Tag: star wars

The World Without “Star Wars”

May 8, 2023 / Kyle A. Massa

Four days ago, in a galaxy super close…

…It was May the 4th. As the nerdiest holiday on the calendar, it’s a celebration of all things Star Wars. So today, we’ll be discussing this glorious franchise, and how different our world might be without it.

I’ve got a bad feeling about this. But, in a world without Star Wars…

…We’d Be Missing All the Memes

Youngling memes, Darth Plagueis the Wise memes, “Hello there” memes. So many memes! Granted, most come from the prequels, since they’ve got such hammy dialogue. But the point still stands. Like the execution of Order 66, Star Wars memes are works of art. As such, they must be celebrated.

…Scrolling Credits Would Never Be an Acceptable Form of Exposition

Not that I’ve ever seen goldenrod paragraphs floating through space in any other movies. But Star Wars set the precedent, meaning the next time you need to explain the rise of a totalitarian military regime in your galaxy, here’s your method.

…The Mid-Budget Adult Drama Would Still Exist

Along with Steven Spielberg’s Jaws, Star Wars pioneered the Hollywood summer blockbuster. It popularized big-budget, effects-laden film franchising, which evolved into cinematic universes several decades later, most notably the Marvel Cinematic Universe. And, because of Marvel, what movies rarely get financed anymore? Mid-budget adult dramas. Thanks, George Lucas.

…George Lucas Would Have a Rough IMDB

Speaking of George, if you extract Star Wars from his credits, he’s leaning on Willow, Labyrinth, and Indiana Jones. All good stuff, though he tarnished Indy with the whole ancient aliens thing. Here’s hoping Dial of Destiny is better; the title keeps reminding me of Tenacious D in The Pick of Destiny.

There’s another blemish on George’s resume, and its name is Howard the Duck. I’ve never seen this film, but I’ve heard podcasts about it, and let me tell you, it sounds horrendous. I mean, here’s the opening sentence of the Wikipedia synopsis:

“Howard the Duck is 27 years old and lives on Duckworld, a planet similar to Earth, but inhabited by anthropomorphic ducks and orbited by twin moons.”

No wonder it won four Razzies.

…Some of Our Greatest Nerd Debates Would Never Be

Did Solo shoot first? Was Jar-Jar Binks a secret Sith Lord? Should Midi-chlorian count be an official stat at the NFL combine? I’ve had many similar debates with my friends, and they often get heated.

For example, as soon as we left the theater for Episode IX: The Rise of Skywalker, we were arguing. Jeremy and Robby maintained the prequels were better than what we’d just witnessed, while I countered with the mere existence of Jar-Jar Binks. I still don’t know who won that argument—but at least we could have it.

…No More Jar-Jar Binks

While we’re on the subject of Jar-Jar, he gets more hate than Howard the Duck—which is really saying something. In fact, I’ve only ever met one person in my entire life who doesn’t despise him, and that’s my wife, Sara.

“What?” she said. “I think he’s funny.”

This statement proves Sara is the kindest person on the planet, and perhaps in the entire galaxy.

…I’d Lose My Hottest Take

Even with JJB, I honestly believe Star Wars: The Phantom Menace is a magnificent film.

This isn’t a bit. I really mean it. If I could dial up any Star Wars film on Disney+ (not that I can, because I’m too cheap to buy a subscription), this would be it. It’s got incredible production design and imagination, not to mention the greatest lightsaber duel in the franchise’s history. Where’s my DVD player?

…We’d Have Far Fewer Culturally Relevant Weird Sounds

It’s rare that a film’s sound effects become as recognizable as the dialogue. The hum of the Lightsaber, the respirator of Darth Vader, the beep-boop of R2-D2—all great. Even the silly, ululating call of that lizard thing Obi-Wan rides in Revenge of the Sith caught on with my friends. To this day, we’ll shout it at each other across rooms, usually in public, making people wonder what’s wrong with us.

…Phish Wouldn’t be Phish

My brother- and sister-in-law are big fans of the jam band Phish, so they tell me all about the group’s special lingo. For example, if you spot a shirtless, hairy, sweaty, and high man at a Phish show, you’ve just spotted a Wook. Though the origin of the term is difficult to identify, I’m thinking it must be from Star Wars’s Wookies, as in Chewbacca, as in space Bigfoot.

Wooks are a mainstay of the jam band scene, as I understand it, and are therefore essential to Phish’s economy. Without Wooks, could Phish even afford to be the band they are today? I think not.

…Walmart’s Shelves Would Be Barren

I’m being a little facetious. I know Walmart carries far more than just Star Wars collectibles. But have you seen how much Star Wars stuff they have? Whether it’s action figures, video games, t-shirts, replica lightsabers, or Lego crossovers, I’d venture a good 25.75% of their inventory is from a galaxy far, far away.

What would they do with all that extra shelving? Probably stock more Minions merch.

…I’d Need New Dad Jokes

When you become a dad, you make dad jokes. You can’t stop it or control it. It just happens.

So it went for me when my daughter Sasha was born. During the winter, for example, she often wore oversized hoods, which made her look like Emperor Palpatine. From that day on, I dubbed her “Baby Sith.” Fortunately, Baby Sith hasn’t yet exhibited any Sith-like tendencies, i.e. killing the person who named her, i.e. me.

Now that she’s a year-and-a-half old, she makes lots of weird sounds, many of which are gurgles, and sometimes she sounds a lot like Chewy. Hence, “Baby Chewbacca.” If she ever starts complaining about the coarseness of sand, I suppose I’ll have to call her “Baby Ani.”

Of course, the most obvious dad joke in Star Wars is the Vader classic “I am your father” line. I’m being careful with that one, though, because I don’t want Sasha reacting the way Luke did: “No, no, that’s not true. That’s impossible!” Even if you’re the enforcer of the Galactic Empire, that one’s gotta hurt.

…The World Would Be Far Less Interesting

May the force be with us. Always.

Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

You can read more from the “World Without” blog series here. And if you want to see a specific topic, email kyle@kyleamassa.com.

I Am Your Father: Making Similarities Work in Fiction

January 7, 2019 / Kyle A. Massa

From Wikipedia

When Darth Vader revealed he was Luke Skywalker’s father in Star Wars Episode V: The Empire Strikes Back, people lost it. It’s widely considered one of the best plot twists in film history, and for good reason. Who would’ve guessed that the protagonist was the antagonist’s son all along?

Of course, George Lucas isn’t the only person ever to use this twist. In fact, Neil Gaiman (my favorite author) uses it in his 2001 novel American Gods (my favorite book). If you haven’t read it or don’t want to be spoiled for the show, turn back now.

Still here? Okay, cool. The book’s bad guy, Mr. Wednesday, is the father of Shadow, the book’s good guy. Boom!

Now here’s my question. How does Neil Gaiman repeat such a classic plot element without having readers roll their eyes? How does he take the “I am your father” moment and make it his own? Let’s investigate.

The Buildup

In Star Wars and American Gods, the identities of Luke and Shadow’s fathers carry differing importance. In Star Wars, for instance, when Obi Wan Kenobi tells Luke that his father was a jedi, it’s a huge contributing factor toward him leaving home. He takes his father’s lightsaber, he joins his father’s order, and it’s implied that he wants to avenge his father’s death. That’s because at this point in the story, he believes Darth Vader killed his father.

In American Gods, Shadow couldn’t care less about the identity of his father. We just know that he never met his dad. That’s it. No hints at who dad was, what he did, or where he went. The man’s identity is so vague that I found myself forgetting his existence entirely. Only near the end does it become relevant.

Here we see how this differing importance sets these plot elements apart from one another. If Shadow revered his dad and accepted his quest to follow in his footsteps, these elements might feel too similar. Since he doesn’t, the respective “I am your father” moments feel distinct.

The Reveal

In Star Wars, the reveal of Darth Vader’s true identity is intensely dramatic. It’s enough to make Luke sob and then hurl himself down a space shaft. And for audiences everywhere, it’s a shock that’s still remembered today. Just check out the memes that are still being created:

In American Gods, the revelation of the antagonist being the protagonist’s father is far more understated. When he has a vision of his mother dancing with his father, his reaction to dad’s true identity isn’t nearly so dramatic as Luke’s. Here’s the passage:

“Shadow found that he was completely unsurprised when he recognized the man who dances with [his mother]. He had not changed that much in thirty-three years.”

To a certain extent, this is just Shadow. Due to his time in prison, he’s learned to suppress his emotion. Yet this muted response also differentiates the revelation from that of Star Wars. Shadow doesn’t deny the truth. Instead, he accepts it. In fact, he already suspected it.

The Payoff

Once we know who these characters’ fathers really are, the ramifications on the subsequent story are much different. At the end of Empire Strikes Back, for instance, Luke is in disbelief over what he’s learned. Then, in the following film, his goal is no longer to defeat Vader. Instead, he seeks to redeem him.

In American Gods, Shadow’s father’s identity is more thematic than anything else. Shadow finds out who Mr. Wednesday is roughly around the same time he discovers Wednesday’s plot to sacrifice a bunch of gods to himself, thereby resurrecting himself. (Simple plan, right?) There’s no moment of, “Gee, I’d better redeem my dad.” In fact, Wednesday’s true identity doesn’t change Shadow’s plan in any way. He still stops the other gods from going to war, which thwarts dear dad’s plan. So unlike Luke Skywalker, Shadow wants to defeat his father even after discovering his true identity.

In Conclusion

Writers tend to avoid using twists they’ve seen in other works. Sometimes we fear that unless our plots are unique, we won’t be taken seriously as artists. That’s not the case! Rather, it’s perfectly fine to reuse a plot element, so long as we make it our own. I think the above example illustrates that point perfectly.

Now get out there and write!

Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife and their two cats. His stories have appeared in numerous online magazines, including Allegory, Chantwood, and Dark Fire Fiction. His debut novel, Gerald Barkley Rocks, is available now on Amazon Kindle.

The Force Awakens Gets the Tone Just Right

January 11, 2016 / Kyle A. Massa

If you’ve seen Star Wars: The Force Awakens, I’m guessing you liked it. And on the off chance that you didn’t, I’m guessing you still liked it more than the prequel films. Though there are many elements working for this film that weren’t working in the prequels, I think the key is tone.

What was the tone of the original three Star Wars films? A satisfying blend of wonder, adventure, humor, action, and drama. The prequels were a little heavy on the latter two, which kind of spoiled the recipe. The Force Awakens, however, got it just right.

It’s much easier to enjoy the world of a film when the characters are enjoying, too. For example, when Rey and Finn escape aboard the Millennium Falcon, they’re just as excited about their accomplishment as we are. That feels much more real to me than the characters of Episodes I, II, and III, who pretty much have flat reactions to just about everything. Exhibit A:

And Exhibit B:

And this…

We don’t see this kind of stiffness in the original trilogy. Instead, we have scenes of straight humor, such as Han’s classic “Who’s scruffy lookin’?” line—which is way more quotable, and not in an ironic way. Probably should’ve used that one more in high school…

It’s not that the prequels didn’t try for moments of levity. Jar Jar Binks was an attempt at humor. A misguided, bungling, completely unfunny attempt at humor, sure, but an attempt nonetheless. (P.S., did you know he’s a Sith Lord? I’m convinced.)

Ultimately, the tone of The Force Awakens matches the tone of the originals far better than the prequels. If the prequel trilogy came out first, I suspect it wouldn’t have been so disappointing. The established tone would’ve been a bit more serious and a bit less humorous. Therefore, audiences maybe wouldn’t have gone into theaters expecting something they weren’t going to get. It’s sort of like when Coke changed their recipe; people didn’t like it because it was unfamiliar.

The Force Awakens, however, is much more successful because the filmmakers go back to a world in which discovery and fun are integral to the story, just like in the original trilogy of films. It’s not just that we get Luke and Han and Leia back—it’s that we get their energy and excitement back, too.