Category: News (Page 1 of 2)

New Year, Two New Books

Mother Day and Father Night are finally here! And here’s what they’re about.

A Lot of Stuff

Because they’re short story collections. Both of them. I considered pitching them as a duology, but that sounds pretentious, so let’s just call them complimentary short story collections examining similar themes from different angles. That rolls right off the tongue.

A side-by-side image of the covers of "Mother Day" and "Father Night."

Do I Have Any Random Bits of Trivia That Are Actually Quite Specific and Interesting?

Why yes, I do!

  • Both books are exactly 230 printed pages in length.
  • The oldest story, “Big Riches, Fine Wine, and a Pinch of Dragonsbane,” was first drafted 13 years ago. The newest, “Last Day of September,” was born three months ago.
  • One tale is framed as a TV pilot. Another spoofs those VH1 TV music documentaries. Another is told through a family group text chain.
  • One story is slightly poem-ish.
  • Two stories share a pair of recurring characters between them.
  • Three feature aliens.
  • Four feature cats.
  • I’ve got nothing for five.
  • Genres explored include fantasy, science fiction, horror, mystery, young adult, old (retired) adult, and post-apocalyptic.
  • There’s a story featuring characters you’ll meet again in a future series (perhaps sooner than you know).
    My favorite of the bunch is “Mary and the Muse.” Or maybe “Leyton Family Group Chat.” Or perhaps “A Committee of Vultures.” I can’t decide.

That’s Some of the Story Names…But Will I Reveal Them All?

If you’re a premium subscriber to this publication, you already know them. If not, here are the set lists…

Mother Day

  1. “Mary and the Muse”
  2. “Feed Me”
  3. “The Post-Apocalyptic Independent Author”
  4. “Remember That Time We Saved the World?”
  5. “Disguises”
  6. “Blackest Friday”
  7. “The Hecatontagonal Suite” (which features…)
    1. “Purgatory”
    2. “Origin Story”
    3. “Regards, Bruce”
    4. “It’s French, Dammit”
    5. “Talkin’ ‘Bout a Revolution”
    6. “Bombing”
    7. “Seasonal Power Rankings”
    8. “Nocturnal Interruption”
    9. “Cryptid Convention”
    10. “Wishes x3”
  8. “This is (Not) the End”
  9. “Wonderland is a Shade of White”
  10. “Too Many Meows”
  11. “Bill’s Second Act”
  12. “Bag of Apricots: A T.V. Pilot Script”
  13. “If Pages Could Blush”

Father Night

  1. “Leyton Family Group Chat”
  2. “Big Riches, Fine Wine, and a Pinch of Dragonsbane”
  3. “A Fistful of Candies”
  4. “A Minor Misunderstanding”
  5. “Sightings”
  6. “Quite a Polite Guy”
  7. “Letters for Janie”
  8. “The Julian Strange Story: A T.V. Documentary Chronicling the Life of a Legend”
  9. “Little Pieces of Lydia”
  10. “Mittens”
  11. “Last Day of September”
  12. “A Committee of Vultures”

Any Parting Thoughts?

Both Mother Day and Father Night are available now in ebook form. Paperbacks are on the way. I’m so glad to share them with you all.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include 10 books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

Some links in this publication may be affiliate links. This means the author earns a commission on sales made through those links, while you pay no additional cost.

F*ck You, Kurt Vonnegut

A photo of Kurt Vonnegut.So I was in my in-laws’ basement.

It was afternoon, that liminal space between morning and night, when you really wish you could be napping, but you drank too much coffee to make it happen.

I was exercising. It was an online video where they guide you through silly-looking movements with sillier-sounding names. For example, “butt-kickers.”

I was doing my cool-down, trying some self-directed yoga-esque stretches, doing a move I’ll call the Moaning Walrus, when I noticed a book on the shelf.

My parents-in-law, Bill and Karen, have an outstanding bookshelf. It claims its own wall downstairs in the finished basement, four columns with five shelves apiece, each crammed with books on history, computing, politics, golf-swinging, and fiction.

It’s the fiction that always attracts my attention. They’ve got old classics down there, like Rushdie’s Satanic Verses, more recent hits like Tartt’s The Goldfinch, and others I’ve never heard of. And then there’s the Vonnegut section.

I, like pretty much everybody, love the works of Kurt Vonnegut. His prose is readable yet meaningful, his style flippant yet profound. His works feel as relevant now as they were then. And it helps that I feel a personal affinity with Kilgore Trout.

Bill and Karen keep a row of Vonnegut’s novels along the bottom shelf. As I was stretching and groaning, I read the titles, one by one, mentally noting which I’d read and which I needed to.

Slaughterhouse-Five? Check. Cat’s Cradle? Check. Player Piano? Couldn’t remember—check later. Armageddon in Retrospect? Check, like a month ago. Mother Night?

Mother Night? I thought. Wait. That’s my book!

Or at least, it’s going to be. Later this month, I’m releasing a complimentary duology of short stories. The first is (was) going to be Father Day. The second is…taken.

This bothered me. Perhaps more than it should’ve. For the rest of that day and into the night, I got progressively more pissed at Kurt Vonnegut.

Why’d he have to take that title? I thought to myself. My own voice in my own head sounded like the growl of a particularly petty gremlin. It sounds cool, and it fits my stories, and now I don’t even want to read his stupid book.

…Okay, it’s probably not stupid, it’s probably awesome. But I’m still not going to read it.

…Okay, I’ll probably still read it. But I’m still mad at him.

I personally despise when writers name books based on SEO viability, but even I’ll admit that sharing a title with a classic isn’t ideal. Every mention of Mother Night will be a mention of Kurt’s book, not mine.

Fortunately, my book is still in the final trimester, so there’s time to change the name before the doctor (being Google in this clunky metaphor, I guess) slaps it on the birth certificate.

So, world, meet Mother Day, and her companion, Father Night, both still coming to you on December 31.

The funniest thing is, there’s still another book out there called Father Night. But it’s not by Kurt Vonnegut, so I like my chances to compete. Or at least make it interesting.

Is there a moral to this story? Yes, I suppose there is: Google your book’s title before you plaster it all over the internet. Also, don’t obsess over it like I did. In the end, a rose by any other name smells as sweet.

Unless, perhaps, you call it a shitblossom. Now that’s a unique book title.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include eight books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking cheap coffee.

You’ll notice some affiliate links in my posts. This means I earn a commission on sales made through those links, while you pay no additional cost. Just another way to support indie authors like me!

My Upcoming Book Schedule

As you may or may not be aware, I recently released a (sort of) new book called Past, Present, FutureI’ve also got another, Remembering the End, arriving later this year. But those aren’t the only books coming to a shelf near you.

Today’s the perfect day to reveal all the books I’m working on. Let the hype-train commence its chugging.

The Woman with the Wine Glass

To capitalize on the trend of book club books about alcoholic shut-ins, I’m writing a twisty mystery about Lilith, an alcoholic shut-in.

One night while staring out the window and guzzling some Barefoot-brand white zinfandel, Lilith witnesses a heinous crime: Her neighbor beating her husband to death using a mini baseball bat from the Cooperstown Baseball Hall of Fame.

But did Lilith truly see what she thinks she saw, or was it a hallucination brought on by her wine-induced stupor? Not sure. I’ll let you know when I figure it out.

Expected release date: ASAP, since this literary fad should go the way of the vampire any day now.

Gerald Barkley Rocks: Kyle’s Version

(Cover originally designed by Nathan Rumsey and here modified by the author.)

Re-releasing a previously released album? That’s a Taylor Swift special. I haven’t dropped an album of my own (yet), so I suppose I’ll settle for my books.

The thing is, my first novel, Gerald Barkley Rockswas already an independent release, meaning there’s no distributor to break free from. So, my plan is to copy and paste my book’s text into a new file, then slap “Kyle’s Version” on the cover and call it a day. Hopefully, my psychotic cult of fans will buy millions of copies so I can continue flying my private jet to the far reaches of the earth.

Expected release date: You’ll find out during the Grammys.

Spon Con: The Book

If you enjoy commercials during podcasts or the #ad hashtag, you’ll love this book. From cover to cover, it’s all product placements.

What for? Whatever you’ll pay me for. I’m opening this one up to advertisers, especially the ones who cold email me with no knowledge of who I am or what I do. I’m aiming for 300 pages, and every page is its own advertisement—the more garish, the better. Get your spot while they last.

Expected release date: April 2025, or whenever I accumulate enough money to buy an Alpha Black Lotus.

So Done with Airports: An Anti-Flyer’s Manifesto

Perhaps the most personal book I’ve ever written, this mad ranting is the perfect distillation of my hatred for the airline industry. I cover everything from security to bag policies to seat size. There’s even a chapter on how best to silently seethe while your seat-neighbor spreads over the armrest like a blob of molasses.

Expected release date: October 2025.

ChristmaTyranny: A Tale of Revolution & Retribution

Deep in the frozen wastes of the North Pole, Boss Santa rules as unquestioned god-king over his subjects. Christmas trees stand as monuments to his splendor, exhausted reindeer haul his chariot across the eternal night sky, and the vicious Gingerbread Mobsters serve as enforcers of his orthodoxy.

Under the sugar-laced thumb of this toy-making empire lies Bupkis, a lowly quality assurance elf who’s so bland and forgettable he must wear a nametag, despite working the same job all his life.

Yet when an underground insurgency force recruits Bupkis to overthrow Boss Santa’s corrupt regime, the elf’s true loyalties are put to the test. Is he really just the company man he appears to be, or is Bupkis deceiving both sides—and perhaps even himself?

One part spy thriller, one part heist adventure, and all parts festive, ChristmaTyranny is the gift that keeps on giving plot twists, right until the bittersweet end. Hailed as “anti-plutocracy ideology meets Elf,” there’s no better book to add to your stocking this holiday season.

Ho ho has gotta go.

Expected release date: Christmas 2025, of course.

Say Nothing & Complain About It Later: A Practical Guide to Passive-Aggression in the Workplace

Most business books offer suggestions on improving one’s corporate image, but instead of zigging, I’m zagging. Mine is all about letting the hate flow through you.

Angered by coworkers always leaving the water cooler empty? Annoyed by the inane chatter happening right outside your cubicle? Distressed by the state of the bathrooms? This book will help turn your simmer into a boil, making you the most passive-aggressive person in the office since Angela Martin. It even comes with a handy supplementary workbook containing future employment suggestions for after you’ve been fired.

Expected release date: Look, I’m working on it, alright? I’ll have an update by EOD.

Ceaseless Hype: A Memoir of My Dog

For those who’ve never met her, my dog Osi is a hyperactive four-year-old English Springer Spaniel who writes under the pen name “Psychopup.” Of course, no one ever believes she’s four, because she acts more like she’s four months. And now, I’m co-authoring a book with her.

It’s a slow process. Every time I try to schedule writing sessions, Osi’s eating, napping, or running wind sprints in the backyard. Plus, like many dogs, she has no fingers, so I’ll be doing all the typing.

Expected release date: Woof. (That’s a direct quote from Osi.)

Get Your Wallets Ready

These books are coming soon to online retailers near you—except ChristmaTyranny. I’ve just received word that Santa is suing me for libel, so that one’s on hold. Maybe I’ll write a book about the proceedings.

P.S. Happy Aprils Fools’ Day.


Kyle A. Massa is a comedy author of some sort living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include five books, along with several short stories, essays, and poems. When he’s not writing, he enjoys reading, running, and drinking coffee.

“If Pages Could Blush”: The Story Behind the Story

If Pages Could Blush

This story began in my car. Well, it technically began with an anthology. But not the anthology you’ll read it in.

You know what? Let’s back up a bit. There’s a story behind every story, and today, I’d like to tell you the tale of my latest.

It’s Called “If Pages Could Blush”

…And it appears in Unidentified Funny Objects 9, an anthology edited by Alex Shvartsman. We’ve also got stories from Jane Espenson, Lavie Tidhar, and Simon R. Green, amongst many other talented writers.

My story takes place in a library where the books are sentient. One of those books—the infamous Necronomicon—escapes from its section, no doubt for nefarious purposes. Now it’s up to Augustus Fluff, bumbling librarian’s apprentice, to apprehend the escapee.

How It Started

As I mentioned, “If Pages Could Blush” (we’ll call it “IPCB” from now on) began with an anthology. The theme? Send a story about books.

I had a few ideas. I drafted a tale where someone procures a forbidden book from an underground bookshop, then another about a book that transports readers to an alternate world (literally). After my usual trial-and-error cycle, I settled on a concept I liked: A book gets loose in a library.

The First Draft

Here’s the part about writing the story in my car. In the fall of 2021, during my work commute (shoutout to Special Olympics New York), I decided I’d do something besides listen to Limited Resources.

In the writer world, you hear legends of people who pen 4 or 5k words per day using the magic of dictation. Being the copycat that I am, I tried the same, starting with my escaped-book story. Here’s the first line of my first draft:

“A book was missing.”

Not the most riveting stuff. Also, according to my Google Doc, I began writing on October 14 at 8:35am, meaning I was late to work. For shame!

Things got better from there. My main character was a librarian who owned his own set of sentient books. When one escaped, he went on a quest to find it. However, as I wrote, the librarian became increasingly incompetent. His adventure took on a farcical tone because he was so flustered about the whole situation. So, I morphed my MC into an apprentice rather than a master.

Subsequent Drafts

In my next version, the Master Librarian established the rules of the world in the first scene (yes, she’s known as “The Master Librarian,” even in the final draft). My new main character, the Master Librarian’s bumbling apprentice, was named Augustus Gulp. I liked the name because it was contradictory: “Augustus” is an emperor’s title, yet “gulp” is the sound you make when you’re in trouble.

However, my writers’ group caught something. The name sounded awfully similar to Augustus Gloop, that gluttonous ginger kid from Charlie and the Chocolate Factory. Not a bad association, but not one I wanted, either. After a few days’ deliberation, “Gulp” became “Fluff.”

At the suggestion of both Sara and my writers’ group, I cut the opening scene with the Master Librarian, preferring instead to launch directly into the story. I tightened said story, too, adding references to my favorite books and clarifying the trail of clues leading to the denouement. The deadline for the anthology was January 31, 2022. I worked diligently to hit it.

(When I say “diligently,” I mean squeezing it in between games of Magic: The Gathering and reading sessions of Shakespeare’s Othello, which Goodreads tells me I was reading at the time. Justice for Desdemona.)

Anywho, eventually I finished “If Pages Could Blush”—or at least finished it enough to submit.

The Anthology

I use a handy little site called Duotrope to track my writing submissions. That’s how I know that, on January 31, 2022, I sent “IPCB” to the anthology. On March 24, I received a response that can be summed up in two words:

No thanks.

That one hurt. I’m used to rejections, as evidenced by my 115 submissions since 2013, with a rejection percentage of 85.8. Like baseball, a high-failure rate is part of the game.

Yet this proverbial strikeout stung more than the others. Why? Because I’d written the piece specifically for the market. It was like crafting the perfect gift for your Secret Santa, then watching them set it ablaze with a flamethrower.

Okay, that was melodramatic. But still, it was a bummer.

Furthermore, I thought “If Pages Could Blush” was pretty darn good. The concept was fun, the mystery felt satisfying to me, and early readers seemed to find it amusing. So what was wrong with it?

Nothing? Everything? The answers in art are never that clear.

A Brief Aside

You may not know this, but I once volunteered as a first reader for Grimdark Magazine. In that role, I read stuff.

…And then offered thoughtful feedback to the editor. But really, the position was well-named, because it was all reading.

Most of what I read was strong, yet little of it made the final mag. Why? Limited space in the issue. Topic too similar to previous stories. Elements that didn’t align with our theme.

In other words, there’s more to publishing than quality. Not to say quality isn’t the most important factor in any artistic endeavor—it’s just that those other, less visible details matter, too.

This is a long way of rationalizing my rejection. It’s how I convinced myself to continue submitting.

The Next Few Months

In May, I sent “IPCB” to three pro-paying markets. I received a one-day rejection, a 38-day rejection, and a shortlisting. Feeling encouraged by that last one, I submitted my story for the fifth (and, as it would turn out) final time.

I’d never read Unidentified Funny Objects before, but I’d heard of it. It’s one of the few pro-paying humorous fantasy/sci-fi markets around (professional payment being defined by Duotrope as “5 US cents per word and up”). UFO has also published stories by two of my literary heroes, Neil Gaiman and George R.R. Martin, so that was a definite draw.

Three days later, I received notice that “IPCB” was being held for final consideration. And, on September 24, 2022, my story was accepted.

Provisionally. (Dun dun DUN!)

The Edits

Alex Shvartsman, the aforementioned series editor, responded with the news. He said he’d be happy to accept my story, provided we agree on some changes.

To preserve editorial integrity, I won’t disclose those changes. (I’m new to this, so I’m honestly unsure if sharing would be considered tacky.) Suffice it to say there were four suggestions, and they all improved the piece.

After those edits came a round of copy edits, then signing the contract in blood (JK, it was a BIC). Then, finally, “If Pages Could Blush” became an official inclusion in UFO9. You can read a copy yourself.

The Takeaways

Prior to this, I’d only ever sold a single short story; those of you who’ve read Monsters at Dusk will remember it. It’s called “Thespian: A Tale of Tragedy and Redemption in Three Acts,” and Allegory gave me a cool $20 for it.

I don’t write for money. Yet still, someday I want to make a living off this writing thing. And earning 20 times what I had before? That felt pretty good.

Go Catch Your Copy Before It Escapes!

If you’ve made it this far, then why not read the story this entire story’s been about? Go grab your copy of Unidentified Funny Objects 9 on Kindle or paperback! I hope you enjoy it as much as I did.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include three books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

Portrait of a Writer at Work

Portrait of a Writer at Work

Short blog post for you this week, detailing a short look at a very short story. A 10-word story, to be exact.

The Assingment

I’m a member of The Alliance of Independent Authors, an organization that just celebrated its 10-year anniversary. To commemorate the occasion, they hosted a 10-word story competition. Considering my short attention span, this sounded appealing. So, I got to work.

The Process

You’d think writing 10 words would be easy, but I found it harder than writing 10,000 times that number (I would know—that’s the length of my upcoming book.) Here are a few of my attempts:

She thought it was seaweed—until it grabbed and pulled.

The advertisements bemoaning the vaccine for advertisements regrettably didn’t work.

“I dreamed you were dead.”

“I’m not dead.”

“Okay, phew.”

As you can see, these ranged from iffy to downright horrendous. Writing a story with 10 words is like constructing a house with 10 materials, or painting a mural with 10 brushstrokes.

Finally, after about 10 duds, I wrote this:

Procrastinate. Tweet. Daydream. Delete. Behold, a paragraph! Break time. Repeat.

I called it “Portrait of a Writer at Work”—not that I liked it much, either. I kept writing, kept failing, and when the deadline loomed, I scrolled through my failures and decided the story above was the best I could do. I sent it, and evidently, someone like it.

The Result

My piece cracked the contest’s top 10! Alas, I didn’t win, but that’s quite alright. It was exhilarating to hear my name called on a livestream.

Hope you enjoyed the final product. Maybe I’ll write more in the future…


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include two books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

Another Sneak Peek at “Eggs for the Ageless”

Eggs for the Ageless

Eggs and deserts might be a strange match—except in the world of Eggs for the Ageless.

This all-new comic fantasy novel arrives May 16, 2022. In the meantime, I’ve got to blog about something. So, I’d love to share a chapter of the book with you.

A live version of this excerpt is available here. However, if you’d rather not hear me repeat the word “umm” several times, you’ll prefer the written version below. Anyhoo, without further ado, here’s Chapter Two of Eggs for the Ageless, entitled “A Meeting of (Most of) the Dozen.” Hope you enjoy it!


Lira, Goddess of Order, cleared her throat. “Your father and I have an announcement to make.”

“An important announcement,” her husband clarified.

Lira shot him a venomous look. She wore her long hair tied neatly into a spiraling braid which hung over one shoulder. Her forehead contained a vein that had been throbbing for several thousand years or so, and never more vigorously than during family meetings. Like this one.

She noticed her husband’s throne was not quite aligned with hers; a hair of a degree off, by her estimation (which was of course perfectly accurate). So Lira snapped her fingers. Her husband’s throne jerked into place.

Her husband’s name was Florinioniorius. He was a plump god adorned in a robe of starlight and boots of midnight. A beret spun from strands of dream was stuffed over his curly mop of dark hair. He was called God of Life, Creator of Creation, Author of It All, and many other bombastic self-appointed titles nobody used but him. Most just called him God of Creation.

Florinioniorius’s eyes changed color depending on his mood. As they narrowed on his wife, they turned red. But when his gaze swept over their children standing before them, his eyes turned a vibrant orange. He scooted his throne back where it had been, then stroked the silver quill tucked behind his ear. It was the quill he’d used to create everything.

Lira and Florinioniorius (we’ll call him “Flor” from now on, to save paper) had hundreds of children, all of them Ageless. Among those hundreds, the first 10 were known as the Dozen (with Lira and Flor making 12). And of those 10, eight were in attendance. Those eight children presently stood in a half-arc around their parents. Above them hung the crystalline dome of the Council Chambers, and above that a dome of purple clouds that kept out the oppressive sun. Far below awaited the realm of the mortals (where Egg and her mother lived). The Ageless called it “Downstairs.”

Lira and Flor were human-shaped. Among their eight attending children, some were and some weren’t. One, for example, had a cluster of eyeballs in place of a head. Another sported three pairs of feathery wings and was now combing them with a brush. Another had a tiny, cone-shaped head atop a hulking, angular body. The most humanoid among the children was a curvy woman with red hair, red robes, and red ruby rings, one of which she twisted around her finger. Her name was Laléna, and she was Goddess of Love.

“Mother?” Laléna asked. “Father? Is everything alright? What sort of announcement is this?”

“Let me guess,” said a god whose bod was composed of swords, spears, daggers, and all manner of pointy objects. “There’s a fight brewing. Am I right? Sweet, I knew it. I’ll gather a host and meet you Downstairs.”

“No, War,” Lira answered. “No fighting.”

The God of War, who’d given himself the imaginative name “War,” peered down sullenly at his shoes. They were made of razor blades.

A Goddess with hair composed of kelp and tanned skin verging on orange spoke next. “I’ve got a guess. We’re installing a new beach down there, aren’t we?”

“Good guess, Idos,” said Flor, winking one orange eye. “But no new beaches needed. Maybe another time, m’dear.”

Idos, Goddess of the Sea, peered down sullenly at her shoes. They were flip-flops.

“Is this a recognition banquet in my honor?” asked a goddess with green skin of a bark-like texture, along with several toadstools sprouting from her cheek. Two crows sat on her shoulders, and a monkey sat on her head. “Or a good-natured roast? Perhaps a surprise party?”

“No, Grimgrumble,” Lira sighed. “It isn’t even your birthday.”

Grimgrumble, Goddess of the Wilds, peered down sullenly at her shoes—or would have, if she ever wore any.

“We have summoned you all here today,” Lira practically shouted, vein pounding in her forehead, “because your father and I have an announcement to make. We need to tell you that—”

“Ahem,” said Flor.

Lira glared at him. “What?”

“Nothing. It’s just…who’s telling them? Me or you?”

“I was about to. Then you interrupted me.”

“That wasn’t interrupting, that was me clearing my throat.”

“My ass. I know what it was, it was—”

“Mother,” Laléna interjected. “Father. We just want to know why you summoned us here. From either of you.”

The world’s original power couple glowered at each other for what seemed like eons. Finally, Flor waved a hand in concession. Lira nodded.

“Your father and I,” she boomed, “are getting a divorce.”

Silence. That’s what came next. Complete, awed, disbelieving silence. Ten whole seconds of it, during which existence itself seemed to hold its breath. (Who knows? Maybe it did.)

One god finally broke that silence: The one with three sets of feathery wings. Windbag was his name, and he was God of Air. He raised his wings along with his hand.

“Divorce?” he asked. “What does that word mean again?”

Mountain, God of Earth, who had the cone-shaped head and the angular body, whispered the correct answer. He had to whisper, otherwise he’d cause an earthquake. Unfortunately, he whispered so quietly that no one heard him.

So War, God of War, ventured a guess instead. “Divorce is a breed of dog, Windbag, you dummy. Mom and Dad are getting us a puppy.”

“Nope,” said a goddess who had hitherto been silent. She wore muddy boots and a big hat with a tall yellow feather in it. Faraway was her name, and she was Goddess of Travels. “Not a dog. Divorce is a term coined by the mortals. Means Mother and Father are splitting up.”

“That’s correct, m’dear,” Flor confirmed. “Your mother and I are parting. We’ve had enough of each other. And frankly, enough of this world. I created it, yes, but I yearn for a new project.” He patted the silver quill tucked behind his ear. “I’d hate to be remembered as an author with only one book.”

“You created this world,” Lira snorted. “But I kept it going. The whole damn time.”

Flor’s eyes turned red again, though he managed to unstick them from his wife (soon to be ex). He smiled at his children. “We’re leaving two essential posts empty: Mine, as God of Creation, and your mother’s, as Goddess of Order. Therefore, we’re conducting tryouts for our replacements.”

Lira glared at her husband (soon to be ex, also). “We agreed to call them interviews. Not tryouts.”

“‘Interview’ sounds so stodgy. Tryouts are fun! Besides, why do you care so much?”

“Father,” interjected Laléna, ever the voice of reason. “Mother. Let’s back up a moment. Is divorce really the answer? Can’t love find a way?”

“No!” snapped Lira and Flor simultaneously. It was perhaps the first time they’d agreed on anything in several millennia.

The god with the head made of eyeballs spoke next—or would have, had all those eyeballs left any room for a mouth. Instead, he wrote a message on a scrap of parchment, then passed it to Laléna, who read it aloud. She said: “Infinity wants to know when the interviews are being held.” (Infinity, by the way, was the God of Knowledge.)

“Soon,” answered Flor, at the same time Lira said, “Immediately.” They exchanged several dirty looks, then Lira continued.

“We shall consider all of you gathered here today, as well as your sister Coda, who’s working right now and couldn’t attend. We would’ve considered your brother Hylus, too, but…” She trailed off, cleared her throat, took a moment to gather herself. “Any other questions?”

Several divine hands shot up. Lira massaged the vein in her forehead. “We’ll make appointments with each of you individually.”

“Thanks for coming, m’dears and m’boys,” said Flor. “Good luck at your tryouts!”

That was their cue to leave. And so, they did. Another happy reunion for the world’s original dysfunctional family.


Kyle A. Massa is a comic fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include two books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

© Kyle A. Massa, 2022. All rights reserved. No part of this excerpt may be duplicated or distributed in any form or by any means without expressed written consent from the author.

A Post-Apocalyptic Halloween Greeting

First thing: Happy Halloween!

Second thing: When did the world end?

I’m being facetious, of course. The world is still intact, and will remain that way until the Philadelphia Eagles win another Super Bowl, at which point all existence will implode upon itself. But in my new short story, The Post-Apocalyptic Independent Author, the world is kaput. And today, I’d like to give you a behind-the-scenes at this story.

The Inspiration

Last year, a certain global pandemic made the future seem grim. And here in the United States, we also had rampant police brutality (and still do, sadly), along with an anxiety-laden election that inspired an attempted insurrection at our capital.

So yeah. Not a great stretch there.

Sad to say, 2020 made me contemplate the collapse of civilization far more than I ever had. Being a writer, I manifested those contemplations as post-apocalyptic stories.

Such narratives are strangely optimistic: They promise life—albeit often bleak—even after catastrophe. But post-apocalyptic stories can also be arrogant, because they often assume the near-extinction of humans qualifies as the end of the world. Here’s the thing: Even if humans die out, planet Earth will still endure (probably). To quote the great humanist Ozzy Osbourne: “The world will still be turning when you’re gone. Yeah, when you’re gone!”

So, I imagined a future where Earth moved on from humans, though books still existed (even the bad ones). Thus, The Post-Apocalyptic Independent Author was born. Or rather, written.

The Writing

As with many of my stories, this one had many failed incarnations. I knew I had the elements—I just needed to configure them properly. Those elements were, in no particular order…

  1. A prolific yet talentless and inexplicably cheery author based on Kurt Vonnegut’s Kilgore Trout (and a little on me)
  2. A wagon full of books
  3. A sand-swept, desolate landscape
  4. Offbeat humor
  5. Godlike cockroaches

Number two turned into a wheelbarrow, and number five went from plural to singular, but the rest remained essential. But how would I fit the pieces together?

In one aborted draft, for example, our main character encounters several characters on the road, trying (and failing) to sell a book to each. Here’s an excerpt from a draft I wrote in June:

“I hope you don’t mind me saying,” said Oliver, “but you look like a romance guy.”

The man Oliver spoke to, the alleged romance guy, was a squat, balding brute with a bulky frame hidden beneath a flak jacket. He stood with his massive hands squeezing each other, like the jaws of two wolves snarling over a scrap of meat. His eyes were cold and gray and lifeless. They did not blink.

“Kissing,” Oliver continued. “Lots of kissing and squeezing and moaning. It’s borderline erotica, but not quite there. A little softer, you might say, but if you’ll excuse my saying, you look like a soft, loving sort of guy. Deep down, I mean.”

The man spat in the dust.

I was proud of the writing here, especially considering I dictated it during my commute. Yet the story never felt like it was about anything. It needed more depth, more nuance, more meaning.

So, I tried a new tactic. This time, I changed it from third-person to first.

I knew a guy once who told a joke. The joke went like this: What’s the difference between a writer and everybody else?

Wait for it, wait for it, then comes the punchline: Everybody else makes a living.

Big laughs, big laughs. Funny because it’s true. I know from experience.

See, I sold my books before the end and I sell them now, too. You would think that a global apocalypse would open people’s wallets, but no. I’ve still never sold a copy.

Warmer. The first-person voice felt better than third, but it hadn’t solved the depth and nuance problem. Again, I had to ask myself: What is this story truly about?

The answer: lost friendship. We all have that childhood friend we lose track of, that person we grew apart from, though we can’t explain why. This is a story about the friends we lose—and maybe even reconnect with.

The Finished Product

At first, The Post-Apocalyptic Independent Author was a placeholder title. However, I liked the rhythm so much I kept it. I’m proud of this story’s blend of post-apocalyptic setting, offbeat humor, and a dash of horror (hence the Halloween release).

Want a taste for yourself? Here’s an appetizer:

“Hello, human.”

Ah. So I’ve been spotted. I tip my hat to the hybrid face now leering at me, hoping the casual gesture belies my dread.

“How many books would you like to buy?” I ask the drone. “A copy of each? This is your lucky day, my friend. I have plenty.” (I have plenty because nobody ever bought a copy, even when there was money to buy them with. But I keep that detail to myself.)

The drone approaches me. He wears a flowing robe that matches the dull gray of the world around us. The way his legs dance beneath, I can tell he has more than two.

“A book?” he asks with a lopsided grin. “Why not a blessing? Why not the Blessing? Shall I describe the process to you?”

“I’d rather describe my books to you. I peel aside the tarp on my wheelbarrow like a magician revealing the vanished rabbit. “I’ve got hardcovers, paperbacks, matte finish or glossy. My newest stories are written longhand in notebooks, or sometimes upon several napkins. Not the most appealing medium, but I’m sure you understand, what with the state of publishing these days. Ah. Try this one.” I pass a hardcover copy of Shank & Shiv: Attorneys at Law to the drone. Sweat trickles down my back. “Supernatural legal thriller. John Grisham meets William Peter Blatty. You look like you’d enjoy it.”

The drone’s green eyes squint at the cover. “This cover is…”

“Gorgeous? Why thank you. I made it myself. With Photoshop. Remember Photoshop?”

The drone flips over the book and reads the back cover aloud. “‘They say demons love contracts. That’s why Shank & Shiv, demons and best buddies, open their own half-legal law firm in New Jersey.’”

I nod. “Remember New Jersey?”

A shrug, and the drone reads my name from the bio. “‘Oliver M. Fudge.’ Is that you?”

“One of me. It’s a pen name, you see. I’m a genre-hopper.”

“Fascinating. Now, I’ve listened to your pitch. Will you listen to mine?” The drone’s insect mandibles tickle the air. He doesn’t wait for an answer. “I am an emissary. I offer the Blessing of the Roach to the refuse of this world. Refuse such as yourself, Mr. Fudge. Do you wish to see clearly and breathe freely? Do you wish to ascend higher than your predecessors ever dreamed? If so, the process is simple.”

“Simple, eh?” I study the drone, my gaze lingering longest on his antennae and the legs beneath his robes. “Seems like you’re still working on it.”

“A transitory state. You should see me when I’m all grown up.”

“I’d rather not. I’d rather sell you a book.”

And here’s what advance readers have thought of the story:

  • “A strange, comical, and heartwarming story.”
  • “This is quite a shift to the typical apocalypse tale.”
  • “A really sweet little story about friendship, giant roaches, and terrible short stories during the end of the world.”

Click here to purchase your copy of The Post-Apocalyptic Independent Author. Happy Halloween!


Kyle A. Massa is a fantasy author living somewhere in upstate New York with his wife, their daughter, and three wild animals. His published works include two books and several short stories. When he’s not writing, he enjoys reading, running, and drinking coffee.

Back at the Albany Book Festival

It was 10:25 in the morning, my socks were quacking against my Adidas Slides with each step, I was lost between the austere granite slabs of UAlbany’s campus, and yet I recall feeling content. The Albany Book Festival was back.

To be clear, last year’s event wasn’t cancelled—it was virtual. However, I was Zoomed out, so I didn’t attend. This year was back in-person, masked and socially distant.

I brought my Special Olympics New York backpack, a pen and notebook, a packed lunch, and some cash (because one can never have too many books). I also came clad in the aforementioned socks and Slides, which was in hindsight, a poor choice.

I was aiming for comfort.

“So, are you a student here?”

I’m almost 30, and I got this question about that many times. I’m pretty sure it was the footwear.

10:35am

I slipped into the day’s first session about five minutes late. Fortunately, the back row was open and introductions were proceeding.

Three people sat at the head of the room, six feet separating them. On the left: Dana Spiotta. On the right: Ed Schwarzschild. In the middle: Nana Kwame Adjei-Brenyah. “I’m sitting between two of my professors,” Adjei-Brenyah said with a smile.

Albany Book Festival Sign

Despite the signage, I still managed to get lost.

I scribbled two pages of wisdom over the next 45 minutes. Aside from the parentheticals, these are direct extracts of my notes:

  • 3rd v. 1st person – Nana has both in his new book (re: point-of-view)
  • “Novel? Yeah! But short story? Where’s the novel?” (Adjei-Brenyah’s impression of agents)
  • “It’s like getting married.” (Spiotta’s comparison for writing a novel.)

I don’t quite recall what all my scribblings meant, but I’m glad I scribbled them. There’s nothing so inspiring as listening to talented writers discuss writing.

11:35am

With the opening session complete and my coffee thermos empty, I needed a bathroom. Not for the first time that day, I learned how labyrinthine UAlbany’s campus is. (Don’t worry—I ended up finding one.)

That left five minutes until the next session, which I devoted to meeting local authors in the Campus Center Ballroom. Had I acted faster, I might’ve joined the 40 or so folks tabling at the event. But hey, there’s always next year.

Inside awaited books. Books perched on platforms, books displayed on racks, books upon books upon tables arranged in concentric rings. I made the rounds and met many of the people behind those books, including Keith W. Willis, Shana Gourdine, Bill Moloney, Eleanor Kuhns, and Laura Heffernan.

Albany Book Festival Loot

My loot from the event.

(Not pictured: The Milky Way bar I devoured on my way to the next session.)

12:10pm

This panel began at 11:45, so I regrettably missed much of it. Ed Schwarzschild was back once again, this time paired with Emily Layden, author of All Girlsa novel about a New England boarding school.

My favorite bit of advice from Layden: “An editor’s job is to see your work for what it’s trying to be.”

12:37pm

Unfortunately for my groaning stomach, there was no lunch break on the schedule. So, with eight minutes until the next session, I discovered a distant table tucked beside the shadow of the Campus Center stairs and removed my mask. Time to eat.

(My meal, for the curious, was a turkey sandwich with baby carrots, saltine crackers, a banana, and a granola bar. Did not snap a pic.)

So there I sat, munching on my sandwich, watching masked people flow up and down the stairs, swinging their complimentary purple totes, consulting their programs and floor maps, chatting about this panel or that book. I eat turkey sandwiches every weekday—but that Saturday’s sandwich tasted especially good.

12:45pm

This was the first session I was on-time for. I padded lightly, reducing the squeaking of my Slides as much as possible, then chose a seat at the end of the row beside a woman knitting a purple sweater. “Are you a student?” she asked me.

Peter Osnos was the featured speaker, in conversation with Paul Grondahl. Osnos is a remarkable guy, first as a journalist covering the Vietnam War, then as an editor, now as a publisher, and always as a writer. The guy has seen some shit, and he’s met many important people along the way (some of them shitty). A short list: Robert McNamara, Jimmy Carter, Bill Clinton, Barack Obama, Donald Trump, and Vladimir Putin.

Of our modern times, Osnos commented, “I think we’re living in, as we always will, a time of turmoil.” I found this statement oddly comforting. Every generation has their turmoil: The Cuban Missile Crisis, Vietnam, 9/11, the pandemic (I know I’m missing a few). Yet if we endure these turmoils, someday we’ll speak of them in the past tense.

But the best exchange went like this:

Grondahl: “You’ve been a reporter, editor, and publisher. Which is your favorite?”

Osnos: “Grandfather!”

1:45pm

“When you’re in the storm, it’s hard to describe. It’s just…life.”

I can’t recall the question that sparked this response from Quiara Alegría Hudes, but I loved it. She wore a suit jacket with pink and blue flowers, and she sat on a stage in the Campus Center West Auditorium, six feet away from interviewer Sarah LaDuke.

Albany Book Festival Stage

The stage just prior to the interview.

Hudes is perhaps best known for co-writing the musical (and screen adaptation of) In the Heights with Lin-Manuel Miranda, the guy behind Hamilton. But her career goes far beyond, with numerous other playwriting, screenwriting, and essay credits. Her current project: A memoir entitled My Broken Language.

When asked how to honor the varying cultures of the people in her book, Hudes answered, “Authenticity lies in the multiplicity of voices present.” A profound statement.

2:45pm

I rounded out the day with a talk from Elizabeth Brundage, a veteran author who’s an Albany native herself. Her new book is called The Vanishing Point, and it sounded so intriguing I picked up a copy myself. When asked about the book’s genre, Brundage said, “I don’t try to think about genre too much when I write. I just try to write a good novel.”

I dig this sentiment. Especially in the indie space, I worry some are too fixated on genre. I’ve heard far too many authors cautioning others against genre hopping and breaking conventions, when I fear that approach might lead to homogeny. After all, I can’t recall ever reading a book and thinking, Wow, I love how conventional that story was.

Anyway, I digress. Later in the session, Brundage summed up her feelings thusly: “I’m interested in people. That’s my genre. People are my genre.”

Later, I got in line to meet the author. She was personable, and she wrote a kind dedication in my book: “From one writer to another.” Of course, she must’ve seen my footwear.

“Are you a student here?” she asked.

3:30pm (Or So)

As I drove home in my 2005 Honda Element (nicknamed “The Box” by my wife), I pondered this essay. I wondered what the point would be, beyond notifying people I’d attended the Festival. I thought about masks and the pandemic, about how one year ago, this event existed only online. I thought about a sentiment I’ve heard so often, always in different forms, but always the same: Why didn’t the pandemic bring us together?

For over a year, every person on earth has had something in common. You’d think that would inspire unity, but it’s only fueled division: Masked versus unmasked, vaccinated versus anti-vax, cautious versus no-worse-than-the-flu. For many, this dissension is cause for despair.

But at a gathering as relatively small as the 2021 Albany Book Festival, I found the unity the world’s been longing for. I saw people joining together, masks and all, to celebrate our shared passion: books.

Books. Simple as that. Words printed on pages and bound together, covered by shells of cardboard, matte or gloss. Words from one person to another. Words that help us realize how much we have in common, or how little, and why there are reasons to hope either way.

My right Adidas Slide quacked as I pressed it into the accelerator. I merged onto I-90, and I headed home.


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife, their cats, and their dog. He has written two books and numerous short stories, both published and yet-to-be published. He enjoys unusual narrative structures, multiple POVs, and stories that make readers laugh.

The Wild Ride of Publishing Wide

Wide publishing

Being an indie author is like being a grizzled old fisherman—you catch more if you cast a wider net. (Of course, dear reader, I know you’re a human, not a fish.)

I build my net out of websites. BookFunnel, Amazon, Smashwords, even this very site you’ve found yourself on. The more sites you can buy my books, the wider my net. Speaking of which, let’s take a look at the net.

This Here Website

Yes, you can buy books on kyleamassa.com without ever leaving it. And sorry for the salesy marketing speak, but it’s now easier than ever.

When you bought a book from my site in the past, you’d receive an automated email with several files attached. Functional, but not optimal. I’ve got a better way now thanks to BookFunnel.

When you buy a book on my site, BookFunnel automatically emails you with a download page. You may select from a loaded buffet of options, including Kindle, iPad, iPhone, Android, or computer. BookFunnel will hook you up with the proper file type, and often deliver it right to your desired device.

It’s really quite an elegant service. If you’d like to try it out for yourself, you can download my triptych short story collection, Past, Present, Future. It’s everybody’s favorite price: free.

Almighty Amazon

Yes, Amazon is essentially essential at this point for any indie author. My books have been there for years—but there’s a newcomer to the party.

You may remember Big Riches, Fine Wine, and a Pinch of Dragonsbane appearing as an exclusive story on my site last year. Now that it’s existed for a full calendar year, I’ve given it to Almighty Amazon.

To be clear, you can still buy Dragonsbane on my site. Just trying to expand that net, ya know?

A Smashing Smashwords Discount

If you’ve made it this far, you’re in luck. Smashwords has an annual summer sale, and two of my books, Gerald Barkley Rocks and Monsters at Dusk, are both discounted for—please don’t pass out—75% off.

So, for the summer only, you can get either (or why not both?) for $1.24 per purchase. They are not going to get any cheaper than that!

Widening That Net

It’s important to me to make my books available in as many places as possible. Yes, I want to sell more. But I also believe book should be available to anyone who wants to read them, no matter where they find them.

I hope my wide net finds you. And, if not, please email me at kyle@kyleamassa.com and let me know. I’ll see what I can do for you!


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife, their cats, and their dog. He has written two books and numerous short stories, both published and yet-to-be published. He enjoys unusual narrative structures, multiple POVs, and stories that make readers laugh.

Kyle’s Time Travelin’ Tour, 2020 Edition

People hated 2020 about as much as non-New Englanders hate the Patriots. But hey, at least it’s over.

Now you may have noticed this fancy looking doohickey here. Though it might resemble a futuristic vending machine, it’s not. It’s actually a time machine.

Step inside, reader. I’d love to show you some stuff I worked on in 2020. And I promise we can stay socially distant and wear masks and all that stuff.

Ready? I’ll just close the hatch, press this button here, and…

January

We begin 2020 with an ending: I finished reading the Sandman series. That’s 10 collected volumes, 76 issues, and a heck of a lot of pictures of naked people.

I include this here because Sandman changed the way I think about long-form narrative. It’s impressive how the issue story arcs feed into the volume arcs, and how all 10 volumes combine to cover one gigantic story. Furthermore, the experimentation in form and style is incredible to behold. Can’t wait for the Netflix series.

February

February was a relatively quiet month for writing, mainly because I spent most of it gearing up for the 2020 Special Olympics New York Winter State Games (that’s my day job). About 1,000 athletes, coaches, and volunteers gathered in Rochester for competition in six sports. When we can safely host events of that size again, I highly recommend you join us.

On the writing front, I published a tongue-in-cheek blog post entitled “Podcasts I’ll Never Make.” Everybody seems to have a podcast these days. This post is why I don’t.

March

With Winter Games concluded, I dove headfirst into my next long-form project. It was going to be called And the End is Always Near (a title borrowed from the lyrics of “Roadhouse Blues” by The Doors). Notice the past tense there.

Chiefly inspired by The X-Files and the works of Emily St. John Mandel and David Mitchell, this novel was going to check in with five point-of-view characters over three years: 2000, 2010, and 2020. I read Monsters of the Week: The Complete Critical Companion to The X-Files (among other books) as research. I even quizzed friends and family on their recollections of my three years, hoping to get as many perspectives as possible.

I think you can tell where this story is headed.

Things shut down here in the U.S. in about mid-March. Remote work began, mask-wearing became as ubiquitous as underwear wearing, and 2020 turned into quite the stinker of a year. In a matter of weeks, my enthusiasm for the project dwindled.

It’s not dead. I plan to revisit And the End is Always Near in the future, once this pandemic nonsense is over. I’ve changed the years to 1999, 2012, and 2020. I’ll lose the clean decade spacing, but I like these three years because they’re three points in my life where the end truly seemed near (1999 had Y2K, 2012 had the Mayan calendar thing, and 2020 was 2020).

So, I pivoted on this year’s project. We’ll get to it soon.

April

I’ve done an April Fools blog post the past few years, and 2020 was no exception. I give you the sequel to my first novel:

Gerald Barkley Raps Cover

(Here I tinkered with the brilliant original cover design by my friend Nathan Rumsey.)

I might need to put a disclaimer on these posts in the future, because like 2019’s post, people thought this was real. I felt especially bad about that because some readers were honestly excited. Sorry, everyone.

Lastly, on a non-writing related note, we did as many quarantiners did and got a puppy!

Her name is Osi and she’s an English Springer Spaniel. She is energetic, athletic, and very cuddly, but only when she gets tired (which is rare). We’re still working on her relations with the cats, but things are progressing.

May

The theme of this month was “hair,” as evidenced by my appearance during this live reading of my short story “Large Coffee, Black”…

 

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…And also this newsletter, which bore the strange subject line, “A quick update on the state of my hair.” Lot of unsubscribes on that one. Can you tell I was going a little nuts?

June

Here I regained some semblance of sanity with a new blog entitled, “My 5 Favorite Bad Movies.” Or maybe not, since it’s a post praising the works of Nicolas Cage…

I also finished David Foster Wallace’s A Supposedly Fun Thing I’ll Never Do Again, and thoroughly enjoyed every minute of it. In fact, you’ll see it on my favorite books of the year roundup, coming soon.

July

Now here’s where things got spicy.

In terms of distribution, there are two paths an indie author like myself can walk: Exclusivity, or going wide. The former usually means Amazon, specifically opting into KDP Select, which mandates your book be exclusive to Amazon for a period of months. The latter means sharing your book in as many places as possible, thereby piecing together many smaller incomes into a (hopefully) greater whole.

I’m a going wide kind of guy. Therefore, in July, I began selling books directly on my website.

There are many reasons for doing so, though I won’t bore you with the details—unless you feel like being bored, in which case, check out this blog post I wrote on tax nexus. I spent more time than I’d like to admit trying to figure out whether or not I needed to apply sales tax to ebooks in my native New York State (turns out I didn’t, unless the IRS tells me otherwise).

But it was worth all the research, because it led to this…

Fantasy short story

Big Riches, Fine Wine, and a Pinch of Dragonsbane is a short story available exclusively through my website for $0.99. Look for more short stories like it in the new year!

August

August was a touchy month, in that I wrote about writing about touchy subjects. Specifically religion.

I’d hinted at my new novel a few times prior, but this, I believe, was the first explicit mention of the title, plot, and all that. I also went in-depth on my approach to the subject in a blog post.

Oh yeah, and this happened, too.

 

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September

In September I celebrated a birthday. Not my birthday. Not some other human’s birthday. It was the birthday of my second book, Monsters at DuskIs that weird? Probably.

My birthday present to my book was, perhaps cruelly, a frank evaluation.  Of the 10 stories in the collection, here are my personal favorites, from most to least.

  1. “The Megrim” (The one about Wendyll, Lockwood, and the missing kids.)
  2. “Several Messages from Abby to God (Regarding Her Cat)” (The one featuring letters back and forth between God, Satan, and the little kid.)
  3. “Large Coffee, Black” (The one where the guy falls in love with the titular beverage.)
  4. “Virus/Affliction/Condition/Curse”  (The one about a near future featuring werewolves.)
  5. “Unbelievable” (The one about the college student abducted by vampires.)
  6. “Thespian: A Tale of Tragedy and Redemption in Three Acts” (The one about the actor replaced by CGI.)
  7. “We Remember” (The one about the guy whose memories are quaffed by a mysterious visitor in his dreams.)
  8. “A Good Fit in Penbluff City” (The one about the epic fantasy sports team.)
  9. “Wings” (The one about the character who has wings attached to their body by a demented scientist.)
  10. “Alice” (The one about the kids in a field who spot a lonely monster.)

October

I’m not a big Halloween guy (unless you count my love of The Simpsons: Treehouse of Horror episodes), so I didn’t do any special writing for the holiday. However, I did remind you of the time I tried to convince you to read the aforementioned Sandman series. Remember that? No? Check out the refresher here.

November

I’d been working on Eggs for the Ageless all year, so I decided a fun near-New Year’s treat would be to share some of that work. I did so in this post.

As part of my research for the book, I also concluded The Book of Forgiving by Desmond and Mpho Tutu. As I wrote in my review, it’s not only a good book—it’s an essential one. I highly recommend it.

December

And finally, my writing year came to a squishy end with the appearance of a Book Blob.

What the hell is a Book Blob, you ask? Well, it’s when a blob of goo oozes on over and swallows your books, then refuses to give them back unless readers pay a measly ransom of five bucks (for the record, that’s how much I usually sell one book for). The Blob was supposed to leave by the New Year, but I’m told it’s sticking around one more day. So if you’d like to buy my books from it, you can do so here.

And Now, Back to the Future

Watch your step there. Make sure you wipe the interspatial dust from your eyes. And…we’re back!

Now that we’ve returned to the first day of 2021, some updates on the future: I plan to release Eggs for the Ageless later this year, along with another short story or two directly to this here site. We’ve also got a local short story competition in my neck of the woods, so I’ll be submitting there. And I’ve got another story I’m sitting on that I dig very much.

In short, I’m looking forward to this year, and I hope you are, too. Here’s wishing you happiness, good health, and a speedy return to normalcy. Thanks so much for joining me for the ride!


Kyle A. Massa is a speculative fiction author living somewhere in upstate New York with his wife, their cats, and their dog. He has written two books and numerous short stories, both published and yet-to-be published. He enjoys unusual narrative structures, multiple POVs, and stories that make readers laugh.

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