Tag: personal essay

Eulogy for a Box

About a year and a half ago, I lost a dear friend. My car.

Many called it “The Boxcar,” though the official title was Element, made by Honda. Indeed, it was an angular vehicle, like a tissue box on wheels.

My mom bought the Boxcar in 2005. She drove it everywhere: To work, school, and, on one memorable occasion, across a middle school’s back lawn when we were 20 minutes late to basketball team photo night. Our dog Daisy used to stand—not sit, stand—in the hatchback trunk, slamming into the walls whenever we came to a stoplight. And before you accuse us of animal cruelty, note that her tail wagged the entire time.

The Boxcar had a sunroof above the back row for reasons that remain unclear (usually one finds them above the front seats). When Daisy wasn’t bouncing like a pinball in the trunk, I’d recline and gaze up at the night sky as it scrolled past, hoping to glimpse a UFO. I never did, but if a UFO glimpsed us, the pilots might’ve wondered, “Haven’t these humans discovered aerodynamics yet?”

Yes, the Boxcar was rather boxy. Throughout high school and college, I had a reputation for driving slowly; I suspect the Boxcar was holding me back. That wide body and sloping hood reminded me of a bow-legged bulldog, and bulldogs aren’t sprinters.

 iconic? Also yes.

We overuse that latter adjective these days, but in this instance, it fits. “Regarded as a representative symbol”: That’s the New Oxford American Dictionary definition of iconic. And for me, the Boxcar truly became an icon.

To my knowledge, mine was the only green Honda Element on campus at Ithaca College in 2012. Thus, people recognized me for it. By “people,” I mean my friends, not strangers, since I rarely ventured outside my dorm. Yet still, this wasn’t your run-of-the-mill Sebring or F-150. I had a recognizable ride. If fact, if I ever arrived without it, friends would say, “Kyle, didn’t realize you were here! Where’s the Boxcar?”

On breaks, I drove that Boxcar from Ithaca to Albany and back, three hours each way. I cranked bootlegged audiobooks and/or CDs (remember those?), then stopped at Ithaca’s Taco Bell for the usual Crunchwrap. It was the car I drove to the occasional date. It was the place I first said, “I love you” to Sara, my future wife.

After graduating, Sara and I relocated to Colorado. We took the Boxcar skiing, hiking, camping, once even up the muddy slope of a mountain, gunk spraying beneath the back tires, and I was like “We’re not gonna make it!”, and Sara was like, “Just keep going!” We didn’t make it, but I give the Boxcar (and Sara) credit for trying.

A year-and-a-half later, we drove back across the country when we resettled in New York. Five years after that, we returned home from the hospital with our daughter Sasha in the same seat I used to gaze up at the stars in.

Oh, that Boxcar. It was durable, trustworthy, and ageless. Like LeBron.

In fact, it only showed its age in its 18th year. Frequent doctor’s visits are part of getting old, and so it went for my icon. We took it to the mechanic every month, replacing brake pads, tuning wheels, fixing calipers, repairing hyperdrives, and paying out the ass for mechanical mumbo-jumbo I didn’t understand. Sara suggested it might be time to search for another vehicle, to which I hissed like Gollum at the suggestion they’d cast his precious into the fires of Mount Doom.

She was right, of course. If there’s one thing that hurts me worse than losing a dear friend, it’s spending money trying to keep them alive. We pondered the car owner’s classic conundrum: If we’re paying so much for repairs, why not put that money toward payments for a new vehicle instead?

I wonder if the Boxcar could hear us out there in the garage. I wonder if it knew. Eighteen years is old for a car, and it had well over 200,000 miles. I wonder if it was ready go, or if it said to itself, “I can do it. I can keep going. Just a few miles more.”

One morning that fall, the Boxcar wouldn’t start. I called AAA. AAA sent a guy. The guy was like, “I can’t fix this. Try your mechanic.” He estimated it would cost a few hundred bucks just to get the poor old thing started.

Instead, we called a towing company. Another guy arrived, this one wearing a “Hawk Tua ‘24” hat, and he hooked a chain to the Boxcar, then hauled it onto a platform, inch by inch. Sasha watched from the window, and Sara recorded her three-year-old little voice as she waved and said, “Goodbye, Boxcar. Dank you, Boxcar.”

We got a Godfather offer for the old faithful Box: $100. I’m sure this was just a tax write-off, since the dealer did us a favor by towing it away. We test drove several vehicles, during which process Sara thumped her head against the headrests of each, insisting, “It doesn’t go high enough! We need neck support. We need neck support!” We’d grown to expect such support from our Box.

Eventually, we chose a CR-V. I wouldn’t have minded another Element, but Honda discontinued them in 2011, so CR-V it was, and is. It’s a dark aqua shade, the color my frienemies the New York Giants wear, so naturally, we named the car Bluey.

Bluey is a wonderful vehicle. It’s got a remote starter, heated seats, Apple CarPlay, and a spacious interior. But it’s also decidedly average—a basic bitch, if I may be so crass. I spot CR-Vs every day on my commute to work, many of the same blue hue.

Yet Boxcars are rare. I glimpse them every so often, like proud, squat hippos on the riverbank, standing or plodding but never quite zooming by. (In fact, I think a hippo’s probably faster.) The sight brings me back to Ithaca, to Colorado, to the delivery room, to it all.

So to close this eulogy, or essay, or whatever it turned out to be, I’d like to quote my daughter.

Dank you, Boxcar. Dank you.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include 10 books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

Some links in this publication might be affiliate links. This means the author earns a commission on sales made through those links, while you pay no additional cost. Just another way to support indie authors!

Thoughts on Crocs

As part of my ongoing attempt to make a complete ass of myself, let me tell you about my new Crocs.

I got them for Christmas. (Shout out to my mother-in-law, Karen.) They’re the Moon Jelly variety, which is a weird way of saying they’re periwinkle. This color is a bit more feminine than it appeared on the website, but that doesn’t stop me from wearing them. Everywhere.

I wear them on dog walks. I wear them shopping. I considered wearing them to a restaurant recently, though I opted not to embarrass my wife, Sara, by association.

This is the conflict every Croc-wearer must consider when venturing into public. Humiliation or contentment. Ridicule or comfort. To Croc, or not to Croc. We all know which Hamlet would choose.

It’s a constant struggle. No one in their right mind would wear shoes that look like hardened blocks of Swiss cheese with the handle of a child’s pail attached to the back unless they were extraordinarily comfortable.

Speaking of children, they can actually pull off Crocs. On kids, Crocs look cute, whereas on adults, they look like a mistake. My daughter Sasha has four pairs—yes, you read that right—and she loves all of them. She even puts them on her baby dolls, proving that she understands the rules.

Despite my newfound admiration for my new footwear, I draw the line at gibbets. Not to be confused with the giblets from inside a turkey, gibbets are those little tchotchkes you stuff into the holes of your Crocs so you can look even more silly.

Gibbets or no, I used to be very judgmental about Crocs. Man, I’d think to myself, Those shoes sure look dumb. Then, one day, I needed foot protection down in my unfinished basement. I practice music down there, plus it’s where our cats poop (these two events rarely happen simultaneously). Sneakers felt like too much work, my work shoes required dress socks, and our dog had stolen my slippers. All that was left were Sara’s Crocs. So I wore them into the basement.

Something strange happened over the next few weeks. I’d be out in public, getting gas or buying groceries, and I’d look down to find Sara’s Crocs attached to my feet.

Man, I’d think to myself, These shoes still look dumb. But then other thoughts crept in: Hey, that’s a nice breeze coming through the holes. I didn’t even need to bend down to tie any laces. And I thought that handle on my ankle might chafe, only I can barely feel it.

After a while, I was wearing Sara’s Crocs more than Sara. It was only a matter of time until I got a pair of my own. Not that I bought them—I’m too cheap to buy nice things. Even Crocs.

I’m wearing them as I write this, and I must admit, they’re a marvel. What other shoe comes with both a sport and a leisure mode? What other product slips on easy as a sandal, yet hides my hairy hobbit feet so well?

None other. Like the One Ring, there is only one supreme power, and its name is Crocs.

Not only are these shoes cushy—they’re sustainable. I hear they’re made from boiled cabbage or something, which sounds unbelievable until you feel them. The material is not quite plastic and not quite styrofoam. I suspect alien skin has a similar texture.

Though Crocs feel strange and look even stranger, their semi-edible quality is just another point in their favor. Imagine you’re stranded on an island like Tom Hanks in Castaway, but instead of befriending a volleyball, you only have your shoes as company.

Think you could roast your Jordans over a fire and get any nutritional value? Please. If you had Crocs, why, they’d make for not one, but two scrumptious island meals. Now that’s comfort.

That’s what Crocs provide. Comfort. Not just comfort for my weird hairy hobbit feet, not just the comfort of a meal in a pinch, but comfort for my ego, which is protected like organs beneath a bulletproof vest. Can any words harm me while I’m wearing something as goofy as Crocs? I’m insulting myself enough already. There’s nothing anyone can say to hurt me worse.

So, in the everlasting conflict between functionality and fashion, I’ll opt for the former. After all, if style is a battle, then Crocs are the proverbial white flag—or, in my case, the Moon Jelly flag. I’ll wave it high. I’ll wave it proud.


Kyle A. Massa is an author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

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A Dad’s Review of Disney on Ice

Disney on Ice

HarshLight, CC BY 2.0, via Wikimedia Commons

It wasn’t as cold as I thought it would be.

That’s the first note from my experience at Disney on Ice. My wife Sara and I took our daughter Sasha to the show last month, and Sara’s sister Michaela joined us.

We drove to the MVP Arena, formerly the Times Union Center, formerly the Pepsi Center, formerly the Knick, formerly probably something else, like the General Electric General Sports Dome or something. It’s an indoor arena right off I-90, which is just how we Albanians like it.

Speaking of Albanians, there were lots of us there. By Albanians, I mean citizens of Albany, New York, not citizens of Albania. (I mean, some folks might’ve been from Albania—I didn’t ask.) I’ve been to a Roger Waters show at this venue, plus several arena football games (go Empire), along with a handful of college basketball and minor league hockey games.

The crowd for Disney on Ice was more excited than them all.

I’m not sure why this surprised me, but it did. I expected the audience for an off-Broadway play, not a playoff game.

Into the parking garage we drove, trailing behind several minivans, SUVS, and other family-friendly vehicles. We chugged up a couple levels, avoided the odd sprinting child as we drove, and soon found ourselves a parking space. After gathering Sasha’s supplies (because sometimes being a parent feels more like being a roadie for the Grateful Dead), we headed inside.

The copious offerings of fried dough and souvenirs lent the place a carnival atmosphere. Unfortunately, the latter were a disappointment to both Sara and Michaela, since it all seemed to be seizure-inducing lights attached to plastic rods (more on this later).

The only thing that caught Sara’s eye was popcorn. As we searched for our seats, she asked me, Michaela, and Sasha if we wanted any (reminder: Sasha’s still learning English). All three of us declined, to which Sara replied, “Maybe we should get popcorn.” When we declined a second time, Sara called it an “outrage” and threatened to get some, anyway. Fortunately, she decided against it when she saw the line. We proceeded to our seats.

Sasha began the show in my lap. She was pretty much motionless for the next 45 minutes, which is commendable for a then-13-month-old kid. I’m guessing she was stupefied by all the strobing lights, which glimmered both on and off the ice; in addition to the overhead lighting, most kids wielded those blinking plastic sticks, with which they prodded one another.

Before the prodding could progress to smacking, the show began. In glided Mickey, Minnie, Donald, and Goofy, enjoying the type of ravenous applause reserved for mid-60s Beatles concerts. Through voiceovers pumped from the stadium speakers, we learned the framing story: The fab four wanted to make a movie, only they couldn’t settle on a subject.

A few notes so far:

  • The sexual tension between Mickey and Minnie was undeniable.
  • I’m pretty sure Tim Blake Nelson does the voice of Goofy. I know there’s no evidence of this, but it really, really sounds like him.
  • Donald Duck’s dialogue is inscrutable. Imagine a person whose tongue has been stung by a bee, then had a fishbowl shoved over their head.

After some friendly banter, the crew settled on not one story, but many, beginning with Finding Dory.

Er, at least, I think they did. The sequence of segments has blurred in my mind, becoming a jumble of twirls, axels, and flying camels (Sara assures me that’s a real skating move).

But here’s one thing I do remember: The Dory costumes were creepy. Creative, yes, but super creepy. The skaters’ heads exploded from the fishes’ backs—or maybe the fishes’ heads exploded from the skaters’ chests. Either way, I couldn’t help but wonder whether the kids were amazed or horrified.

Turns out it was the former. If you think European soccer fans are passionate, you should see children at a Disney show. Most were on their feet the entire time, and if they weren’t, it was only because they couldn’t yet stand. They clapped. They shrieked. They twirled their blinking plastic sticks in heedless, blurring arcs, making me wonder how nobody got concussed by an errant swing. Sara herself sat beside a little girl whose stick was apparently quite blinding. I didn’t notice; I was too busy trying to recall the names of the boyfriends of the Disney princesses.

This was the next bit of the show. Dory, Marlon, and Nemo departed, ceding center ice to Belle and the Beast. That one I remembered. But then came Ariel and her dude, Snow White and a dude, Aurora plus dude, and pretty soon I gave up. I challenge the average Disney fan to name these scrubs. They’re almost as interchangeable as contestants on The Bachelor.

Afterward, Sara, Michaela, and I speculated on the strategy behind the rapid-fire princesses. After much deliberation, we decided it was a diversion tactic, something along the lines of, Let’s rush in princess after princess so there’s no time to reflect on the racism/sexism of the old movies.

It didn’t really work, but it did make for some cool skating, especially when all 77 or so couples united for a group number. After a wave of raucous applause, this brought us to halftime—I mean, intermission.

As kids and parents alike raced for the bathrooms, Sasha’s trance broke. She began to squirm and was only placated by a pre-packed bottle of milk. Crisis averted.

While we waited for the show to resume, I spotted a lot of Molsons. All slim cans with open tops, all clutched by people I assumed were parents. It seemed an odd place to enjoy a brew, yet I realized most were likely enjoying their brews because of the place.

Sasha was chugging her beverage, too, though hers was Vitamin D whole milk, not light beer. No sooner had she finished than the show resumed.

Mickey, Minnie, Donald, and Goofy returned to discuss their work-in-progress, which Donald described as—and I’m quoting him here—”Plazz-bwoo.” The others pretended to understand him, then introduced The Lion King.

I cringed during this sequence, and not because the costumes reminded me of the film Cats. Rather, it was due to their song choice: “Can You Feel the Love Tonight?”

See, I love this song, and so does Sara. In fact, I performed and recorded it one year for her for Valentine’s Day. This might sound impressive…until you hear my performance. Imagine someone slowly squeezing the life out of a squirrel by sitting on it. That’s basically my voice, especially on Nala’s parts, which I had no business singing. If they’d played my version of the song instead of the original, I suspect even more Molsons would’ve been chugged.

I forgot my shame when Frozen began. Unsurprisingly, this claimed a major portion of the show. It was great: the songs, the routines, even the costumes (Olaf’s was my favorite). During “Let It Go,” I even got a little choked up. You’re so brave, Elsa, I thought to myself, squeezing Sasha like she squeezes her Carebears. You finally let it go.

After that came Taylor Swift.

…Just kidding, it was the cast of Toy Story. But if you closed your eyes and listened, you’d think someone was about to launch into the 10-minute version of “All Too Well.” Even a guy named “Forky” got a rave reception, though I’d never heard of him. (Probably because I refuse to acknowledge Toy Story 4, because Toy Story 3 came out the year I graduated high school, and since Andy was doing the same in the movie, I view as the definitive conclusion to the franchise.)

Side note: Is Forky okay? His schtick is constantly trying to leap into piles of trash, which seems like abnormal behavior to me (unless you’re a raccoon). Maybe Woody and Buzz should stage an intervention.

However, since an intervention would likely be too difficult to choreograph, the cast instead proceeded to Mulan. This almost brought Michaela to tears. Maybe it was the staging, or maybe it resulted from PTSD.

See, sometime in their adolescence, Sara demanded Michaela stay up well past midnight memorizing every word of every song from the movie. If even one lyric was incorrect, they had to restart the whole thing (Sara asked me to include this fact in this essay, and she sounded proud about it).

Though I wasn’t recalling an instance of sleep deprivation torture, I found Mulan moving as well. At one point, she shoots a live firework at the Hun army, triggering an avalanche simulated by a gigantic white sheet sweeping over the skaters. Very cool.

There was some stuff from Aladdin, too, like 20 blue genies forming a kickline across the ice, plus Aladdin wrestling a ragdoll version of his monkey. Afterward came the finale, where the entire cast circled the ice to wave goodbye.

Sasha saw none of this. Sometime around the genies’ arrival, she sprawled across Sara and me and promptly began to snore. (Her ability to sleep anywhere makes me a little jealous.)

When the show ended, I lifted her and cradled her in my arms. She slept on, even as we navigated our way through the fans, many of whom were screeching, crying, and flopping on the ground. Kids are experts at flopping on the ground, like fish unhooked from the line. They’re best at it when they want something, or really don’t want something, and they feel no remorse for their poor parents who make accidental eye contact with other nearby adults, who then think to themselves, I may pity you, but I can’t help you.

I’m sure such behavior is in our future, but just then, Sasha kept on sleeping. I carried her all the way to the car, where I set her down in her seat and buckled her in. She stirred for a moment, then sighed and slept on.

If Sasha had written this review instead of me, she might’ve started it like this: “This show put me to sleep.”

I’ll admit, that doesn’t sound great. And since she’s so little, I doubt she’ll remember much, if any, of Disney on Ice. But for whatever time she was awake, she was enchanted. And that, I’d say, was worth the price of admission.

Which is good, because tickets were surprisingly affordable, and there are apparently several other variations of the show. Parts II, III, IV, and V coming soon…


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

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