museum employee and supposed squid prophet Billy Harrow to find it. Though no one agrees on who stole the squid, everyone agrees that if it’s not recovered quickly, the world will end.

Sound weird? It is. That’s what makes it so awesome.

Besides Kraken, the only other Mieville novel I’ve had the pleasure of reading is King RatThe two are similar in terms of the author’s seemingly effortless ability to churn out unique ideas. Like King Rat, Kraken uses the London setting in a completely original way, presenting it as an urban war- zone disputed by numerous supernatural organizations. I think of it almost like a gangster movie, except that the gangsters in this particular story are a sentient tattoo, a pair of psychopaths who share a single heart, and a man who comes back to life as ink. The more you read, the more weird–and therefore awesome–things get.

The scope of Kraken is far greater than that of King Rat, which inevitably leads to some confusing moments. The climax especially is a bit murky, introducing a lot of new elements and strangeness, all very suddenly. I had to read it back over a few times, just to make sure I understood what was going on. But, for those who have patience, you’ll find a satisfying and exhilarating final few moments.

Though the novel weighs in at 500+ pages, there’s never a dull moment. It’s an impressive feat on the part of Mr. Mieville, especially considering that he’s juggling quite a large cast of characters, all representing different sides in the conflict. There’s no classic good versus evil struggle in Kraken. Rather, the conflict is more of an intentionally obfuscated mess of not-so-bad, not-so-good, and downright psychotic fantasy characters.

Or, in other words, a whole lot of fun.

If you’re looking for a fantasy/sci-fi/new weird/thriller/dark comedy novel from one of the most creative authors around, Kraken very well might be your book.

Rating: 9/10

“Pet Sematary” Review

Image courtesy toomuchhorrorfiction.blogspot.com

What is the most frightening book Stephen King has ever written?

According to the man himself, it’s Pet Sematary. I picked it up for exactly this reason,  having never seen the movie and having only the foggiest idea of the plot. I wouldn’t say it’s King’s scariest work, not compared to the short story Children of the Corn, for instance. But that doesn’t mean it isn’t a good read, and that definitely doesn’t mean that it’s not scary.

Pet Sematary starts innocently enough with a family named the Creeds moving into a new house in Ludlow, Maine. They’re a typical suburban family, with a father (Louis), mother (Rachel), daughter (Ellie), son (Gage), and cat (Winston Churchill, better known as Church). The Creeds’ house is located right beside a busy highway, but they don’t think much of it. Louis quickly becomes friends with old gentleman neighbor Jud Crandal, who’s lived in Ludlow for all his life. Just when everything seems to be going well, Church is run over by a truck on the highway. Jud offers to help Louis bury the cat in the Pet Sematary behind the Creeds’ house, and then the impossible happens––Church returns, alive and well…or so it seems.

Pet Sematary is undoubtedly frightening. It starts out slowly, builds well, and ends in a disturbing, terrible, shocking coda. King creates a story that is not only horrifying, but deeply tragic. When Gage dies, I found myself close to tears. You want things to be alright in the end. You want Gage to come back and be fine. But that never happens, and it makes the book all the more heartbreaking.

The pacing is admittedly slow toward the beginning. I know I had a hard time getting into it at first, but patience pays off with this book. The deliberate pace helps to make the rest of the story even more shocking, and the mundanity of the first half provides a strong counterpoint to the supernatural elements of the second half. It’s sad to see such an ordinary, likable family destroyed so utterly. But of course, it wouldn’t be much of a book without that.

The best (and scariest) part of Pet Sematary is what is left unexplained. I’m talking about the Wendigo, and the nature of the Sematary itself. Louis sees some giant creature roaming the woods, but we don’t know if this is the thing that rules the burial ground, or if it’s the thing that comes back instead of Gage, or something else entirely. It’s this ambiguity that truly makes the book spooky. King doesn’t give us too much. He gives us just enough.

Pet Sematary is a creepy, atmospheric tale about the consequences of death. While it does drag at times, the slow pacing is mostly an asset rather than a detriment.

Rating: 9/10

P.S.: I just watched the movie…the book is better.

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