Karaoke is an art form I’m passionate about. Perhaps a bit too passionate.
After all, I’ve already written an essay (published) and a short story (unpublished) on this very subject. It’s the next best thing to actually singing karaoke, which I haven’t done in quite some time. Nonetheless, if I can’t do it, I’ll write about it.
With all that experience, there’s something I’ve noticed about karaoke singers: They come in archetypes. In no particular order, here they are.
No. 1: The Overqualifier
The Overqualifier is often a member of their community a cappella group, a karaoke regular, or both. Whoever they are, they’re way too good to be singing at karaoke, because their talent defeats the entire purpose.
I mean, in what other context are lousy singers not only accepted, but encouraged? Speaking as a C+ singer myself, we’re unwelcome in most places. I’m not even welcome in my own home, sometimes, like when I endlessly repeat lines from King Gizzard’s “The Dripping Tap” and my wife loses patience. Sorry, Sara.
What I’m trying to say is, there’s only one place lousy singers can sing publicly, and it’s karaoke. Talented singers get to sing everywhere else, including outdoor stages, concert halls, and TV shows with critical yet occasionally touchingly supportive British judges.
They’ll select an expert-level song, probably something from Wicked or something by Adele, and they’ll sing it note-for-note. If you’ve ever gotten dirty looks from the average joes in the bar after nailing the high note in Queen’s “Bohemian Rhapsody,” you might be the Overqualifier.
No. 2: The Drunk
The Drunk might be talented. They might not be. It’s hard to tell, because all that alcohol is making them sound like Chewbacca.
Still, the Drunk is not without a certain charm (so long as they’re not vomiting). After all, alcohol is an essential add-on to the karaoke experience, like amphetamines at an EDM show. That said, the drunk has a short shelf life. They can be entertaining for a while, but when they start slurring the words to “Wonderwall,” they should probably head out.
If you sing karaoke while drunk, you’re probably the Drunk.
No. 3: The Screen Starer
You know that moment when your cat stares into the corner of the room without blinking, and you look into the same corner, only you don’t see anything, but the cat keeps on staring, and after a while you wonder if a ghost is crouched in the corner staring back, and you whisper, “Loon? What is it? Is someone there?”, and your cat still stares at the corner for another minute or two, and then she finally stops and you realize you peed yourself a little? That’s essentially what happens with the Screen Starer. (The staring part, not the peeing part.)
The Screen Starer is someone who doesn’t sing karaoke often, so they’re a little nervous. They probably know the lyrics, but don’t trust themselves enough to overcome stage fright. As a result, they sing their entire song to the prompter, like a cat staring at a ghost in a corner.
If your contacts pop out because you went three minutes and 26 seconds without blinking because you were staring at the scrolling lyrics to Amy Winehouse’s “Rehab,” you might be the Screen Starer.
No. 4: The Boss
I don’t mean Bruce Springsteen, although a Boss might sing Bruce’s “Jungleland.” The Boss is that person who picks a lengthy rock epic, even when they shouldn’t.
If you would even consider singing any of the following songs at karaoke, you are the Boss:
- “Stairway to Heaven” by Led Zeppelin
- “Free Bird” by Lynyrd Skynyrd
- “The End” by The Doors
- The double-digit-minute version of “All Too Well” by Taylor Swift
- Any song from a live Phish album
The Boss can be intimidating because they only care about their own satisfaction. They want to sing a song, usually a long one, and they don’t care if you like it or not—you’re gonna hear it, anyway.
No. 5: The Downer
Similar to the Boss, the Downer has a complete inability to read a room. Thus, they select songs like Johnny Cash’s “Hurt” while there’s a bachelorette party going on in the corner.
If anyone’s ever inquired about your wellbeing after your karaoke performance, you might be the Downer.
No. 6: The Gesticulator
The Gesticulator isn’t as talented as the Overqualifier, and they know it. That’s why they gesticulate. They’re relying on theatrics to distract from their voice, which may or may not sound like Moe Szyslak.
The Gesticulator has a difficult balance to manage. Anything too choreographed seems trite, while anything too spontaneous seems chaotic. The best tactics often involve humor, such as doing the River Dance during the bagpipe solo in AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll).” Some Gesticulators employ props, such as chairs, martini glasses, or their own removed clothing.
If you’ve ever earned a cheer from a karaoke crowd by doing something other than singing, you’re probably the Gesticulator.
No. 7: The Scott Stapp
Look, anyone who has the gumption to sing Creed at karaoke deserves their own category, which I’ve named after Creed’s singer. Creed is the preeminent example of an unofficial subgenre I call “Douchebag Rock.” It’s basically any artist where their lyrics make you sound like an asshole just by singing them, yet everyone agrees they’re catchy enough to earn a pass. Nickelback and Matchbox Twenty are in there as well.
Truth is, I myself am a Scott Stapp. I hope you haven’t lost respect for me (if you hadn’t already). But have you ever tried singing the chorus to “One Last Breath” without tearing up? It can’t be done, I tell you.
There You Have It
Confession time: In addition to the Scott Stapp, I’m a Gesticulator and a bit of a Screen Starer. Which type of karaoke singer are you?
Kyle A. Massa is a comedy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.
